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    [post_content] => Her message to the world: please don't forget the refugee children.

A little girl is walking alone from Syria to England. She is 11 feet and 6 inches tall.

Little Amal (Arabic for “hope”) is actually a giant puppet. She represents the thousands of refugee children who have been displaced from their home countries. This nine-year-old Syrian girl is now journeying from Turkey, across Europe, and to the U.K., as part of an 8,000 kilometer (5,000 mile)  travelling festival titled The Walk.

At the end of July, Amal began her journey as a “refugee” in Gaziantep, Turkey, home to half a million Syrians. People holding lanterns aloft surrounded her, lighting up the night. As she moved through the streets, Amal reached out to balconies where children stood watching, and gently touched their hands as they smiled down at her. Orbs of light sparkled overhead, and a choir welcomed her with song. Many of the people participating in the street theater were themselves refugees.

Amal is now halfway through this theatrical journey created by Good Chance, a theater company founded in the Calais refugee camps in 2015, in collaboration with the Handspring Puppet Company. Communities in Turkey, Greece, and Italy, where she’s continued her journey, have found different ways to welcome her — sometimes with love, and sometimes with hostility. But how close is Amal’s experience to that of real refugee children?

Setting off in Turkey

The rest of Amal’s journey through Turkey was likewise filled with celebration and theatrical wonder. In Adana, a flock of model birds accompanied her across the Taşköprü stone bridge, held up proudly on long sticks by both children and adults in the local community. She played with the children of Tarsus, who crowded in together for a chance to touch her hands. In the Kaleiçi Bazaar in Denizli, portraits of refugees who had journeyed through Turkey were projected onto walls as she appeared. “I think the most common reaction is wonderment, followed by curiosity. People have been receiving her very warmly in many places,” says Amir Nizar Zuabi, artistic director of The Walk and Good Chance. “One of the most astonishing things for me as artistic director on this project, was the true generosity and creativity that this evoked from people,” he says. “This project is only possible because of a network of thousands of people that have devoted time, energy, and their creativity to create these welcoming events along the way.” Turkey is a poignant place for this journey to begin. It hosts the biggest population of refugees in the world. The “best interests of the child” principle, part of the United Nations Convention of the Rights of the Child, is enshrined into law here, which means that all unaccompanied young refugees must, in theory, be given suitable accommodation and a guardian. But according to the Asylum Information Database (AIDA), many children are in fact abandoned by the state which doesn’t offer the protections they are promised. AIDA has also pointed out the state sometimes appoints inappropriate guardians, such as people without the right qualifications, or who aren’t a relative, leaving refugee children with no other choice but to beg in the street. Were Amal settling in Turkey, accessing education could also be a real problem. Approximately 400,000 Syrian children residing in the country are not receiving an education, according to Human Rights Watch and Turkey’s Ministry of Education, Amal, however, is not settling in Turkey. On her last day in the country, she stood on the shores of Çesme as the sun set, ready to take a boat to Greece. In these waters, many refugees like her have lost their lives. Zuabi commented on the potency of that moment, as Amal looked into the horizon, almost motionless.

Hostility in Greece

Little Amal’s journey in Greece was, at times, quite tumultuous. It began with music, with a whole community arriving to meet her off the boat in Chios and welcome her with song. But in other towns, she faced fury. “In a city called Larissa in Greece, she became a symbol of the refugee problem, she was shouted at and even violently attacked,” says Zuabi. Protesters threw stones at Amal. And in Meteora, people voted to ban Amal from walking through their village, because they did not want a Muslim child walking through a Greek Orthodox space. More violence was threatened against Amal in other towns and villages along her route. “From that moment, her appearances in Greece created a strong sense of solidarity. I think the reaction she induces is specific to the context of the country we are in, and even more specific to the city and the population we meet,” Zuabi says. “One thing I know for sure is that nobody stays indifferent.” 
In spite of the threats against Amal, people still came together to welcome her in Athens. While some events had to be cancelled, Amal took to a rooftop in Athens to meet locals. From this vantage point, Zuabi says, he could see people wiping tears from their eyes. On the Walk With Amal Instagram account people responded to the video of the violence with an outpouring of love and solidarity—more than double the number of comments than their other popular videos. There were messages like, “I'm so proud that I walked with you Amal, hand in hand with my children!” and “We want to welcome you, celebrate you and keep you safe.”  In Ioannina, Amal walked between the Katsikas refugee camp and the city centre. In the camp, Zuabi says there was a sense of pride; people felt celebrated. As she walked on, the local community presented lightboxes filled with messages of hope: “You are our rainbow” and “Step by step,” they said.  When unaccompanied minors arrive in Greece, they are detained in reception centres until they’ve been processed and a place in a shelter found for them, but backlogs mean they can be left waiting for months. Their accommodation is often unsuitable, and spaces are limited. Human Rights Watch has witnessed young people living amongst the general population of Greece’s Moria Camp, because the areas designated for children are beyond capacity. Some children have to fend for themselves, sometimes sleeping in the open despite the fact that, under Greek law, unaccompanied children should be placed in safe accommodations and placed under guardianship. Irida Pandiri is responsible for shelters for unaccompanied minors through her work with the Association for the Social Support of Youth (ARSIS), a Greek NGO that assists young people in difficulty or danger. She says the larger reception centres in which people are detained are simply not appropriate for children, in part because they cannot leave the facilities to go to school. Meanwhile, the guardianship promised to these young people is not provided.  “Guardianship, it is almost a joke in Greece,” she says. “When they are in the detention facilities, there are no guardians.” This, for ARSIS, is a crucial issue. Education is also a major problem, with Greek schools often reluctant to register refugee children; even in cases where registration is possible, Covid restrictions often prevent them from leaving the camp to attend. In order to make it to these reception centres, young refugees must come face-to-face with authorities hoping to send them back to Turkey. Their “welcome” to Greece is full of violence: their belongings are confiscated and they are frequently turned away, in clear violation of their human rights. Many such experiences have been documented by organizations like the Border Violence Monitoring Network and Refugee Rights Europe. Just as the response to Amal’s reception in Greece was mixed, so has ARSIS found its ability to do its work challenged by uneven support in various communities. “In the years since 2017-2018, in the areas where we are trying to establish shelters, unfortunately, the communities weren’t so welcoming,” Pandiri says. But ARSIS continues to support young refugees as best it can. The organization has eight centres for unaccompanied children across Greece, and they operate safe zones in some of the larger camps. Other NGOs also offer child protection services, legal advice, and recreational activities. As Amal took her final steps in Greece toward Piraeus Port, she was guided by more singing and live music. The protests in Greece were loud, but the welcome was louder.

Walking through Italy

Little Amal is now walking through Italy. She arrived in Bari, where an Italian nonna, or grandmother, arrived to give her guidance. This nonna, a puppet just a few inches shy of Amal’s height, pulled her for a hug and imparted upon her some words of wisdom. [caption id="attachment_3195" align="aligncenter" width="640"] Little Amal greeted by an Italian nonna, or grandmother, in Bari, Italy.[/caption] Italy has welcomed Amal warmly, but this experience might be far from the reality for actual young refugees. Andrea Costa is president of Baobab Experience, an organization supporting displaced people who have arrived in Italy. The organization is also a humanitarian partner of The Walk. “Italy—and I’m very sad to say this, because I love my country—is changing,” Costa said. Although it has traditionally welcomed foreigners, negative media coverage of migration and the rise of far-right politicians have led to a changed country, he said, adding: “It's pretty difficult for unaccompanied minors to make their way in Italy.” In Italy, solidarity with refugees has now been criminalized in a number of ways. In June 2019, Italy banned NGOs from carrying out search and rescue operations. In the area of Ventimiglia, several people have been charged for giving food to refugees, after a municipal decree outlawed the practice. “Before, people felt ashamed to be racist,” said Costa. But now, people who want to help refugees must do so surreptitiously.  Like Turkey and Greece, Italy has policies and procedures in place that are designed to protect unaccompanied children. They are given a permit to remain until they are 18 years old. They can’t be pushed back to other countries, they must be accommodated, and they cannot be detained.  But in practice, these rights aren’t always respected. As the coronavirus pandemic swept through Italy, the government used private ships to quarantine incoming refugees. According to a report from the Italian Association for Juridical Studies on Immigration (ASGI), some children were held on these ships for 10-15 days (although some people report this is far longer) before their ages were assessed. Human Rights Watch reported that children were being illegally pushed back from Italy to Greece, another abuse of rights. These are young people who have most likely already faced tremendous trauma. Costa describes Italy as a transit country for refugees. While many young people choose to move through the country rather than claim asylum, they are at risk. “We have an extremely high number of unaccompanied minors who don't want to stay in Italy, but want to go directly to France, to Germany, to Holland, to Belgium, because they know that even for minors, just like for all the other migrants, it's much better organized in other European countries,” Costa said. According to Human Rights Watch, many young refugees cite a lack of access to education and poor reception upon arrival in Italy as influencing them to move onto other countries instead. Baobab Experience is an organization composed of volunteers who care for young people at risk of falling into the hands of smugglers or human traffickers while they’re in Italy. They make sure these refugees have somewhere to sleep, something to eat, and are clothed. Recently, they joined a network of organizations helping to create safe passages so that, if those young people do choose to cross borders, trusted organizations can help on the other side, including in finding travel tickets at the best prices, rather than turning to smugglers. But there is another problem for unaccompanied minors in Italy—a cruel gift on their 18th birthday. As they make the difficult transition into adulthood, far from their home country and family, they are no longer guaranteed accommodation. Many of them lack the skills to make their way safely in the world, with no access to language or professional skills. “There are a lot of young people that really lose important years of their lives,” Costa says. This is why Baobab Experience provides English and Italian courses for young people. Despite all this, Costa remains optimistic about the future of refugees in Italy. He’s seen a change in younger Italians, who seem to be more understanding about their plight. Perhaps a new, more welcoming Italy is on the horizon. Meanwhile, Amal is continuing her journey through Italy, before she crosses into France. She’s just finished exploring the ancient landmarks of Rome; in Vatican City Pope Francis met with Amal, along with the children accompanying her on this leg of the journey. 
Amal’s welcome across Turkey, Greece, and Italy varied from country to country and village to village. Like the refugees whose experiences she’s enacting, Amal’s journey has only begun. Her last stop is the U.K., where the government is currently pushing through legislation called the borders and nationalities bill, which would deny asylum or aid to any refugee who enters the country through an unofficial port of entry—for example, by crossing the channel in a small boat. Under the provisions of the bill, Afghan refugees forced to escape from the Taliban could be jailed in the U.K. because they reached the country by routes that the U.K. government has decided are “illegal”—although, according to international law, there is no such thing as an illegal asylum seeker. What kind of welcome can Amal expect when she arrives in October? In spite of the government proposals, many British communities promise a warm welcome to Amal and to refugee children. Camden Town has planned a birthday party for Amal, while several choirs will sing for her in the port town of Folkestone on the day she arrives in the U.K.. Anti-refugee sentiment has become more pronounced since Brexit, but many people have also become more vocal about their support for refugees. In the face of racism, changing government policy, and dehumanizing tabloid headlines, compassionate communities are needed more than ever. [post_title] => This is Little Amal, the puppet refugee girl on a European odyssey [post_excerpt] => Ferried from country to country by volunteer puppeteers, Little Amal has been greeted by choirs and dancers. In Vatican City, she was greeted by Pope Francis. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => this-is-little-amal-the-puppet-refugee-girl-walking-8000-kilometers-across-europe [to_ping] => [pinged] => [post_modified] => 2024-08-28 21:15:12 [post_modified_gmt] => 2024-08-28 21:15:12 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=3193 [menu_order] => 177 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )

This is Little Amal, the puppet refugee girl on a European odyssey

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    [post_date] => 2021-09-14 21:49:04
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    [post_content] => If your internal organs are open to legislation you are not free.

On September 1 Texas enacted a law effectively banning abortion after six weeks of pregnancy, dealing a body blow to the physical autonomy of half the population. In a new and vicious twist, the law incentivizes Texans to report anyone who’s had an abortion, performed or assisted someone in obtaining an abortion, or merely “intends to engage in the conduct”—even if the pregnancy resulted from rape or incest—by offering them $10,000.

Much of what can be said about the law, TX SB8, has been said: It’s flatly unconstitutional; other states will use it as a template; it won’t stop abortion in Texas, only safe abortion; requiring survivors of rape and incest to carry to term pregnancies resulting from their violation is abhorrent; the law’s effect will be to deepen poverty, immiserate lives, and ruin the health of countless Texans, some of whom will no doubt die.

The Texas law is shocking and brutal. It is also a logical step in the steady, years-long erosion of reproductive rights across the United States. The patchwork of legislation, regulation, and flat out lies has done half the work simply by making abortion access confusing, chaotic, and difficult. With all the will in the world, the very young, the very poor, and the deliberately misinformed often see their luck and time run out; and where that doesn’t work, there’s always violence or the threat of violence to keep them away from abortion clinics. The goal, however, has always been not chaos but exquisite clarity: legal abortion, eliminated.

In the 48 years since the Supreme Court ruled that “a woman's decision whether or not to terminate her pregnancy” falls under the rubric of the 14th Amendment’s definition of privacy, the abortion argument has been presented as a binary: “life” and “choice”—i.e., between carrying a pregnancy to term or choosing a termination. Anti-abortion activists accuse those who support the right to choose of murderous intent and licentiousness; we respond with tales of medical necessity and sexual assault. “Abortion is healthcare!” we shout—because it is. Occasionally we add that “women’s rights are human rights!”—because they are, but it’s only there, with that last rallying cry, that we begin to approach the true essence of the argument.

In a democracy, individual rights and freedoms— “to life, liberty, and the pursuit of happiness,” for instance—are the presumed foundation on which civic life is constructed. I would submit, however, that if your internal organs are open to legislation, you are, manifestly, not free.

Roughly half of all Americans, as a class and by virtue of the organs with which they were born, are judged not to have the bodily autonomy inalienable to the other half. Should anyone in that class happen to find themselves in a physical state that precludes fertility—whether youth, age, or any other physiological limitation—that fact reflects freedom  bestowed solely by fortune’s vicissitudes. Dodging a bullet doesn’t mean there was no gun. Either your body is yours to command—or it isn’t.

Some have recently appropriated the mantra of “my body, my choice” to different ends, however, so this last point bears further clarification: Much as “Blue Lives Matter” is a spurious hijacking of the ideas animating the Black Lives Matter movement, so too is the suggestion that government-mandated vaccinations are the moral and legal equivalent of government-mandated third-party control of one’s reproductive organs. A police officer can discard the uniform; an anti-vaxer can make choices—however onerous or unpleasant—to avoid vaccination. But neither skin color nor anatomy can be discarded or sidestepped.

The need to police that dividing line informs moral panics past and present surrounding not just women in society but also the visible existence of anyone in the LGBTQ community. This is particularly the case for those who identify as trans or nonbinary. If our relative humanity and relative position to power are determined by our internal organs, I really need to know which ones you have.

All of this is true no matter where you live or under what system of government; human rights are inherent to all humans and can’t be granted, only honored or violated. Yet for half the citizens of a democracy to be fighting, still, for the most basic liberty in their own persons is particularly striking. Were we all created equal? Or are people born in male presenting bodies more equal than others?

TX SB8 at least does us the favor of stripping away any pretense of the former. By cutting off access at six weeks, far too early for the vast majority of people to know if they’re pregnant, and failing to allow exceptions for rape or incest, behind which “moderates” have long been able to hide, the law clears up any ambiguity about who owns your ovaries. It’s not you.

But while this law is the work of the Texas GOP, it’s crucial that we consider not just the actions of Republicans. The “moderates,” across the political spectrum, have also been instrumental in bringing about this dark day.

I’ve been a Democrat and activist for women’s rights since before I could vote. My party has been bartering with and chipping away at my rights and freedoms for my entire life—usually, but not always, in the name of a “Big Tent” or “bipartisanship.” Misogyny is foundational not just to the GOP but to all of American society. It is the very definition of systemic.

Misogyny expresses itself in many ways but is at base a supremacist ideology; as with any supremacist ideology, it posits a strict dichotomy: There are those to whom power naturally inheres, who may act, and those who are, by nature, acted upon.

Open rejection of cisgender heterosexuality, gender binaries, or the inherent right of men to act on the lives of women threatens the power structure on which society rests, which is why so many citizens of a purported democracy are still struggling to attain the rights that cis, straight men take for granted—and that’s before we factor in the realities of race in America. As a white, upper-middle-class, straight, cis woman, I might not enjoy genuine freedom, but if I live in Texas and need an abortion, it’ll be a lot easier for me to find and pay for a simulacrum of it than almost anyone else born with the same set of parts.

And having said all that: It’s well and good for me to argue for a more essentialist and ultimately political understanding of the fight for reproductive freedom, but at the end of the day—at the end of this and every day, for the foreseeable future—lives are being destroyed by the entire web of American anti-choice legislation. I want my country, or at least the party for which I’ve voted and knocked on doors all my life, to acknowledge that abortion is a matter of the most basic rights that inhere to all humans, but I also want them to come to the immediate aid of those now in desperate need of help.

There’s still a long fight ahead. But right now, we can at least ease the path of some of those for whom we’re fighting. Americans can demand our elected representatives take action to secure abortion rights on a federal level (starting with the Biden Administration’s newly announced suit against the State of Texas); donate to legal defense or abortion funds; act to ensure the free exchange of trustworthy information; serve as clinic escorts; or just drive a scared friend across state lines. And should Texas blink and offer compromise legislation, we must not back down.

Feminism has always been the radical notion that women are people. To deny people born with a uterus the right to make decisions about their own organs is to legislate a lie about their humanity and undermine the very idea of democracy. Our efforts to build a more perfect union can only falter, as long as half of us are not yet, truly, free.
    [post_title] => According to Texas law, your body doesn't belong to you
    [post_excerpt] => The goal has always been not chaos but exquisite clarity: legal abortion, eliminated.
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According to Texas law, your body doesn’t belong to you

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    [post_date] => 2021-09-10 00:52:15
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    [post_content] => The meme that was created to inspire Black women is now too often used to oppress them.

In her groundbreaking 1990 monograph Black Feminist Thought, sociologist Patricia Hill Collins argues that certain controlling images of the American Black woman—e.g., Mammy, Matriarch, Welfare Recipient, Jezebel, Unwed Mother—continue to pervade American culture and are still being used as tools of oppression. Social and government institutions in the United States continue to use these images, which work to perpetuate the erasure and oppression of Black women in a multitude of ways, limiting our rights and discrediting our experiences. Recent examples include: the faux right-wing uproar over Megan Thee Stallion and Cardi B’s WAP music video; and the previous U.S. president’s demonstrably false claim that the majority of welfare recipients were Black. These incidents crystallize the pervasiveness of the Welfare queen and Jezebel tropes in American public discourse.

In 2013 Satoshi Kanazawa, an American evolutionary psychologist at the London School of Economics, set off an international firestorm with a blog post for Psychology Today, in which he asserted that Black women were objectively less attractive than white women. The magazine deleted the article and ended its relationship with Kanazawa, while the LSE censured him with a ban on publishing articles that were not peer reviewed. But the impact of Kanazawa’s post, excerpts of which were reprinted in other publications, continued to echo. Partly in response to the incident, CaShawn Thompson, a Washington, D.C.-based teacher, activist, and social media influencer, created the hashtag #BlackGirlMagic—to celebrate the value and accomplishments of Black women. “Each one of us,” Thompson said, “needed something that was all the awesomeness that we are.”

#BlackGirlsMagic has since become an American cultural phenomenon. It followed a remarkable trajectory, from a Twitter hashtag to a rallying cry and an aphorism. Today it is cited when referring to accomplishments ranging from the incredible gymnastic feats of Simone Biles to surviving another day in a workplace that is hostile to Black women. Celebrities like ballerina Misty Copeland, Barack Obama, Solange Knowles, and Michelle Obama often use the phrase when referring to the outsize accomplishments of Black women.

More recently, however, the slogan has become something less positive. In its current usage, it often acts to perpetuate the very archetypes—Mammy, Matriarch, Emasculator—that Patricia Hill Collins identified more than 30 years ago. Black Girl Magic now too often provides cover for the continued dehumanization of Black women. It also functions as a means of deflecting attention from the fact that to succeed and be recognized, Black women must still work infinitely harder than their white counterparts.

When Stacy Abrams’s voter registration drive delivered Georgia to the Democrats in the 2020 election, social media users and major media outlets referred to her accomplishment as Black Girl Magic. Similarly, the phrase was used to describe gymnast Simone Biles’s paradigm-shattering athleticism. When Serena Williams won the 2017 Australian Open while pregnant, Black Girl Magic was there. Even in my academic circle of Black women, we use Black Girl Magic to celebrate our publications and invited talks. But even as we celebrate our accomplishments, we fail to grapple adequately with the fact that racist, unjust institutions withhold recognition from all but the superhuman amongst us—and even then, that recognition often comes with insults.

To be sure, there have been waves of support for Biles, Osaka, Abrams, and Williams as they publicly battled racism, misogyny, and the stigma of mental health concerns. Their actions have sparked national conversations, particularly Biles and Osaka’s for their stance on athletic performance and mental health. But the personal cost of being open about their struggles has been high.

In a recent feature about Simon Biles in The Houston Chronicle, for example, the gymnast says she regrets that the artistry in her dance routines often goes unnoticed because the focus is on her strength and athleticism. Also interviewed for the article is Lauren Anderson, a former principal dancer with the Houston Ballet, who expresses her admiration for Biles’s sense of rhythm and movement. But while the body of the article does include several references to Biles’s artistry, the headline describes her athleticism as “beastly.”

Serena Williams, widely recognized as one of the greatest female tennis players in history, has for years had to defend herself against the demeaning accusation that she looks “too masculine.” She has, for example, been called the “n” word multiple times while competing, and she has been dehumanized and belittled in sports news cartoons. In an interview, Serena discussed the toll such comments took her. She said: “It was hard for me. People would say I was born a guy, all because of my arms, or because I'm strong.”

In Georgia, a conservative political group called Heritage Action is suing Stacy Abrams for the $100 million loss of the Major-League Baseball All-Star game, which relocated from Atlanta because she called for a boycott to protest state voter repression. Abrams’s feat of Black Girl Magic was made necessary by the blatant repression of minority voters in Georgia, which cost her a historic victory in the 2018 Georgia gubernatorial race.

Black Girl Magic marks the discursive transition of Black women from social problems to social saviors. Denigrated since the Reagan years as welfare queens and hoochie mamas, they are also widely identified as an essential element of American infrastructure. And just like all America’s infrastructure, Black women are taken for granted until there is a disaster. Time and time again, they save this country from itself—as Stacey Abrams is often credited with protecting democracy in Georgia. With the voting rights bill currently stalled in Congress, her approach to voting rights protections is one of the few options left to activists who are forced to compensate for the federal government’s incompetence.

Black athletes are celebrated when they bring praise and athletic glory to the United States, but when they show themselves as humans who need self-care, they become pariahs. Serena Williams and Simone Biles are widely praised for their unparalleled athletic strength. But when they seek to defend themselves from harm and own their labor, they face howls of outrage and charges of mediocrity. When Naomi Osaka quit the French Open because she refused to participate in the pre-match press conferences that exacerbate her anxiety and depression, the powerful blowback—from tournament officials and fellow athletes—prompted her to withdraw from competition. The fact that Osaka is one of the highest ranked tennis players and one of the highest-paid female athletes in the world was irrelevant to her detractors. Her refusal to labor for them on the court or in the press room was an affront. Her mental health be damned.

When Biles, whose status as the greatest gymnast of all time is undisputed, cited mental health issues for her decision to withdraw from the team finals at the Tokyo Olympics, right-wing male commentators targeted her with vicious personal attacks. Aaron Reitz, Deputy Attorney General of Texas, tweeted that Biles, who is a native of his state, was a “selfish, childish, national embarrassment.” This is how white men perceive Black women and their labor: Their bodies, their minds, and their work are not their own.

The men tweeting their anger at Biles for wearing the decal of a goat’s head (symbolizing the acronym GOAT for “greatest of all time”) on her leotard show that, to them, it is an affront for a Black woman to be not only ambitious, but also to know her power and do with it as she pleases. Simone Biles owes us nothing. And yet, she postponed her retirement because she was the last of Larry Nassar’s victims still on the team, and she believed her testimony would lend weight to the accusations against the since- convicted sports medicine physician who abused female gymnasts for decades. While mental health is an important and overdue discussion in athletics more broadly, we must realize that Black women’s ownership of their labor is an equally important issue.

Once a paradigm to help Black women reclaim their power, Black Girl Magic has become the newest controlling image for Black women. When hard work is described as “magic,” our education, training, preparation, and labor are demeaned. Our femininity is questioned. Or, worse, refusing to sacrifice ourselves on the altar of capitalist productivity is perceived not as our right to exercise personal choice, but as an affront.

Since the George Floyd protests in the summer of 2020, institutions and businesses from Apple to McKinsey, the global management consulting firm, have championed and turned to diversity and inclusion initiative. Yet across social media, Black women have lamented the labor of participating in such diversity clinics, explaining to their white coworkers how to be “anti-racist,” or publicly displaying and discussing the trauma of their oppression—allegedly for their own benefit. These requests are predicated on a flaw in ally logic: Teach us how not to be racist toward you, or it is your fault we are racist. Dr. Marc Lamont Hill’s recent interview with Robin DiAngelo about critiques, including Balck critiques, of her work speaks to the general feelings of Black women about the labor diversity requires. The Twitter responses depict the greater issues of the monetization of anti-racist work Black people have been doing, for free, for decades.

I often wonder how we as Black women can reclaim what the aphorism originally meant to us. Biles and Naomi Osaka have given us public permission to say “no” as a complete sentence. To say “no” to the corporate diversity committee. To say “no” to leading the White Fragility reading group. Black women: Do and refuse to do what you choose. Imagine if every Black woman took a day to herself at the same time. Atlas shrugged.

Those who say they are allies need to understand that one of the best ways to value Black women is to do the work. If people were listening to and learning from Black women, the demands on our time and labor would decrease. The onus on saving democracy in the United States, of winning an Olympic gold medal, and of grappling with racism in academic departments should not rest solely on the shoulders of Black women. We, as a country, must hold institutions—Olympic, government, educational, and media—responsible for how they portray Black women and for the demands they project onto us. To be an ally to Black women is to recognize the numerous burdens we carry and to tackle them with us—or, even better, to use your privilege to confront the structures that continue to do harm. “Listen to Black women” echoes across social media, yet it must be more than just a meaningless slogan.

Fannie Barrier Williams, the Black suffragist and educator who lived from 1855-1944, wrote in an essay for The Voice of the Negro (1905) that, “As meanly as [the Black woman] is thought of, hindered as she is in all directions, she is always doing something of merit and credit that is not expected of her.” More than a century later, Black women continue to surpass expectations. But as Biles, Williams, and Osaka have shown us, we must do an accounting of the incredible costs of these feats. Our accomplishments seem like magic because of the obstacles we must overcome to realize them. Now we are tired. We are disregarded. We are taken for granted. Yes, the tide is clearly changing. Let us hope that Black Girl Magic becomes our term not only for the accomplishments of Black women, but also the term for their decision to embrace radical self-care and claim ownership of their humanity.
    [post_title] => Black women shouldn't have to assert their right to self care
    [post_excerpt] => Once an inspiring hashtag that spawned a movement, #blackgirlmagic now too often perpetuates stereotypes that diminish Black women
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Black women shouldn’t have to assert their right to self care

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    [post_date] => 2021-09-01 05:29:48
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    [post_content] => The regional economy is in a free fall due to political unrest, military closures, and the pandemic.

Five minutes’ walk from Srinagar’s Jamia Masjid, the largest mosque in Kashmir, is a modest two-story house. This is where Sakeena, 73, lives—and where she has been spinning pashmina wool by hand for more than a decade. She’s well known for her skill in spinning the finest and most delicate yarn from the region’s world-famous wool.

Zain-ul-Abidin, the fifteenth-century Sultan of Kashmir, introduced the art of pashmina weaving. He brought craftsmen from Persia to teach the local population various skills, which included making the wool shawls that are to this day a sought-after luxury item around the world. Kashmiri women have long been artisans of this heritage craft.

For Sakeena, weaving was a means of achieving economic stability. Her mother taught her and her two sisters to spin when she was an adolescent; when she married, she bought a spinning wheel (called a “yinder” in Kashmiri) for RS24, or about $0.32, and used her income to supplement the earnings of her husband, who was a tailor. “I used to earn RS150 ($2) for working five hours a day,” she said, explaining that “back then, that was enough for two proper meals.”

Until the 1990s pashmina wool was spun and woven at artisanal centers all over Kashmir. But with the rise of the Kashmiri armed struggle and the Indian government's military response, curfews and lockdowns led to a shift: people are now working primarily from home. A few remaining traditional spinners live in pockets of Srinagar, the capital of Kashmir. Sakeena is one of them, but she said that now there is “either no work or the wages paid are not enough to pay for one proper meal.”

The long military lockdowns of the past few years precipitated the decline of the pashmina industry by preventing or discouraging buyers from visiting the disputed territory. As a result, the number of female spinners has declined from a high of 100,000 in 2007 to just 15,360 in 2021, according to The Directorate of Handicrafts & Handlooms in Kashmir.

“Foreign tourists used to come to Kashmir to buy the shawls,” said Sakeena. But no longer. “My daughters have three yinders that have been lying unused for the last year in our attic,” she lamented, adding that they will sell them if the current situation continues much longer. “The Indian government promises to empower people, but in Kashmir, they are doing the opposite by making us economically weaker,” she said.

The politically unstable situation, the prolonged military lockdowns, and now the pandemic, have pushed the regional economy into a free fall. According to a 2020 report issued by the Kashmir Chamber of Commerce and Industry, more than 100,000 private sector jobs were cut after August 2019, when the Modi government precipitated an ongoing political crisis by revoking the Muslim-majority territory's limited autonomy.

Adnan Bashir, who owns a pashmina showroom on the banks of Dal Lake, one of Kashmir’s most renowned natural beauty spots, said that the months-long communications shutdown had severely undermined his business. “Around eight international orders were canceled because I was not able to contact the customer [due to the suspension of internet and mobile connectivity],” he said. One customer from Germany canceled a buying trip due to the military curfews. Bashir described his business’s condition as “critical,” and said he might have to look for another way to make a living.

Fahmeeda, a 67-year-old widow who asked that her real name be withheld, reluctantly sold her yinder last year for financial reasons. It had been a gift from her mother, she said, but she needed the money to buy medicine for her son. “This used to be a blessed craft for women like me,” she said, adding that she had supported her children with the money she made from spinning. “Last year, when Kashmir was under strict lockdown, I went out to purchase raw wool but soldiers chased me away by hitting me with their sticks,'' she wept. She now works as a cleaner in a private school for RS800 (just over $10) a month—compared to RS2600 ($35) before the lockdown that began in August 2019.

A recent shortage of raw pashmina has dealt yet another blow to the industry. Ordinarily the wool is imported from Ladakh, which lies on the disputed and ill-defined border between India and China; but in June long-simmering political tension erupted in a military clash that left 20 Indian soldiers dead and caused the suspension of trade between the two regions.

The introduction of power looms presents yet another threat to the 600-year-old pashmina craft. Merchants and artisans led a protest in late June to demand a ban on these looms, which pose a threat to the livelihoods of thousands of Kashmiris. The 1985 Handloom Protection Act forbids the industrialization of pashmina production, said Muhammad Lateef Salati, an activist from a family long engaged in artisanal pashmina production. The government, however, has failed to enforce the law.

Industrially produced pashmina is often sold falsely as authentic traditionally produced wool—a practice that undermines the value of the brand. By failing to enforce the law against manufacturers of mass-produced pashmina, the government shows that it is “not serious” about protecting the craft, said Salati.

Some Kashmiris are trying to safeguard traditional pashmina production by empowering local artisans.

Murcy, the daughter of a family long engaged in traditional pashmina production who divides her time between New Delhi and Srinagar, recently launched Fair Share Cashmere, a socially conscious online business initiative to sell hand-spun shawls made by local artisans. She said that she pays traditional female spinners the highest rate the market will bear. “We have been successful in bringing eight women back to this craft,” she said, adding with a smile that this “feels like a victory.”

The decline of traditional pashmina production in Kashmir has created a vacuum of employment for women who could once depend on the income they made from spinning wool to ensure that their families were fed. Now they are unemployed and, for the most part, voiceless. Murcy is one of a handful of locals who are trying to preserve the remnants of a once-thriving artisanal craft, despite the enormous political and economic challenges.
    [post_title] => 'This used to be a blessed craft for women': in Kashmir, artisanal pashmina weaving is disappearing
    [post_excerpt] => For hundreds of years, Kashmiri women could count on the artisanal craft of spinning, handed down from mother to daughter, to feed their families. Then came martial law and a pandemic. 
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‘This used to be a blessed craft for women’: in Kashmir, artisanal pashmina weaving is disappearing

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    [post_content] => Turkish podcasts that host frank conversations about sexuality are smashing taboos and filling information vacuums. 

If her medium were television or radio, Hazal Sipahi would not be permitted to host her weekly program about sexuality in Turkey.

Thanks to podcasts, which have not yet fallen under the control of the country’s notoriously strict broadcasting rules and regulations authority, Sipahi’s audience gets to listen to “Mental Klitoris” every week.

“I wouldn’t be able to call a ‘penis’ a ‘penis’ on a traditional radio frequency,” said the 29-year-old doctoral candidate from Bursa Province, in northwestern Turkey.

Each week on her show, she discusses issues like sexual consent and positions, sex toys, health, abuse, gender, preferences, and pleasure. Her approach, Sipahi said, is “minimum shaming and maximum normalization of sexuality.”

“Sexuality has always been a favorite subject I could easily talk about,” she said. It is not, however, a subject she could discuss freely outside her social circle. In Turkey, the pervasive attitude toward open discussions about sexual intimacy and sexuality is still very conservative. Turkish schools do not provide any sex education besides the biological facts.

[caption id="attachment_2959" align="aligncenter" width="1024"] Hazal Sipahi, host of the podcast "Mental Klitoris."[/caption]

When she was a child growing up in provincial Turkey, Sipahi said, sexuality was only discussed in whispers; but as soon as she could speak English, she found an ocean of sexuality content available on the internet.

“I searched for information online and found it, only because I was curious,” she said. “I also learned many false things on the internet, and they were very hard to correct later on.”

For example, Sipahi explained, “For so long, we thought that the hymen was a literal veil like a membrane.” In Turkey there is a widespread belief that once the hymen is “deformed,” a woman’s femininity is damaged, and she somehow becomes less valuable as a future spouse.

“Mental Klitoris” is both Sipahi’s public service and her means of self-expression. She uses her podcast to correct misunderstandings and disinformation, to go beyond censorship and to translate new terminology into Turkish.

“I really wish I had been able to access this kind of information when I was around 14 or 15,” she said.

More than 45,000 people listen to Mental Klitoris, which provides them with access to crucial information in their native tongue. They learn terms like “stealthing,” “pegging,” “abortion,” “consent,” “vulva,” “menstruation,” and “slut-shaming.” Sipahi covers all these topics on her podcast; she says she’s adding important new vocabulary to the Turkish vernacular.

She’s also adding a liberal voice to the ongoing discussion about feminism, “Which became even stronger in Turkey after #MeToo.” She believes her program will lead to a wave of similar content in Turkey.

“This will go beyond podcasts,” she said. “We will have a sexual opening overall on the internet.”

Inspired by contemporary creatives like Lena Dunham (“Girls”), Michaela Coel (“I Might Detroy You”),  Tuluğ Özlü, an Istanbul native, says her audience’s hunger to hear a conversation about sexuality is unmissable.

In 2020, Özlü launched a weekly talk series called “Umarım Annem Dinlemez,” (“I Hope My Mom Isn’t Listening”). With over a million listeners, it is now the third-most popular podcast on Spotify Turkey. It’s mostly about sex.

[caption id="attachment_2980" align="alignleft" width="413"] Tuluğ Özlü[/caption]

Asked to describe how she feels when she crosses the barriers created by widely shared social taboos about human sexuality, Özlü, who lives in Istanbul’s hip Kadikoy neighborhood, answered with a single word: “Free.”

“It makes me feel I’m not obligated to keep it in, and it makes me feel free,” she says. “As I feel this, I scream."

In one episode of her podcast, she discussed group sex with Elif Domanic, a famous Turkish designer of erotic fetish lingerie. In another, the topic was one-night stands.

Özlü brings prominent actresses on air, as well as her friends. Once she invited her mother on the program. The two engaged in a frank discussion about sexuality—in what was surely an unprecedented event in Turkish broadcasting.
Rayka Kumru is a sexologist, sexual health communication and knowledge translation professional who was born and raised in Istanbul and now lives in Canada. She had the rare good fortune to be raised in a home where questions about sex were, to some extent, answered openly. She says she has made it her mission to provide information about the subject in a straightforward, compassionate and shame-free manner. The lack of access to information about sex and sexuality in her native country, Kumru said, was “unacceptable.” [caption id="attachment_2977" align="alignleft" width="541"] Rayka Kumru[/caption] Kumru said one of the current barriers to freedom in Turkey was the lack of access to comprehensive sexuality education, information and skills such as sex-positivity, critical thinking around values and diversity, and communication about consent. She circumvents that barrier by informing her viewers and listeners about them directly. “Once connections and a collaborations are established between policy, education, and [particularly sexual] health, and when access to education and to shame-free, culturally specific, scientific, and empowering skills training are allowed, we see that these barriers are removed,” Kumru explains. Otherwise, she says, the same myths and taboos continue to play out, making misinformation, disinformation, taboos, and shame ever-more toxic.
Sukran Moral has first-hand knowledge of Turkey’s toxic discourse on sexuality since she first achieved public recognition in the late 1980s, first as a journalist and writer and later as an artist, sparking heated debates. One of her most infamous pieces of work is an eight-minute video installation called “Bordello,” in which she stands on Zurafa Street, the historic location of Istanbul’s brothels, wearing a transparent negligee and a blonde wig, while men leer at her. She said that one of Turkey’s largest newspapers at the time, Hürriyet, labeled her a “sex worker” after that performance. Moral moved to Rome to escape death threats; she stayed there for years. [caption id="attachment_2982" align="aligncenter" width="640"] Şükran Moral[/caption] When it comes to female sexuality, Moral said, Turkey’s art scene is still conservative. “There’s self-censorship among not only creators, but also viewers and buyers, so it’s a vicious cycle.” Part being an artist, particularly one who challenges the position of women, she said, is seeing a reaction to her work. “When art isn’t displayed,” she asked, “how do you get people to talk about taboos?” Turkish academia also suffers from a censorship of sex studies. Dr. Asli Carkoglu, a professor of psychology at Kadir Has University, said it was not easy finding a precise translation for the English word “intimacy” in Turkish. “There’s the word ‘mahrem,’” she said, but that term has religious connotations. The difficulty in interpretation, she explains, illustrates the problem: In Turkey, intimacy has not been normalized. President Recep Tayyip Erdogan and his conservative Justice and Development Party (AKP) have many times expressed  support for gender-based segregation and a conservative lifestyle that protects their interpretation of Muslim values. Erdogan, who has has been in power since 2003, has his own ways of promoting those values. “At least three children,” has long been the slogan of Erdogan’s population campaign, as the president implores married couples to expand their families and increase Turkey’s population of 82 million. “For the government, sex means children, population,” Dr. Carkoglu explained. Dr. Carkoglu believes that sex education should be left to the family, but “when the government acts as though sexuality is nonexistent, the family doesn’t discuss it. It’s the chicken-and-egg dilemma,” she said. So, how do you overcome a taboo as deep-rooted as sexuality in Turkey? Carkoglu believes that that the topic will have to be normalized through conversations between friends. “That’s where the taboo starts to break,” she said. “Speaking with friends [about sexuality] becomes normal, speaking in public becomes normal, and then the system adapts.” But for many Turks, speaking about sexuality is very difficult. Berkant, 40, has made a living selling sex toys at his shop in the city of Adana, in southern Turkey, for the past two decades. But he said that he’s still too embarrassed to go up to a cashier in another store and say he wants to buy a condom. “It doesn’t feel right,” he said, adding he doesn’t want to make the cashier uncomfortable. He is seated comfortably at his desk as we speak; behind him, a wide selection of vibrators are arrayed on shelves. Berkant and his older brother own one of three erotica shops in Adana. Most of their customers are lower middle class; one-third are female. “Many of them are government workers who come after hearing about us from a friend,” he said. The shopkeeper said female customers phone in advance to check whether the shop is “available,” meaning empty. He said he often refers women who describe certain complaints to a gynecologist. “I see countless women who are barely aware of their own bodies,” he said. Dr. Doğan Şahin, a psychiatrist and sexual therapist, said that the information women in Turkey hear when they are growing up has a lot to do with their avoidance of discussions about sex, even when the subject concerns their health. [caption id="attachment_2971" align="aligncenter" width="1600"] Advertisement for men's underwear in Izmir, Turkey.[/caption] Men don’t really care whether the woman is aroused, willing or having an orgasm, he said. Unless the problem is due to pain, or vaginismus, couples rarely head to a therapist, he adds. “[Women who grew up hearing false myths] tend to take sexuality as something bad happening to their bodies, and so, they unintentionally shut their vaginas, leading to vaginismus. This is actually a defense method,” he told The Conversationalist. “They fear dying, they fear becoming a lower quality woman, or that sex is their duty.” While most Turkish women find out about their sexual needs after getting married, the doctor says that, based on research he completed about 10 years ago, men tend to fall for myths about sexuality by watching pornography, which plants unrealistic fantasies about sex in their minds. “Sexuality is also presented as criminal or banned in [Turkish] television shows. The shows take sexuality to be part of cheating, damaging passions or crimes instead of part of a normal, healthy, and happy life.” He recommends that couples talk about sexuality and normalize it. Talking is crucial, and so is the language used in those conversations. Bahar Aldanmaz, a Turkish sociologist studying for her PhD at Boston University, told The Conversationalist why talking about menstruation matters. “A woman’s period is unfortunately seen as something to be ashamed of, something to be hidden,” she said. (According to Turkey’s language authority, the word “dirty” also means “a woman having her period.”) “There are many children who can’t share their menstruation experience, or can’t even understand they are having their periods, or who experience this with fear and trauma.” And this is what builds a wall of taboo around this essential issue, the professor says. It is one of the issues her non-profit organization “We Need To Talk” aims to accomplish, among other problems related to menstruation, such as period poverty and period stigma. Female hygiene products are taxed as much as 18 percent—the same ratio as diamonds, said Ms. Aldanmaz. She adds that this is what mainly causes inequality—privileged access to basic health goods, the consequence of the roles imposed by Turkish social mores. “Despite declining income due to the COVID-19 pandemic, there is a serious increase in the pricing of hygiene pads and tampons. This worsens period poverty,” Aldanmaz says. She offers Scotland as an example of what would like to see in Turkey: free sanitary products for all. During Turkey’s government-imposed lockdown in May 2021, several photos showing tampons and pads in the non-essential sales part of markets stirred heated debates around the subject, but neither the Ministry of Family and Social Services nor the Health Ministry weighed in. “We are fighting this shaming culture in Turkey,” Aldanmaz says, “by understanding and talking about it.” [post_title] => Sexually aware and on air: Beyond Turkey's comfort zone [post_excerpt] => Turkish podcasts that host frank conversations about sexuality are smashing taboos and filling information vacuums.  [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sexually-aware-and-on-air-beyond-turkeys-comfort-zone [to_ping] => [pinged] => [post_modified] => 2024-08-28 21:14:02 [post_modified_gmt] => 2024-08-28 21:14:02 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=2949 [menu_order] => 187 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )

Sexually aware and on air: Beyond Turkey’s comfort zone

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    [post_content] => The former comedian is out of jail, but his own sworn deposition confirms that he is a rapist.

When I was 21 years old, I was drugged and raped by a man I met in college. I didn’t tell this story to anybody, including myself, until December 2014, when a series of women–some famous, some not–came forward to describe in unsparing detail what it was like to be sexually violated by “America’s Dad,” Bill Cosby. After reading Beverly Johnson’s story in Vanity Fair, in which she recounted how Cosby lured her into his home under false pretenses and gave her a coffee—“My head became woozy, my speech became slurred, and the room began to spin nonstop”—I could no longer deny that a similar thing had once happened to me. I read each new account, seeing myself over and over again in these women’s horror stories, and decided, finally, to tell my own. 

It was with disappointment—though, honestly, not much surprise—that I saw Cosby trending on Twitter on June 30; the Supreme Court of Pennsylvania had overturned his 2018 conviction on three felony counts for drugging and raping Andrea Constand, a former employee of Temple University. By then, Cosby, who is Temple’s most famous alumnus, had already served almost three years of his three-to-10 year sentence in a maximum security prison. When he walked out of there he flashed the “V” for victory sign at his supporters, as though his release from jail represented some kind of exoneration. 

Victims and their advocates were understandably devastated, expressing concern that the decision would discourage women from reporting sexual assault in the future. 

“The semblance of justice these women had in knowing Cosby was convicted has been completely erased with his release today,” wrote Time’s Up chief executive Tina Tchen in a statement

“Bill Cosby is free on a technicality, but the women he assaulted, who bravely came forward to bring him to justice, are suffering anew,” said the National Organization for Women in a press release

“I fear that this is going to really hinder other survivors from coming forward,” Angela Rose, founder and president of Promoting Awareness Victim Empowerment told NPR.

Attorney Gloria Allred, who has represented almost half of the Cosby victims, was asked in an interview if she thought that the decision was a blow to the #MeToo movement; she paused before delivering her assessment: “It’s not a win.” 

I do not believe the decision to set Cosby free is a blow to the #MeToo movement, or that it will discourage women from speaking out in the future. Nor do I think that justice has been completely erased. Cosby can make a “V” sign with his hands as often as he likes, but he has not scored a victory; he was not exonerated, but rather freed on a technicality. His premature release from prison is just another example of the Patriarchy Industrial Complex on full display, with rich men paying their expensive lawyers to identify procedural loopholes so they can wiggle their way out of consequences for their behavior.

In a 79-page opinion that led to Cosby’s release from prison, the Pennsylvania Supreme Court wrote that Cosby should not have been tried in criminal court, owing to a non-prosecution deal that his lawyers cut years earlier with former Montgomery County District Attorney Bruce Castor. If that name rings a bell, it’s because Castor went on to become Donald Trump’s lawyer in his second impeachment trial. (Remember the guy in a boxy pinstripe suit that was two sizes too big, delivering non sequiturs about how “Nebraska is quite a judicial thinking place”? Yeah, that’s him.) 

Cosby’s agreement with Castor was similar to the sweetheart deal that pedophile Jeffrey Epstein obtained in 2008 from another Trumpworld lackey: Alex Acosta, the former U.S. Attorney for the Southern District of Florida. Acosta rose to become Trump’s Secretary of Labor—a position from which he was forced to resign in 2019 after Epstein’s second arrest. As the former President likes to say: only the best people. 

In 2015, upon learning that Risa Ferman, then District Attorney of Montgomery County, was reopening the criminal case against Cosby after several more of his victims came forward, Bruce Castor informed her by email of the 2005 non-prosecution agreement. This was the first she had heard of it. In response to Ferman’s request that Castor send her a copy of the binding legal agreement, he instead sent her a press release–a press release!–claiming it was actually a “written declaration” that had been approved by Constand’s lawyers. 

One need not be trained in the law to know that a press release does not constitute a legally enforceable document. I am thus extremely curious as to why the justices on the Pennsylvania Supreme Court ruled, in a split decision, that Castor’s oral promise to Cosby’s attorneys was binding. 

In a statement released June 30, Constand’s lawyers asserted that they “were not signatories to any agreement of any kind” and that Castor’s press release “had no meaning or significance to us in 2005 other than being a press release circulated by the then-District Attorney.” Was there a non-prosecution agreement or was there not a non-prosecution agreement? Once again, we find ourselves in familiar territory—her word against his.  

The bigger, more consequential question is why Castor gave Cosby any type of assurance, whether verbal or written, that he wouldn’t face future criminal prosecution. His stated reasons speak volumes about the discrimination against sexual assault survivors that is embedded in our judicial system. 

Without even interviewing Andrea Constand, Castor determined in 2005 that there was not enough evidence to successfully prosecute a criminal case against Cosby. His reasons: The victim waited a year to come forward with her allegations; and she stayed in contact with her attacker after the assault. 

Anyone who has been sexually assaulted can explain how and why fear and shame prevent them from going to the police, as can the many psychologists who were interviewed by major media outlets in recent years about this common behavior pattern. Victims stay in touch with their rapists—I know I did—because their brains are paralyzed, trapped in survival mode, trying to deny the enormity of what has taken place, particularly when the crime is committed by someone they know and trust. Such cognitive dissonance, as Cosby’s victims can attest, can take a very long time to overcome. In my own case, it took 16 years.

Constand prevailed in her civil lawsuit against Cosby, winning a $3.4 million settlement in 2006. Cosby testified in a sworn deposition that he had obtained prescription Quaaludes, which render a person physically immobile, with the intent of giving them to women with whom he wanted to have sex. Nine years later, after new accusers came forward, the Associated Press successfully petitioned the court to unseal the records of the civil trial. This is what led to Cosby’s re-arrest and trial for aggravated sexual assault against Constand: He incriminated himself with his own words, spoken in a sworn deposition more than a decade earlier. 

The timeline that led to Cosby’s re-arrest and trial was miraculous: In July 2015 a judge agreed to unseal the documents; on November 3, voters elected a new district attorney, Kevin R. Steele, who then helped bring charges against Cosby; and on December 30 the former actor was arrested, just days before the 12-year statute of limitations on Constand’s criminal complaint was set to expire. 

Cosby’s attorneys argued unsuccessfully that the deposition he had given in Constand’s civil suit should be inadmissible, because their client had made his incriminating statements only because he believed he had immunity from criminal prosecution. By then more than 50 women had come forward, all with disturbingly similar stories about Cosby drugging and raping them. In July 2015, New York Magazine published a striking black-and-white cover photo showing 35 of those women, seated and looking directly into the camera, under the headline: “I’m No Longer Afraid.” Five of those women testified at the 2018 trial that resulted in Cosby’s conviction.
 
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The outcome of that trial was shocking. Given his wealth, power, and all the systemic barriers rape victims face in our society, there was every reason to expect that Cosby would once again avoid prison. But the #MeToo movement laid the groundwork for victims to come forward, finding strength and solidarity with one another as they told the truth about Bill Cosby, Harvey Weinstein, and so many other men. All things considered, when I think about Andrea Constand’s 14-year journey to see her rapist behind bars, I am reminded of the aphorism, “Don’t cry because it’s over. Smile because it happened.” This is not to say we shouldn’t be furious about the incompetence and malice of Bruce Castor, or about the Pennsylvania Supreme Court’s decision to believe his story about the non-prosecution agreement that might or might not actually exist. But we should stop and marvel that Cosby was convicted at all. His was the first big trial of a famous man in the wake of the #MeToo movement, and it resulted in an undeniable moment of reckoning. These women were telling the truth. There would be more to come.  We shouldn’t be surprised that Cosby obtained early release from prison. He’s an old, rich, entitled narcissist with nothing to lose by appealing the verdict. Constand, by contrast, had nothing to gain by revisiting her trauma. She had won her multi-million-dollar settlement in 2006, and was finally getting her life back, working as a massage therapist in Toronto. Still, she agreed to testify against Cosby at his 2017 trial, which resulted in a mistrial, and then again in 2018. She did this because she felt it was the right thing to do. The statute of limitations for all the other victims had run out. She was their only hope.  An accomplished college athlete who later oversaw operations for Temple University’s women’s basketball team, Constand knows how to play the long game. Her fight inspired sexual assault victims all over the world, including me, and led to the elimination of statutes of limitations in rape cases in several states. This is her legacy.  At 83 years old, Bill Cosby is technically a free man, in that he no longer lives behind bars. But he’s also a pariah in the entertainment industry, his reputation destroyed thanks to the #MeToo movement and its allies. Remember that it was Hannibal Burress, a Black male comedian, who ignited the media firestorm against Cosby by courageously calling him out as a rapist at Philadelphia’s Trocadero comedy club back in October 2014. Seven years later, as he faces another civil lawsuit for sexual battery in Los Angeles, Bill Cosby’s legacy will never amount to anything more than a sick joke. [post_title] => Bill Cosby's release from prison has nothing to do with #metoo [post_excerpt] => The former comedian is out of jail, but his own sworn deposition confirms that he is a rapist. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => bill-cosbys-release-from-prison-has-nothing-to-do-with-metoo [to_ping] => [pinged] => [post_modified] => 2024-08-28 21:15:13 [post_modified_gmt] => 2024-08-28 21:15:13 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=2892 [menu_order] => 190 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )

Bill Cosby’s release from prison has nothing to do with #metoo

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    [post_content] => Living in Berlin, where the obsession with dieting and the pursuit of a perfect body type don't exist, led to a shift in thinking.

Bikini bodies and “hot girl summers”  have been hot topics across social media for the past month or so. Legacy media platforms have been publishing tips for how to lose the weight gained during the sedentary pandemic months, while exercise apps are marketing big discounts to incentivize us to lose weight. I find all this a bit troubling.

Like many other women who grew up in the 1990s, I was brainwashed by an industry that equated healthy with thin—and not today’s thin, but anorexic thin. These were the days of “heroin chic,” of Kate Moss wearing her Calvins below the hip to reveal pubic bones that protruded over her belt loops. My coming-of-age online was at the height of the “pro-ana” madness of the early aughts, and I succumbed to my own disordered habits in college, counting calories in the hope of reaching some absurd “goal weight.”

In the years that followed, my weight fluctuated with moves abroad, job changes, and shifts in eating habits and exercise. In Morocco I was slim, thanks to a vegetable-heavy diet and the fact that I had to walk everywhere. In Boston I joined a gym that I loved and discovered muscles I didn’t know I had. My mind grew healthier, but the culture around me didn’t. The message that there was an ideal body was clear. And though that body changed over time—the heroin chic aesthetic eventually giving way to the slender curves of Gwyneth Paltrow and later the robust curviness, and booty, of Beyoncé—the common denominator was that the ideal body was unattainable.

When I moved to Berlin in my early 30s, my thinking shifted dramatically. Berliners surely have their own ideas of what the perfect body looks like, but the pervasive diet and exercise culture that permeates US society simply doesn’t exist here; nor does the idea that there’s a single, ideal body shape. Going to the sauna, where all genders, ages, and body types mingle—either wrapped in towels or nude—allowed me a glimpse at a much wider range of bodies than I’d ever had the opportunity to see before. And seeing that people here were comfortable with their bodies changed my relationship to my own.

But US culture is pretty inescapable no matter where you are in the world, and for those of us working from home, online at all hours, the pandemic made it even more pervasive. As COVID-19 restrictions began to ease in the US, the talk of “hot girl summer” and the ideal bikini body penetrated my brain’s defenses. Despite all of the progress I’d made over the past decade in how I viewed and cared for my own body, I became increasingly preoccupied with my weight gain.

This is where it’s important to mention the unique circumstances under which I spent most of the pandemic. In 2017, I was diagnosed with a type of chronic leukemia for which the treatment plan is, at first, to “watch and wait.” To those who have experienced acute cancers, this may sound odd, but the logic is that the treatment is often harder on one’s body than the disease, and so it makes sense to wait until treatment becomes utterly necessary.

For me, that moment came just a month before the pandemic. Then, as I began to work with my doctor to make plans for treatment, everything was put on hold for a few months, and I was told to stay at home. 

When summer arrived Germany’s COVID-19 case numbers were low, so we began my treatment. By autumn my health was improving, but the virus was spreading rapidly and the government rolled out strict lockdown measures. Throughout our winter isolation, my body was healing, but my mental health was suffering. To sublimate, I turned to my favorite comfort foods (cheese, baguettes, pizza, and wine among them); and within a few weeks, I gained about 15 pounds. At first it didn’t bother me, but as summer hit with a vengeance and the diet-industrial-complex began its ad campaigns, it (no pun intended) began to weigh on me. I stopped weighing myself years ago and I don’t own a scale, so I judge my body based on how my size eight jeans fit; much to my dismay, they didn’t...at all.

And this is where it was imperative to put to task all of the tools I’d gained over the years, to remind myself that my body had not only survived a once-in-a-lifetime (I hope) pandemic, but had fought off cancer and won. Those extra pounds not only sustained me during a hard winter, but the cheese and wine and chocolate that put them there helped me at the end of long, stressful days stuck at home.

At first it wasn’t easy...but as the rainy spring finally turned to hot vaxxed summer and I began spending more time outdoors—and became more physically active—my mindset began to change. One afternoon shortly after lockdown ended in early June, I met some friends in a park. It was a bright, hot day and I put aside any thoughts of my thighs as I slipped on a favorite pair of short shorts. Later that evening we danced. Our winter-pale thighs jiggled—and not once did I think about mine or compare them to anyone else’s. 

Since the weather warmed, I’ve lost about half the weight without even trying, simply by spending as much time as possible outside and walking and cycling as much as I can. But I have decided that I don’t care anymore. I will go loudly and proudly into my vaxxed girl summer wearing whatever I feel like, not giving a second thought to whether my body fits the advertising industry’s definition of a “bikini body.” And I will be encouraging my friends to do the same.
    [post_title] => How I got over the anxiety of my pandemic weight gain and even had fun
    [post_excerpt] => Like many other women who grew up in the 1990s, I was brainwashed by an industry that equated healthy with thin—and not today’s thin, but anorexic thin.
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How I got over the anxiety of my pandemic weight gain and even had fun

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    [post_content] => British Vogue's interview with the Pakistani Nobel Peace Prize laureate set off a storm of virulent criticism in her native Pakistan.

The July issue of British Vogue departs notably from the usual fare of supermodels, pop stars, and actresses. Wearing a traditional salwar kameez and matching head scarf, Malala Yousafzai—“survivor, activist, legend”—gazes serenely through honey-colored eyes. Her warm smile is slightly lopsided, a permanent reminder that she survived a gunman’s bullet to her head. She is a Nobel Peace Prize laureate and one of the world’s most admired activists for the education of girls and women; and yet, she conveys neither artifice nor arrogance.

The interview, conducted by London-based journalist Sirin Kale, reads like the transcript of a lighthearted conversation between two young women sitting in a café. Malala, now 23 and just graduated from the University of Oxford, happily answers questions about what she likes to eat, how she spends her time, and what her plans are for the future.
 
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A post shared by British Vogue (@britishvogue)

But when asked about her romantic life Malala became so visibly uncomfortable that her interviewer felt as though she were “torturing a kitten.” In the extremely conservative area of northern Pakistan called Swat, where Malala was born and raised, falling in love or having a boyfriend is considered shameful and dishonorable. But, later, she nonetheless offers some ambivalent comments about marriage.

“I still don’t understand why people have to get married. If you want to have a person in your life, why do you have to sign marriage papers, why can’t it just be a partnership?”

In Pakistan, these anodyne comments set off a firestorm of virulent criticism. Social media users called her a “prostitute” and “traitor”; and the hashtag #ShameonMalala trended for days. Z-list celebrities attempted to capitalize on the Malala hatred by issuing sanctimonious statements about marriage, while newspaper columns analyzing the interview made headlines for weeks. A so-called preacher in the conservative north of Pakistan declared that he would assassinate the young woman for violating the sanctity of Islam. By now Malala is used to Pakistanis expressing outrage at what she does and says. But the magnitude of this backlash was particularly intense. Upper middle-class women, who tend to be more educated and thus supposedly more worldly, were particularly critical of Malala for voicing reservations about marriage. In Pakistani Facebook groups, they wrote that Malala’s head injury had probably caused brain damage; or they mocked her appearance, commenting that of course she was against marriage—with her disfigured face, she would never find a husband. How to explain this vicious torrent of outrage? Perhaps these well-heeled, well-educated urban women were lashing out because by questioning the value of marriage, Malala had implicitly criticized the institution from which most Pakistani women derive their identity, status, and privilege. Pockets of liberalism do exist in Pakistan. A 23-year-old woman from a rich family in Lahore, Islamabad or Karachi might be allowed to choose her spouse—even to date or have a boyfriend. But saving face is essential; cultural and religious standards must be upheld. Those who rebel against society’s mores are expected to do so discreetly. It’s a rare woman in Pakistan who remains single by choice. By questioning whether partnership and love should require religious and legal sanction, Malala unintentionally held up a mirror that reflected all the burdens and restrictions of marriage. That is why these women responded to the interview by having a complete meltdown: Their own internalized misogyny trumped whatever lip service they usually give to female solidarity and sisterhood. Their lambasting of Malala, the so-called “darling of the West,” was reminiscent of the ritual of “salvaging” in The Handmaid’s Tale, when the Handmaids gleefully pull on the rope that hangs the condemned woman to death. Of course Malala does have many supporters in her home country, where she’s often called the “Pride of Pakistan.” They counter the haters by holding up examples of Malala’s positive influence in Pakistan and the rest of the world—like the Malala Fund, mentioned in the Vogue interview, which is rebuilding schools in her native Swat, in several African countries, and in Gaza. Few people know about this important work, or that the Fund supports the work of policy reformists who are overhauling Pakistan’s creaky education system. Those who love Malala are happy that she survived the assassination attempt and thrived; that Pakistan’s military defeated the Taliban; and that something excellent can come out of Pakistan, a place where life is difficult and often grim. Pakistanis are under a lot of pressure these days. The country faces serious economic problems even as it tries to recover from decades of dictatorship and terrorism; matters are further complicated by the country’s continued involvement in geopolitical conflicts with India and Afghanistan. Salaries remain low even as inflation and taxes continue to rise. Quality education, health care, and job security are all in short supply. Working-and middle-class people feel the economic frustrations most acutely; for them, dignity and security are a mirage. On popular television talk shows broadcast each night, upper-class Pakistanis argue about the causes of their country’s malaise—e.g., corruption, government incompetence, and the erosion of moral values. But instead of looking for ways to strengthen the country internally, they blame external bogeymen such as India, “the West,” and anyone who seems to be working against Pakistan’s interests. Malala has become a lightning rod for these people. Every time she does something that makes the news, she’s accused of making the country look bad. The usual round of accusations and bizarre conspiracy theories are trotted out: Her shooting was a staged drama so she could obtain a foreign passport; she has been chosen by Western and Jewish overlords to become prime minister of Pakistan one day; her many prestigious awards are in fact compensation for the role she plays in a master plan to dismantle Pakistan altogether. They speculate that Malala is actively working against her own country. On the Vogue cover, Malala is traditionally but elegantly attired: She wears a crimson dupatta draped gracefully over her head and shoulders and a matching crimson kameez; the backdrop is the same shade of crimson—the color of blood, the color of revolution, of love—and she holds one hand up to her face, right where her facial muscles droop because of her injuries. She’s careful to portray herself visually as respectful of her Pashtun heritage. But it’s getting harder to keep her intelligent mind and her ideas as carefully curated. This tension will only grow as she navigates through life: In Pakistan, every word she says will be parsed and every action criticized. Having completed her formal education, Malala is now considering what she should do with the considerable money and influence she has accumulated over the last six years. Besides the Nobel Prize, there is the Malala Fund (Bill and Melinda Gates and Angelina Jolie are donors) as well as appearances at Davos and the United Nations. For some, this is too much power for a young woman from a valley in Swat, Pakistan. Her friends Greta Thunberg, the climate activist, and Emma (‘X’) Gonzalez, the Parkland shooting survivor and anti-gun activist, both of whom have also been targeted by vicious critics, can relate. Malala’s detractors often ask why other young victims of terrorism, especially boys, don’t receive the same treatment as the young woman from Swat. But most people don’t know what happened to these victims, whom they believe are stranded in Pakistan, locked out of the privilege and influence that Malala wields. Waleed Khan is a university student who was shot in a 2014 Taliban terrorist attack on the Army Public School in Peshawar. Like Malala, Khan went to the UK for treatment and stayed on to pursue his education; Malala and her family supported him throughout his ordeal. In the wake of the controversy over the Vogue interview, Khan tweeted: “From a long time I have been seeing images of me and Malala circulating around. I would like to request everyone please stop this comparison. We can’t uplift one person by degrading the other. Malala is an inspiration for many young ppl like me and millions around the world.” With so many programs for improving the lives of girls funded by Western NGOs and foreign missions, many complain that boys are left behind. Some of this is fair criticism; but some is sexist backlash in a society accustomed to conferring automatic privilege upon boys and men. Elevating Malala above male victims of similar violence sparks fears about another Western conspiracy to rend Pakistan’s social fabric and make women more powerful than men. The degradation of others considered to have gained too much wealth or prominence is called Tall Poppy Syndrome, a term that originated in Australia. In Pakistan, Malala is the home-grown variety; both men and women want to cut her down because they think she’s gotten too big and gone too far. But not everyone reacts with so much jealousy or negativity to Malala. Many Pakistanis openly adore her; and the government of Pakistan gave her full support and security when she came to Pakistan on a secret trip in 2018. Hundreds of little girls study in the schools she has opened in the Swat Valley. Across the country, plenty of people recognize that those who shot Malala in the head are the real enemies of Pakistan. Malala rarely comments on this negativity, although when she came to Pakistan in 2018, she told the BBC that she couldn’t understand it. But in the three years since that visit, Malala has grown and evolved from a girl into a woman. The biggest sign that she’s ready for the next phase in her life, and that the hatred doesn’t faze her, is a meme, popular among millennials, that she tweeted a few days after the Vogue cover was released online. It’s a GIF of Elmo, the Muppet character, standing with his arms raised in front of a backdrop of flames dancing behind him. For Malala, this is the equivalent of a mic drop. [post_title] => Hating Malala is now 'en vogue' in Pakistan [post_excerpt] => The 23 year-old Nobel laureate's cover photo and interview for British Vogue set off a storm of virulent criticism in her native Pakistan. 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Hating Malala is now ‘en vogue’ in Pakistan

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    [post_content] => Changing attitudes and mentorship programs are nurturing an emerging generation of young women. 

Numana Bhat, 34, is a postdoctoral researcher at the La Jolla Institute for Immunology in San Diego, where she focuses on understanding the biology that underlies the immune response to vaccines. Her husband, Raiees Andrabi, is Institute Investigator at the Department of Immunology and Microbiology at Scripps Research, a prestigious non-profit medical research center. Both are from Kashmir, the India-administered Muslim majority territory that has been convulsed by political violence for decades.

India and Pakistan have fought three wars over Kashmir, which is claimed by both countries. Meanwhile, the Indian military has put down popular insurgencies, which began in the late 1980s, with tactics that Amnesty International and Human Rights Watch have described as human rights abuses. Since 1989, more than 70,000 Kashmiris have been killed during these government crackdowns, while more than 8,000 have disappeared. Thousands of people have been detained without charge under the draconian Public Safety Act.

On August 5, 2019, Prime Minister Narendra Modi’s BJP government unilaterally revoked the constitutionally guaranteed autonomous status of the region, further dividing it into two federally governed union territories. The military imposed an unprecedented lockdown, blocking internet access and phone lines and intimidating journalists. As a result, seven million people were cut off from the outside world for several months.

Given the obstacles created by the political turmoil and violence in Kashmir, Dr. Bhat’s academic success is remarkable. And she is not alone; a notable number of Kashmiri women have become prominent scientists, despite periodic and unpredictable outbreaks of militarized violence, a lack of resources, and the pressure of traditional expectations.

After completing her B.A. and Master’s degrees in Kashmir, Dr. Bhat earned a PhD in biomedical sciences from Sanford Burnham Prebys Medical Discovery Institute, a non-profit medical research center in La Jolla, California. There she discovered that “a fascinating molecule called Regnase-1 acts as molecular brakes in antibody producing cells and prevents autoimmunity.”

[caption id="attachment_2698" align="alignnone" width="300"] Numana Bhat in her laboratory.[/caption]

She credits her mother and a dedicated high school biology teacher for endowing her with the tools and curiosity to pursue a career in biomedical science. But other gifted young women are not as fortunate: opportunities and resources for higher education in scientific research are scarce in Kashmir, “although the people themselves, both students and mentors at the university level, are capable of doing great things,” she said.

She added that she had heard about “people in mentoring positions” who made “discouraging remarks” to female students— including explicit pressure to channel their energy into getting married and having children rather than into post-graduate studies.

Nevertheless, Dr. Bhat said, she has noticed an increasing number of young Kashmiri women pursuing graduate studies and careers in scientific research both in India and abroad. She added that younger people were going outside the sciences to choose careers in humanities, journalism and the arts, “which is also quite refreshing to see.”

More challenges for women

Masrat Maswal, 33, is an assistant professor in chemistry at a government college in central Kashmir’s Budgam district. She grew up middle class in an extended family where attention and money were scarce. Her parents paid more attention to her in high school, where she excelled academically and won praise from her teachers. But she said that Kashmiri society does not make it easy for young women who want to pursue post graduate work and demanding research positions in the sciences. “From the day you are born as a girl in a family in Kashmir, they start to prepare for your marriage; so choosing a career—particularly in science, which needs patience, persistence, hard work, sacrifices and an ample amount of time—is really hard,” she said. [caption id="attachment_2704" align="alignnone" width="300"] Masrat Maswal at home in Kashmir.[/caption] Her female students are often deterred from pursuing graduate work in the sciences by social pressures to marry and settle down when they are in their twenties. “We are losing a lot of talent,” she said, “Due to the prevailing socio-cultural norms of our society.” The lack of proper infrastructure and lab facilities in Kashmir’s colleges also undermines the enthusiasm of both students and teachers, she added.

Family support matters

Amreen Naqash, 31, moved to New Zealand in 2019 to study for a doctorate in pharmacology and toxicology at the University of Otago. In her spare times she mentors students in her native Kashmir who want to pursue graduate studies either in India or abroad. Women, she observed, are showing more interest in looking for fellowships and pursuing graduate work in the sciences at universities outside India. [caption id="attachment_2702" align="alignnone" width="200"] Amreen Naqash in her lab.[/caption] “I’m in touch with some promising female undergrads from Kashmir, which makes me so glad,” she said. “It is such a wonderful feeling to guide them as they are in their prime career stage.” Omera Matoo, 38, has a PhD in marine biology. She is an assistant professor in evolutionary genetics and physiology at the University of Nebraska in Lincoln, where her research is funded by the National Science Foundation (NSF). Born and raised in Kashmir, Dr. Matoo earned her B.A. and Master’s degrees at Bangalore University, where she became friends with two classmates from different parts of India, both of whom came from families of scientists. [caption id="attachment_2703" align="alignnone" width="300"] Omera Matoo in her lab.[/caption] “Looking back, I realize that played a very big role in my career,” she said. All three of them decided to pursue doctorates in the sciences.

Limited opportunities

When Dr. Matoo applied in 2007 for a doctoral program at a university in the United States, she had to travel to New Delhi and Bangalore to take her GRE and TOEFL exams; at the time, there wasn’t a single coaching or test center in Kashmir. The situation for prospective graduate students has since improved. Thanks to the internet, they can take standardized tests online. Mentoring initiatives like JKScientists have been established, with volunteers offering would-be graduate students help and advice. “And then there are other Kashmiri scientists across the world who struggled along similar paths before making a mark in their chosen fields; and now they are giving back to their society by mentoring and guiding young students and aspiring researchers.” Role models and social support structures, said Dr. Matoo, provide positive feedback for young people; this is especially true for female university students in Kashmir, who benefit from having their academic interests nurtured. Dr Seemin Rubab, a professor of physics at the National Institute of Technology in Srinagar, is regularly approached by young girls from Kashmir for career guidance and counseling. “Many times I’ve had to counsel their fathers and brothers to let them pursue their academic careers and avail themselves of opportunities outside Kashmir and India,” said Dr. Rubab. Professor Nilofer Khan, acting Vice Chancellor at the University of Kashmir who has also served as Dean of Student Welfare and founder coordinator of Women’s Studies Centre, confirmed that for years a lack of family support has been a serious obstacle for women who wished to pursue doctoral studies, particularly when they were married with children. “Very few females used to go for research studies in science subjects,” she said, adding that times were changing and female students were “proving their mettle” in the sciences. The frequent government-imposed internet shutdowns are a serious problem for students facing application deadlines, said Dr. Matoo. Delayed exams and the lack of access to resources—“all these limiting things have a scale up effect, not to mention the consequences for mental health,” she said. But somehow these obstacles have not undermined the enthusiasm and academic focus of the young women from Kashmir who regularly reach out to her for guidance on making a career in science. “I am constantly impressed and humbled by their resolve to make a bright future for themselves against all odds,” said Omera. “That gives me a lot of hope and in a way keeps me grounded.” [post_title] => Kashmiri women defy patriarchy & politics to pursue careers in the sciences [post_excerpt] => A notable number of Kashmiri women have become prominent scientists, despite periodic and unpredictable outbreaks of militarized violence, a lack of resources, and the pressure of traditional expectations. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => kashmiri-women-defy-patriarchy-politics-to-pursue-careers-in-the-sciences [to_ping] => [pinged] => [post_modified] => 2024-08-28 21:08:26 [post_modified_gmt] => 2024-08-28 21:08:26 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=2696 [menu_order] => 199 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )

Kashmiri women defy patriarchy & politics to pursue careers in the sciences

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    [post_date] => 2021-05-26 00:54:57
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    [post_content] => The ability to intuit the feelings of an emotionally uncommunicative man can make a woman feel strong—or not.

Recently I rewatched Bridget Jones’ Diary. It was one of my favorite films when I was a teenager, and now that I am 32—Bridget’s age in the movie—I’m more impressed than ever with the way the film and eponymous book capture the comic conundrums of the average woman. But there was one character that I viewed with new eyes: our leading man, the ever-diffident Mark Darcy.

I was a Jane Austen fan growing up, so I found his demeanor very appealing. The way he expressed feeling through actions rather than words, combined with his utter inability to demonstrate affection, struck me as thoroughly classy, strong and “masculine.” Now, another term sprang to mind: emotionally unavailable

My therapist asked me recently whether or not I have a tendency to gravitate toward emotionally unavailable men, and I told her that I’m not entirely sure what the difference is between “emotionally unavailable” and reserved. It seemed she didn’t know either, so we just stared at one another uncomfortably over Zoom for a moment. 

Truth be told, I’m not sure the modern take about people who are unable to express themselves emotionally—i.e., that they lack feeling—is accurate. My ex-boyfriend was (surprise!) a lot like Mark Darcy. The closest he ever came to being effusive was when he looked at me over the corner of his newspaper and gave a “Oh, very nice” nod. When we broke up, I was certain that he had never actually cared about me; I only changed my mind because his best friend told me that he didn’t leave his room for six months and subsisted on deliveries of beer and fried chicken. 

My father is (again, surprise!) another classic example. The man physically stiffens at any attempt at a hug, and I can count on one hand the number of times he’s said something affectionate. In fact, I’m not sure I remember him saying anything at all to me throughout my childhood other than, “You hungry? You want something to eat?” But if I called him at 3 a.m. to tell him I was stranded in Sheepshead Bay he said “I’ll be there in fifteen minutes,” no questions asked. My father is also an alcoholic in recovery. During a recent relapse, he sobbed and said he’d always loved me but didn’t know how to show it, and I could see the pain that inability had caused him. 

I feel sorry for him. I feel sorry for Mark Darcy. I feel sorry for many of the men I’ve dated, and I feel a little like Wendy in Peter Pan, when she tells the Lost Boys that they’re all just little boys who didn’t have a mother. I feel as though my natural urge to nurture will compensate for whatever hole their mothers left, which it sometimes does and sometimes does not. When it doesn’t, I wonder if I’m falling into the classic Narcissist—Empath relationship, and whether I should feel a little sorry for myself as well, for once. 

Society often portrays women like me, who choose to deal with these men, as a little pathetic. People say we lack self-esteem, that we are tragically conditioned by our toxic upbringing and the unhealthy attachment styles it wrought. Some of that is (unfortunately) true. But I have to say—as someone who does a fair amount of deep digging into her psyche on a daily basis—it doesn’t feel that way. It feels the opposite. It makes me feel strong. 

Culturally, we only seem to acknowledge traditionally masculine forms of strength: power, money, status. I was raised to believe there are also equally important traditionally feminine forms of strength: patience, forgiveness, understanding. It gets tiresome, sometimes, to deal with the men that I deal with, and it frustrates me that the patience and understanding aren’t really a two-way street. I’m expected to be inherently “better” in some ways, more immune to proclivities, because I am a woman—a belief that has no logical basis in reality. But it certainly feels like a form of strength and it gives me a sense of pride.

I will also continue to argue, as I have done in the past, that people are a tradeoff and men like this have certain upsides that are difficult to find in today’s society. They take forming attachments very seriously, so you don’t have to worry about them love-bombing you and then promptly ghosting you the way some of the more “modern” men seem to have a tendency to do. They also feel a firm sense of responsibility and obligation toward a woman—you never have to worry about them waking up one morning and telling you that they’re moving to Thailand for a year to find themselves and that you’re both just on different journeys right now. 

I went to a book reading for Helen Fielding’s long-awaited third installment to the series, Bridget Jones: Mad About the Boy, and someone asked her why she (spoiler alert) killed off Mark Darcy. “I needed Bridget to be single,” she responded, “And Mark would never leave her.” There’s a sense of security to men like this that isn’t all that easy to find these days. 

Still, I find myself wondering how much of their actions comes from a place of love and how much of it stems from a sense of obligation, and whether or not there’s a difference between the two. 

I watched another movie recently that gave me pause: My Fair Lady. I’ve always adored Henry Higgins, so I texted a friend joking that it seems like my love affair with emotionally stunted, confirmed bachelors who try to mold a woman into their version of “the perfect woman” began early. Men like the ones I’ve described tend to get a lot of flak for being very controlling, and it is–truth be told—more than a little depressing to feel you will only be loved if you are a very certain way all the time. But I don’t mind it so much so long as we’re aligned on what that vision is, because I welcome any extra motivation to be my best self. I think there’s strength in that, too, because God knows it takes a lot of effort. 

And—try as I might—I can’t help but always find the ending scene romantic. Eliza leaves, and Higgins sings a song called “I’ve Grown Accustomed to Her Face,” which seems to be the closest to admitting that he loves her that he can manage. He walks into his drawing room, and puts on an early recording of her because he misses her. She walks in at one moment, turns it off and says the last line out loud. “Eliza?” he rises from his chair, then settles back in, puts his hat over his face, and says, “Where the devil are my slippers?” 

It’s pathetic, really, the sexist statement and the fragility of his masculinity–the fact that he can’t simply tell her how happy he is that she’s back, and needs to lower his hat in order to hide his emotional response. It shows a lot of strength and self-esteem—I think—that she recognizes precisely what’s happening. It’s not a healthy form of love, for sure. But it is, nonetheless, love. 
    [post_title] => Mark Darcy and the allure of taciturn men who love with actions instead of words
    [post_excerpt] => Culturally, we only seem to acknowledge traditionally masculine forms of strength: power, money, status. I was raised to believe there are also equally important traditionally feminine forms of strength: patience, forgiveness, understanding.
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Mark Darcy and the allure of taciturn men who love with actions instead of words

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    [post_content] => Simons, who rose to fame as a glamorous television personality, leads an explicitly feminist, radical, intersectional party.

If you want to know how Sylvana Simons came to be the first Black woman in the Netherlands to head a political party elected to the House of Representatives, you’ll need to look back further than her glamorous 25-year career as a model, dancer, MTV host, television personality, and political activist. You’ll have to go back to when she dropped out of school and ran away from home at the age of 14 because there were “rules” she “didn’t agree with,” and then became a single mother at the age of 21, when she had not a penny to her name. 

It is this lived experience that informs Simons’ political views as leader of BIJ1 (“Together”), the explicitly intersectional, feminist and radical political party that she founded in 2016. Simons was elected to the House of Representatives in March, largely on the back of the urban youth vote. 

BIJ1 ran an impressively diverse list of candidates for parliament. Among the top 10 were five Black people, three of them women; a Muslim woman who is disabled; a trans woman; a sex worker; an artist and youth worker; and a woman of Indonesian background (Indonesia is a former colony of the Netherlands). The party’s manifesto breathed intersectionality. 

In April Simons made headlines with a scathing 5-minute speech in the House of Representatives on the failures of the government’s pandemic policies. “It turns out,” she said from the podium in the House of Representatives, “That allowing intensive care units to fill up with the goal of reaching herd immunity is harmful to the economy, harmful to our wellbeing, harmful to our freedom, harmful to our health, and has cost us many lives.” The government’s vaccine rollout had failed, she continued, and her party intended to pursue a parliamentary inquiry into the matter. 
The speech garnered applause and a rush of positive publicity. For Simons, the pandemic debate was an excellent opportunity to show what her party stood for, and to push parliament to hold the government to account—an obligation she accuses them of having neglected. “What kind of country do we want to be?” she asked, rhetorically. “We propose systemic change. Do you want authorities to crush citizens, or to protect and help them?”  Sylvana Simons was born in 1971 in colonial Suriname, four years before the South American country won its independence from the Netherlands—where her family has lived since she was 18 months old. She has been a well-known media figure since the mid-1990s, when she was a presenter for Dutch MTV. But in 2015 her fame morphed into notoriety when, as the host’s side-kick on the popular talk show De Wereld Draait Door (The World Moves On), she pushed back against a guest who used a derogatory term for Black people. The backlash was immediate: Simons was targeted with a tsunami of racist, sexist attacks on social media.  Overnight, the popular media personality became the most hated woman in the Netherlands. The television guest appearances and invitations to give speeches at corporate events dried up, as the establishment rushed to distance themselves from the suddenly controversial Simons. But she told The Conversationalist that she has no regrets. “It was inevitable,” she said. "I had to practice what I preached: speak out if you are in a position to do so." The feminist writer and activist Anja Meulenbelt chuckled appreciatively upon seeing Simons suddenly regaining some of her pre-2015 popularity in the wake of her speech criticizing the government’s failed pandemic policy. Meulenbelt, an icon of 1970s second wave feminism, was one of the first people to join BIJ1. “Sylvana is audacious; she is not afraid of anything,” she said.  BIJ1 had succeeded, asserted Meulenbelt, where the established leftist parties had failed: “We don’t talk about representation; we are representation. We do what other leftist parties [only] talk about.”  The praise Simons received for her pandemic policy speech was remarkable for the frequency with which it was accompanied by disclaimers—such as, “I’m not a fan of hers, but..!” or “I didn’t vote for her, but..!” or “In general I don’t like her, but..!” Simons believes those disclaimers are just temporary. She has the stage now, and no longer needs opinion leaders and journalists for exposure. “People think that because of my anti-racism, my politics are exclusive,” she said, adding that the opposite is true. “My politics aren’t exclusive, but inclusive. I act against power. Against a government and institutions that don’t care about citizens but treat them like tools to keep the economy going. That affects all of us, regardless of the color of our skin. And sometimes that means pointing out that the situation of some groups, like Black people or disabled people, requires extra attention.”  Simons said that her now-famous speech had been “brewing” for a year. But the fluidity and incisiveness of her remarks reveal that she must have been thinking deeply for at least a decade about the issues she addressed so eloquently. Her words reflected a combination of heightened political awareness and outrage over not only the handling of the coronavirus pandemic but also over social justice issues like equality, humanity—and dignity. Part of her impact is based on her understanding of performance, said Aldith Hunkar, an independent Dutch-Surinamese journalist who has known Simons for many years. “She knows like nobody else which camera is pointed at her, and at which moment to look into it,” said Hunkar, who conducted a video interview in English with Simons earlier this month. She added that Simons was completely sincere—as well as “hyper intelligent.” Sheila Sitalsing, a Dutch-Surinamese political columnist for the veteran daily newspaper de Volkskrant, described Simons to The Conversationalist as “sensational,” adding that she has “flawless political intuition” and is “factual, calm, with a sharp eye for the rule of law.”  Simons is a huge fan of Mona Eltahawy, the uncompromising and outspoken Egyptian-American journalist, commentator and activist, but considers herself to be a “diplomat.” In describing her approach, Simons said, “I can find common ground with everybody,” no matter what their background. “I am not bothered by who you are,” she said. “This has to do with my life path.” Now 50 years old, Simons became a grandmother last year. Reflecting on her life as a high school dropout and single mother who started out as a TV dancer and worked her way up, she said. “I say with pride that I have hardly any formal education. I wasn’t flattened by a system that didn’t work for me. I overcame institutional hurdles, including racism and sexism, and despite society’s consistently low expectations of me. I learned to make connections with everybody. I consider that my strength.” But how did that life experience transform into a solidly grounded intersectional worldview seemingly overnight? Where did the theory come from?  Simons mentions Gloria Wekker, a Dutch-Surinamese professor emeritus in gender studies who authored the acclaimed seminal work on Dutch racism, called White Innocence: Paradoxes of Colonialism and Race. Wekker joined BIJ1, taking it upon herself to educate the new party leader—and was struck by how quickly Simons read and understood the texts.  “I asked Gloria which books I had to read,” said Simons. “The books made scientifically tangible what I have lived and felt throughout my life.”  Feminism is, naturally, a big part of the story. But Simons cannot answer the question of which comes first for her—feminism or anti-racism. During the interview, she chooses feminism: “But one cannot exist without the other and I may choose anti-racism next week.” Simons’s feminist, anti-racist message disrupts the Netherlands, a country that sees itself as a beacon of tolerance and progressiveness. She is not the only one speaking out fiercely against Dutch racism. A decade ago, the campaign “Kick out Black Pete” started, aiming to abolish the blackface tradition that pollutes the Dutch Sinterklaas (Santa Claus) festivities. And last year the Black Lives Matter demonstrations were numerous and huge in the Netherlands. Momentum was building for BIJ1’s politics. Surprisingly enough, Simons reveals that 15 or 20 years ago she defended Black Pete from foreign criticism. “I’d tell people to butt out of our traditions, even though I’ve hated Black Pete since I was a child. But I too suffered from internalized racism. You know, we are raised in the Netherlands to say that we don’t ‘see’ color, that it’s all kumbaya, but underneath that layer of kumbaya we deny identities.” Foreigners, in other words, are not the only people surprised to discover racism in the Netherlands. The Dutch themselves are surprised, too. “Our tolerance was a facade we were collectively hiding behind and that has only now started to crumble,” said Simons. Aldith Hunkar, the Dutch-Surinamese independent journalist, agreed. “The Netherlands has built this system over 500 years and it still refuses to see the implications,” she said. “It’s learning very slowly. Simons has changed the discourse already, but it reflects the rigid, dismal Dutch mindset that she is not yet on a pedestal.” Hunkar, 58, resigned in 2007 from a position she held for 14 years as a television presenter for NOS, the state broadcaster, after accusing it of racism in its editorial decisions.  To know where Sylvana Simons is coming from, one must consider those 500 years of Dutch colonial, racist history. On March 31, the day she was inaugurated into parliament, the party gave its leader a present: a traditional Afro-Surinamese religious ceremony, held at a public square close to the parliament building. A priestess offered a libation to ask the ancestors and God to give Simons power and wisdom.  [caption id="attachment_2609" align="aligncenter" width="840"] Afro-Surinamese ceremony honoring Sylvana Simons (center) on March 31.[/caption] Simons said the ceremony made her feel honored: “I was carried by the ancestors. As a child of the colonies, as Simba, the chosen one, I was honored. It meant a lot to me but also for the people who brought me to this point. They didn’t vote for a politician but for their daughter, sister, mother, aunt, and it is completely emotional. It was about spirituality, about keeping the connection with the people who gave their lives for our freedom.” Going forward, Simons will need all her strength. The same election that brought BIJ1 to parliament also handed victories to several fascist parties, some of which have been in the legislature for several years, pulling policies and the discourse to the right side of the political spectrum. Simons hopes to pull them back to the left. “Pictures of the ceremony were shared [online] and those on the extreme-right of the spectrum saw them too. Everybody saw that my community lifted me so high—who can touch me now? It gave me wings. I flew into parliament.” The official inauguration was short. The office assigned to her turned out to be in the former Ministry of Colonies. “That is no coincidence,” said Simons. “It closes the circle.” [post_title] => 'I act against power': Sylvana Simons is proudly disrupting politics as usual in the Netherlands [post_excerpt] => A glamorous television personality for 25 years, Simons has made history as the first Black woman elected to the House of Representatives as head of a political party—and one with an explicitly radical, feminist, intersectional platform. 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A portrait of Sylvana Simons arriving "for a ceremony where Dutch King Willem-Alexander marked the opening of the parliamentary year with a speech outlining the government's budget plans for the year ahead at the Grote Kerk, or Sint-Jacobus Kerk, (Great Church or St. James' Church) in The Hague, Netherlands, Tuesday, Sept. 21, 2021."

‘I act against power’: Sylvana Simons is proudly disrupting politics as usual in the Netherlands

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    [post_date] => 2021-05-05 22:52:43
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    [post_content] => A powerful argument that fat people should be accorded the same dignity that social movements like #MeToo and Black Lives Matter demand.

Aubrey Gordon’s What We Don’t Talk About When We Talk About Fat is a book about being trapped. It is rooted in trauma and designed, at turns, to break your heart and open your eyes to the humanity of a scorned and maligned demographic. It is also another volume in the generally shouty, scolding, so-called “woke” rhetoric that has shot through the public discourse like a never-ending Reddit thread. 

The path to inclusion, apparently, is balling out strangers on the internet and hosting a podcast. Gordon excels at both. She first came to fame as the author of Your Fat Friend, which she wrote anonymously and subtitled “Essays on life as a very fat person.” As the title of her undertaking implies, Gordon has set herself apart from a default confrontational stance. Her tone is direct, earnest, informative—uninterested in trauma porn. The same cannot be said of her voice on Twitter, but such is life when expressed in a maximum of 280 characters. 

I first became acquainted with Gordon through a hilarious, often brilliant limited episode podcast about the dieting industry, which she co-hosts with Huffington Post journalist Michael Hobbes. Called Maintenance Phase, its tagline is “wellness & weight loss, debunked & decoded.” Much like Your Fat Friend, the tone of the podcast conveys to the listener that she is implicitly on the same team as the co-hosts: away we go, together, to laugh at the sick standards and twisted marketing schemes that warp our view of the world and threaten our psychic wellbeing! The duo’s takedown of Moon Juice (“What the fuck is an adaptogen?”) is one of the funniest things I listened to in the past year; the episode on the Twinkie Defense, exploring the moral panic behind the legal defense that exculpated Harvey Milk’s killer, is moving and especially well researched. 

What We Don’t Talk About When We Talk About Fat is not a memoir but rather “a mix of memoir, research, and cultural criticism all focused on unearthing our social and cultural attitudes toward fat people.” The aim is to accord fat people the same dignity and steps toward harm reduction that other social justice movements, like Black Lives Matter and #MeToo, demand. 

First things first: I was almost giddy to read a book published in 2021 that tells public health experts—and pretty much everyone else—that they are dead wrong and can fuck off. After this pandemic year of public health obsession, shaming (e.g., for wearing or not wearing a mask), and broadly asking to speak to the manager, it is refreshing to see a woman stand her ground and explain fat shaming and the diet industry to me.

 
Gordon trashes BMI (Body Mass Index) as a racist, meaningless marker; she deftly explains how blaming fat people for being fat allows us to avoid taking collective responsibility for a widespread problem, to indulge our biases, and isolate fat people from equal pay, housing, and medical care. Her arguments bear the hard won credibility of a woman who has been mocked, menaced, and bullied online and off throughout her life and presently wears a size 26. Biography is Gordon’s chief credential, and her stories of discrimination and humiliation at the hands of anyone from landlords to flight attendants will make you shake with rage. On her podcast, she speaks of “the shitty economy of trauma” and how she needs to be “vivisected” for anyone to buy into her arguments. 

What We Don’t Talk About When We Talk About Fat is very much a book written by a woman. To be sure, we are all trapped in these flesh suits. To be alive as a woman, in particular, is to experience being judged on your looks before all else. Describing viral videos that shame fat people, Gordon writes, “It was surreal to watch it all unfold, this litigation of my body, a voiceless inconvenience, an inanimate obstacle.” As a woman in America, I must confess it was surreal to read that sentence. I understand my role is to be a reader, and not to place myself in Gordon’s lived and often excruciating narrative, but at several points in this book I felt lectured to about my own lived experiences as a woman in a way that baffled me. 

For instance: Gordon is at pains to define a difference between fatcalling and catcalling: “Catcallers do not consider themselves to be wooing me, concocting faux romances in their minds. I do not face the inconveniences of chivalry...Instead, I face...unsolicited disclosures of men’s rape fantasies.” As I read that paragraph, I couldn’t help but think, #MeToo, Aubrey! That’s exactly what it’s like! And, even if details differ, why spend pages denigrating the trauma of catcalling in favor of the paramount trauma of fatcalling? Why must we rank trauma? Why is it all a contest? Both things suck. 

Gordon indulges in moments of intersectionality, but male aggression on an empty street is also familiar in the forms of gay bashing or bigotry—as well as straight-up catcalling. We can (and should) create room for fat women in feminism without invalidating someone else’s narrative. And, while we are at it, I’d like to point out that dating apps are humiliating for everyone. 

No one wants to be pathologized; this is something the gay rights community has been teaching us for decades. Knowing Gordon is a fierce advocate both in the queer space and for reproductive freedoms, the following sentiment left me gobsmacked: 

“The world of straight-size people is a reliable one. In their world, services are procured. Healthcare offered is accessed. Conflict arises primarily from active decisions to provoke and is rarely—if ever—prompted by the simple sight of a stranger’s body. The biggest challenges with anyone’s individual body are their attitude toward their own skin, not issues of security, dignity, or safety from bodily harm.” 

This simply isn’t true. Americans are denied access to healthcare for a plethora of reasons that include race, income, sexuality, gender identification, and immigration status.   Gordon is at her strongest writing about how cultural conditioning yields a cruel smugness:  “Media messages about revenge bodies and baby weight and beach bodies abound, conditioning our feelings about our own bodies the ways that we treat those who are fatter than us," she writes. She references a damning Wharton study about how “obesity serves as a proxy for low competence,” and compellingly links this attitude to legalized weight discrimination in many states.  “Anti-fatness,” Gordon asserts, “is a way for thinner people to remind themselves of their perceived virtue. Seeing a fatter person allows them to remind themselves that at least I’m not fat. They believe that they have chosen their body, so seeing a fat person eat something they deem unhealthy reminds them of their stronger willpower, greater tenacity, and superior character.”  This line of thought is redolent of the Calvinist doctrine of predestination and Weber’s Protestant Work Ethic—it’s as American as it gets. In this vein, I am troubled by an underlying assumption that crops up again and again in this book: that we are empowered and enabled to participate in public discourse once we are consumers. Surely our humanity is not tied to our ability to participate in capitalism. Personally, I think people should aspire to a lot more than earning more money and being able to buy clothes in their size. I would like to see us dream bigger than a shopping spree. What else are we gunning for here? More invidiously, what industry will co-opt these upper tiers of obesity? Each June, the Gay Pride Parade boasts multiple floats from big banks and corporations: does fat acceptance look like a TD Bank ad? Can someone chart a course out of this capitalist trap?   The book also contains the seeds of some serious fatalism, and, as it goes, a serious paradox.   On the one hand, Gordon argues passionately against BMI as a valid metric and size as an indicator of health. At one point, she even lauds a few anti-diet dieticians. She writes of studies that point to vile and widespread medical bias against fat people, even in medical schools. Yet, she also insists that the prevalence of fat Americans is a consequence of substandard nutrition, processed food and poor education—deficits she traces back to New Deal agricultural policy and the Reagan Era’s war on obesity.  So, we hold both of these truths to be self-evident: being fat is okay and not a threat to one’s health, but having a fat society is a problem we must collectively solve.  Gordon also claims that 97 million Americans diet and it’s a $66 billion-industry. But, she says 98 percent of dieters fail. This made me wonder: what constitutes a failure? What constitutes a diet? Success metrics are strange, and their definition is often slippery to the point of slime. When my own father was dying of cancer, I learned that “success” at Memorial Sloan Kettering Cancer Center is defined as living for another five years. If it doesn’t look like you’ll make it that long, they don’t treat you for fear of sullying their numbers.  So: who is in these diet studies? What did they want to achieve? Where did they start? When I dove into the footnotes to learn the rationale behind the numbers, I was led to a Psychology Today author promo listicle: “6 Reasons Smart People Don’t Diet.” The statistical improbability of “success” pinned to these numbers allows for an ugly tendency to flay any follower engaged in weight loss. On her podcast, Aubrey says she believes it was a fair boundary to block anyone with an Instagram bio that states an aspirational weight—although she herself doesn’t do so.  Isn’t it possible to both understand that the diet industry is largely shambolic and also leave room for people to try and change their bodies a little if they want to? A before-and-after photo is not inherently toxic. Perhaps social media is the bigger issue, with all of its attendant lies around displays of wealth and heteronormative couplehood—while we are on the topic.  Somewhere between being resigned to genetic predisposition and indulging in the freak show that is The Biggest Loser, I’ve got to believe there is a middle ground where we have a bit more acceptance and agency. Call me an optimist. How can a writer as smart as Gordon so sharply point out the sly complicity in Heinz buying Weight Watchers, but come down so hard on Michelle Obama for her “Let’s Move” campaign and any poor schmuck trying to lose a little weight? In hanging readers out to dry at various points, Gordon lowballs the universality of her message. Movingly, she writes, “The war on childhood obesity had given up on me, and over time, I learned to give up on myself...At eleven, I clung desperately to the idea that my body could and would change—that, somehow, I would become thin. Then, and only then, could my real life begin.” Who didn’t feel that way in some capacity as a middle schooler?  We need to treat fat people—and everyone—with more kindness and consideration. But there is nothing wrong with trying to grant those same people a sense of autonomy and agency to decide on their own definition of defeat or victory. For Gordon, it’s having the space to be the woman she is right now; for others, it might mean shedding 20 pounds put on during a stressful, sedentary pandemic. There must be room for someone trying to figure out what works for their own highly personal wants and needs.  It breaks my heart that the end of this book must focus on harm reduction. In her final chapter, Gordon writes, “We deserve a personhood that does not make size or health a prerequisite for dignity and respect.” We do. And if we don’t find one that we all can fit in together as a nation and as a culture, it’s not so much that we will be trapped but, rather, that we’ll know for certain that it’s been a trap all along. [post_title] => Dreaming big: the politics of preaching body acceptance in a fat phobic society [post_excerpt] => Aubrey Gordon’s 'What We Don’t Talk About When We Talk About Fat' is a book about being trapped. It is rooted in trauma and designed, at turns, to break your heart and open your eyes to the humanity of a scorned and maligned demographic. 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Dreaming big: the politics of preaching body acceptance in a fat phobic society