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    [post_date] => 2021-03-05 03:29:33
    [post_date_gmt] => 2021-03-05 03:29:33
    [post_content] => We have bought into the false idea that grappling with depression is a solitary journey, but it shouldn't be.

Since 2002 an international activist/artist group called Feel Tank has been staging multidisciplinary events that call attention to the intersection of “bad feelings” (such as depression, despair, hopelessness) and politics. In 2003 Feel Tank Chicago organized an event called the Annual International Parade of the Politically Depressed: a group of academics and artists gathered in a downtown plaza to talk about all the very legitimate reasons they had for feeling dejected about the state of the world. They wore bathrobes to symbolize that they felt “too depressed to get out of bed” and carried signs with slogans like: Depressed? It might be political. It was a type of performance art, explained one member of the group, meant to inspire conversations around the structural forces that contribute to often-individualized depression and create communities based on solidarity and support.

[caption id="attachment_2343" align="aligncenter" width="2048"] Chicago FeelTank Parade of the Politically Depressed on July 25, 2006.[/caption]

A few months ago, I heard about a Feel Tank Toronto event at which the participants sang pop songs, repeating the line "my loneliness is killing me" from “Hit Me Baby One More Time” by Britney Spears. This event happened years ago, but I connected to it strongly because loneliness is such a salient aspect of pandemic life during the winter lockdown. The act of singing those lyrics was a means of commenting simultaneously on the irony of mass media teenage heartbreak and on our broken society, with a communal action that created genuine spaces of connection and comfort. Alone in my bedroom, I tried singing the lyrics myself, but my voice sounded tinny in the stillness. Perhaps, I thought, it’s all about the tangential train of thought that arises from such moments. I imagined myself drawn back to Feel Tank’s moment by a delicate thread of dark, saccharine lyrics, which somehow capture the feelings of despair that have reverberated throughout this pandemic year.

My renewed interest in Feel Tank coincided with the release of “Framing Britney Spears,” a New York Times documentary that focuses on the pop star’s struggles with mental illness under the media’s unrelenting, voracious gaze. The film has generated fierce discussions about celebrity and misogyny. Linking it back to Feel Tank broadens the scope of this conversation to the structural politics that influence cultural ideas of mental health, blame, and control.

“Framing Britney Spears” looks at a particularly cruel time in American pop culture, a pre-#metoo era that was characterized by hypocritical and deeply misogynistic standards regarding women’s health, sexuality, femininity, and motherhood. Britney’s rise to fame in the late 1990s coincided with the scandal over Bill Clinton’s extra-marital affair with Monica Lewinsky, then a 23 year-old White House intern. The contrast shone a bright light on American cultural attitudes toward (young) female sexuality, with the media subjecting Monica Lewinsky to blame and shame for what was tacitly presented as her brazen sexuality, while on the other hand expressing puerile interest in whether or not Britney was still a virgin.

The main thread of the documentary deals with a controversial 2008 legal order called a “conservatorship,” whereby a judge ruled that Britney’s mental health issues made her unfit to care for herself or her children and granted her father, Jamie Spears, permanent control of her finances. The terms of the conservatorship are so draconian that they allow Britney’s father to control her freedom of movement and decide who may visit her at home. Framing Britney Spears traces the efforts of the #FreeBritney movement, a group of fan-activists dedicated to ending the conservatorship; the pop star’s ongoing legal efforts to have her father removed from the conservatorship; and her meteoric rise and fall as a cultural icon during the late 1990s and early 2000s. Much of the commentary on Framing Britney Spears positions the media culture of the early 2000s as having hit a peak in its misogynist treatment of public female figures. Many commentators have pointed to the progress media culture has made since this time, illustrated by the increased openness of celebrities—such as Selina Gomez and Demi Lovato— about their struggles with mental illness. Others have poked holes in this idea by citing a still-persistent culture of body and sex shaming, as seen in attitudes toward young singers like Billie Eilish and Chloe Bailey. But what if the structures that both spark and lay blame on “bad emotions” and bodies stretch beyond the music industry? I was drawn to Feel Tank's message of the "political potential of 'bad feelings' like hopelessness, apathy, anxiety, fear, numbness, despair and ambivalence,” because they seek to see these emotions as the product of wider forces, rather than taking on personal blame. This does not mean denying the medical and biological causes of mental illness, but seeing them as intertwined with a series of factors, especially, as Mark Fischer writes in Capitalist Realism, “the widespread sense that not only is capitalism the only viable political and economic system, but also that it is now impossible even to imagine a coherent alternative to it.” Despair and hopelessness result from a system that demands unrelenting economic, personal, and political progress at the expense of those too mentally unwell, physically different, or racially other to fit within its goals. Feel Tank, which was founded shortly after the Bush administration’s inauguration of “the war on terror,” hosts conferences and exhibitions, holds protests and potlucks. Its participants play games, gossip, and make art. Above all, Feel Tank aims to create spaces for imagining hope. Collectively discussing and sharing “bad feelings” is not about romanticizing sadness, but about questioning societal definitions of happiness. As feminist theorist Sara Ahmed writes in her feminist killjoys blog, happiness is often presented as a goal. The one-way path to this happiness is lined with culturally conditioned milestones related to gender (marriage as the happiest moment in one’s life); sexual orientation and race (the American dream: a smiling, white, heterosexual couple with 2.5 kids); and able-ness (mental and physical illnesses as obstacles that are overcome). Ahmed sees the “feminist killjoy” as the one who interjects “but” or “what if”—and the happiness is sucked out of the room. These “buts” come together in the expression of critique and “bad feelings” as a means of creating moments of joy by forging non-linear pathways through life. Robin James, a philosopher of pop music, connects the forward-moving demands of happiness to female celebrities; she argues that Beyoncé and Lady Gaga’s music videos present the singers as role models because they have overcome sorrow and become stronger from the experience. Thus pain, especially heartbreak, is but one more (mile)stone on the way to happiness. Pain is something the resilient leave behind. In the context of Framing Britney Spears, I can’t help but wonder: how does the film and its resulting media coverage suggest that Britney should move on? The media coverage of Framing Britney has been characterized by a clear narrative of leaving sadness behind. This includes deriding the early-2000s cultural landscape and seeking to resolve the issue through collective apologies and the laying of individual blame. Many media outlets have said that they are "sorry" for the way they treated Britney, as did Justin Timberlake, who acknowledged that his poor treatment of his once-girlfriend was the expression of his own sexism. Meanwhile, the #FreeBritney fans are certain that their beloved pop star will be free when her legal case is resolved in her favor and the conservatorship is removed. But while reflection, apologies, and collective action are necessary starting points, they should not be the end of the conversation. Framing Britney underlines this idea of moving on with a clip from a 2008 episode of MTV’s For the Record, in which Britney describes what freedom means for her: “If I wasn’t under the restraints that I’m under right now, you know, with all the lawyers and doctors and people analyzing me every day and all that kind of stuff, I’d feel so liberated and feel like myself…It’s like---it’s bad. And I’m sad.” I am rooting for the conservatorship to be lifted. But abolishing the cruel legal arrangement will almost certainly not end public scrutiny of Britney Spears. If she wins her legal battle, we should not see her victory as a reason to celebrate the conclusion of Britney’s journey to freedom, but rather to have a serious conversation about the conditions that led to her situation—and how they persist structurally. It means that if her “bad” feelings continue we should not hold them against her, but welcome them. Britney and her situation feel relevant right now because many of her songs create impossibly sweet and sad spaces to discuss “bad feelings,” the political structures that contribute to them, and “bad choices” other than happiness. Just as Feel Tank and their message of political depression has been debated in relation to rising despair during the pandemic—characterized by loneliness and isolation, but underlined by government failures to provide monetary, social, and mental health support structures—so can this renewed interest in Britney Spears’ mental health present an opportunity to renew this conversation. Perhaps it can spur us to imagine more political possibilities for discussing our pain. Listening to "Lucky" one day, I thought of a period of deep despair two summers ago. Riding the train, I used to shield my eyes with my hand while crying in public, pretending that I was gazing at something miraculous in the distance. I find myself imagining a lot of such sheltering hands these days, now trailing over computer keyboards in the new reality of emotional life in mostly virtual spaces. Wrist cramping, I bob my head to the beat of Britney’s songs: with loneliness up ahead, emptiness behind, where do I go? Nobody should be alone if they don't have to be. [post_title] => Reframing Britney Spears: will freedom liberate her from sadness? [post_excerpt] => "Framing Britney," the New York Times documentary about the pop star's rise and fall, is framed by the belief that once she prevails in her legal battle, she can leave her sadness behind and move forward to a happy life. But this idea that moving on is the desired goal absolves us of a very necessary discussion about the structural problems in our society that led to her situation. 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Reframing Britney Spears: will freedom liberate her from sadness?

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    [post_date] => 2021-02-19 06:00:16
    [post_date_gmt] => 2021-02-19 06:00:16
    [post_content] => Our social discourse is tainted by mis- and disinformation that started long before Facebook and Twitter existed.

Over the past month, as new, more dangerous variants of the novel coronavirus have cropped up in various countries, some social media platforms have ramped up their fight against mis- and disinformation about the disease. Facebook, for instance, consulted with the WHO before expanding their list of false claims about COVID-19; the company announced they will delete posts that contain any of those claims. 

There’s no denying that mis- and disinformation are real problems that plague our societies. The former represents untrue information spread without the intent to deceive, while the latter is more insidious: Information that is intentionally circulated to mislead, sow chaos, or indoctrinate. Nearly all of us, at some point in our lives, have accidentally spread misinformation. Most have us have encountered it as well, whether from friends and family or authorities we were taught to trust.

As a child growing up in the United States, I encountered misinformation at public school regularly, taught as unquestionable “facts”: Columbus discovered America; the United States single handedly defeated the Nazis; America is the greatest country on earth; colonizers “civilized” the savage natives; Pluto is a planet, marijuana is a gateway drug...and so forth. In most cases, I was taught not to question these “facts.” Some were based on scientific error, but others were intentional. I was presented with a single-sided version of history that aligned with a certain narrative propagated by the country in which I was raised.

Of course, the United States is not alone in brainwashing its youth. In Morocco, where I lived during my early twenties, every schoolchild is taught the same line about Morocco’s colonization of the Western Sahara. Soviet schools taught children to revere Stalin—at least until they didn’t, following Kruschev’s de-Stalinization campaign that saw his image erased from history books. In Germany, where I live now, most friends say they were never taught about the country’s colonial past. And the vast majority of us throughout the world have spent our lives presented with a world map that distorts the size of certain countries.

Schools are not the only institutions that impart misinformation. All over the world, various faith traditions teach different and sometimes competing sets of values and histories. I was raised in a secular household and taught to respect believers, which I do—and yet, I have spent my entire life trying to reconcile the diverse and often conflicting teachings of various religions. Many others, raised in a particular faith, don’t struggle like that; instead, they believe firmly that whatever they were told as children is the ultimate truth. While diversity is part of what makes our world so complex and beautiful, these competing sets of beliefs have also caused countless wars and deaths. And yet, freedom of religious thought is generally upheld as a vital right, despite the fact that it’s simply impossible for all of these ideas to be factually accurate.

The thing is, there is absolute fact and there is the unknowable. There’s a reason why we don’t treat religion as disinformation despite the harms its adherents have caused throughout history: Because we can’t, in fact, know whether the deities in which we put so much faith exist.

What we do know, however, is that some of the information presented as fact by religious traditions has been proven to be scientifically false. And yet, we continue to allow it to propagate for fear of challenging traditions. Some disinformation, it seems, is simply not a priority.

Fact-checking as industry

During the Trump administration and particularly during the pandemic, fact-checking has been emphasized as a key measure in the war against disinformation, with numerous major publications engaging in fact-checking initiatives. The trouble is, many of the same publications that stress the importance of fact-checking and regularly deride social media companies for their failure to act against disinformation all too often engage in misinformation themselves.  The New York Times infamously threw its considerable support behind the invasion of Iraq in 2003 and played a major role in disseminating the lie about weapons of mass destruction; the paper of record also employs several columnists who frequently propagate falsehoods presented as opinions. There are also numerous publications that report on conflicts in the Middle East through the lens of nationalism, putting an emphasis on U.S. interests over the price paid by civilians on the ground.  The legacy media outlets, in other words, have played a significant role in creating a public discourse that is tainted by the pervasive belief that there is no such thing as objective truth. Nor is the World Health Organization unqualifiedly committed to the truth. As social media platforms scramble to counter new disinformation about COVID-19, some critics have raised the point that the WHO was an early perpetrator of misinformation, telling people not to wear masks for fear that they could create a higher risk of infection. The sociologist Zeynep Tufkeci—whose insights have often been a breath of fresh air throughout the past year—noted on Twitter that the WHO and the mainstream media were guilty of propagating falsehoods during the early days of the pandemic.  All of these examples demonstrate that mis- and disinformation are serious problems—and yet, the ways in which certain types of disinformation are prioritized for debunking, while others are allowed (often for nationalistic or propagandistic reasons) to flourish should serve to illustrate why our current dialogue around tackling mis- and disinformation—and particularly its emphasis on combating these ills with technology and censorship—is set to fail. As a society, we must become more comfortable with admitting that we don’t always have the answer; this is a project that must start with our youth. An article in Vice about a new app called Clubhouse illustrates my point well. The sub-head of the article is: “The increasingly popular social media app is allowing conspiracy theories about COVID-19 to spread unchecked.” The article itself is well-reported, noting how falsehoods are shared on the audio-based platform by well-known figures and spread like wildfire. The piece also gets into the difficulties of moderating speech on an app where the speech is not only audio-based, but ephemeral—Clubhouse does not allow conversations to be recorded, meaning that moderation can only be done in real-time, an impossible venture at scale.  And yet, a number of the experts quoted in the piece speak of the problem as one to be solved by technology, pointing to the moderation on other platforms done by humans or artificial intelligence as positive examples, rather than the hopeless game of whack-a-mole that they are. It’s easy to see why tech companies and media ventures would seek to root out disinformation through moderation measures. It’s also easy to understand why they would try to tackle the “worst of the worst”—that is, the most pressing issues—in this manner. And there are indeed some moderation measures (such as going after repeat offenders, particularly those with power) that are reasonable. And yet, over the past few years I’ve watched countless panel discussions about “tackling” or “fighting” misinformation through technical measures, as if social media were the key battlefield and content moderation is how the war will be won. It is eminently reasonable to fight certain disinformation using short-term means. Although I have concerns about some of the key details of, say, Facebook’s latest measure, I understand the importance of cutting off COVID-19 disinformation amidst far too many deaths and rising infection numbers. But I will not pretend that this is how we’ll solve the root causes of the problem. If lawmakers are serious about combating disinformation, then they should start looking inside classrooms and churches. They should follow the money trail and look a bit harder at why our democratic systems are failing. And most importantly, they should step away from technosolutionism and stop viewing it as anything but what it is: A stopgap measure. [post_title] => Content moderation won't stop the spread of disinformation. Here's why. [post_excerpt] => Our democratic institutions are failing due to deeply rooted problems. Online disinformation is a symptom, but not the cause. 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Content moderation won’t stop the spread of disinformation. Here’s why.

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    [post_content] => The search for a room of one's own—on Instagram.

Pakistanis were late adopters of social media culture, but that is now changing rapidly; emerging Instagram influencers with tens of thousands of followers have become the subject of articles in online magazines and on television. One of the most notable aspects of Pakistani influencer culture is the rise of women, who are finding a space and a voice in the country’s deeply conservative, patriarchal culture. 

Tanzeela Khan is a publicist as well as a style and beauty influencer, with over 100,000 Instagram followers. In her carefully curated photos she models outfits that highlight the latest fashions from both East and West, with captions that offer observations about her social life and her emotions. A photo posted on January 20 shows Tanzeela in a plum colored chenille coat with a matching face mask, captioned #motd (message of the day). 

Pakistani society frowns upon women who work outside the home; social media platforms offer them an opportunity to both stay at home and become entrepreneurs. The pandemic lockdown didn’t spark the rise of Pakistani influencer culture, but it definitely caused it to grow exponentially.

Women comprise 49 percent of Pakistan’s population, but only 24 percent of the labour force. The unpaid labor of domestic duties is not classified as work, which is a consequence of the fact that women are deprived of a space in the discourse for their own narratives. A few newspaper headlines illustrate widely held views on women in the workforce. 
  • “No country for working women,”  (Pakistan Express, March 10, 2018)
  • Should Pakistani women get a job? Yes but.. Say Pakistani men,” (World Bank Blogs, April 5, 2019);  
  • Problems working women face”  (Dawn, May 9, 2019)
While these articles make it clear that Pakistani women face severe challenges in seeking work outside the home, they focus on data while ignoring the human stories that show how women are affected by the lack of opportunities to embark on a career. Nor do they offer solutions, or suggestions for a path forward. The voices of women are not heard, whether they stay at home or go out to work. Tooba Syed, a feminist activist, pointed out in an Opinion piece for Dawn newspaper that women who do enter the workforce generally work in “occupations that mimic care work; undervalued, underpaid and further reinforcing women’s primary gender role as a caregiver.” Influencer culture provides Pakistani women with a space completely their own, neither dominated by men nor governed by existing norms of what is and isn’t acceptable—at least not directly.  Saman Zahrai, who moved from her native Lahore to London after she married, started out as a mommy blogger in 2018. “There was so much about mommyhood that I just wanted to share,” she said. She had been online for months before she recognized the opportunity to monetize her Instagram posts. As her blog developed, she began to incorporate other interests and to learn what interested her followers. This helped her make the shift to becoming a fashion influencer who shares her style choices, which include both traditional Pakistani outfits and European trends. Zahrai still visits Lahore frequently; she said the contrast with her life in London has made her acutely aware of the extent to which her native country denies women a space of their own. Blogging and influencing, she confirmed, can feel very liberating for women who want to express themselves in an environment that is free of social opprobrium and not controlled by the male gaze. Some influencers mix it up, with glamorous posed style photos alongside social justice messages. Rimsha Waseem, an influencer from Karachi who has more than 52,000 followers, says that she feels a responsibility to include social responsibility messaging with her fashion and makeup content. In addition to launching a campaign for breast cancer awareness on her YouTube channel, she worked with a local manufacturer of feminine hygiene products to raise awareness of period poverty.  Rimsha, Saman and Tanzeela come from privileged backgrounds. Their families are well off, they are educated, speak English, and have unlimited access to the internet and social media. In taking advantage of the opportunity to amplify their own voices and carve out their own space, they are paving the way for other women. Pakistani feminists understand that the few need to champion the many. But critics of the new influencer culture claim the young women who model their glamorous clothes and lifestyle on Instagram and YouTube are wasting their time; that they are immodest; or that they are unrepresentative and out of touch. The fatal flaw in the claim that Pakistan’s female influencers are out of touch with their country’s social reality is the case of Qandeel Baloch, the first and most famous influencer of them all. Unlike Tanzeela, Saman, and Rishma, Qandeel was not from the educated upper class. She was born to a conservative family in a small rural town in the Punjab, grew up poor and was married off at age 18 to a cousin who, she said, was physically abusive. Baloch escaped the marriage and ran off to the big city, where she changed her name (her birth name was Fauzia Azeem), tried and failed to break into show business and then discovered that the surest path to fame was via social media. The videos Baloch posted on her Facebook wall, which had more than 500,000 followers, managed to be simultaneously sexually provocative, guileless, and socially critical. She monetized her fame with paid advertising, which allowed her to support her family. But in 2016 an ill-conceived stunt that exposed a prominent imam’s hypocrisy brought notoriety, threats, and unwelcome attention directed at her family. On a visit home shortly after the incident with the imam, her youngest brother smothered her to death while she slept—in a so-called “honor killing.” She was 26 years old.  The murder of Qandeel Baloch sent shockwaves across the country, and was widely covered by the media both in Pakistan and abroad. Baloch had spoken often about taking charge of her sexuality rather than letting the exploitative media industry do it for her. Now, her murder resonated even with women who had disliked Baloch’s provocative persona. She became an icon for resilience and for the principle that a woman had the right to her own voice. Pakistani influencers from more privileged backgrounds still face significant challenges. Arranged marriages are a cultural norm for most families, but those who might have been interested in asking Rimsha to be their daughter in law see her career as a barrier. “People see it as me “showing myself off,”” said Rimsha. She added: “According to them it is not right for a girl to do, but no one sees the effort that goes into content creation.” While most of the Pakistani influencers on Instagram are women, the trend of social media bloggers and personalities began on YouTube with Zaid Ali, a Canadian-Pakistani star vlogger. Ali led the way for male vloggers, most of whom create funny, relatable videos that are entertaining but not exactly substantive. What’s notable is that the men are applauded for their light and amusing videos, while female influencers are criticized for the same type of content. Male influencers are not accused of showing off or wasting their time.  Tanzeela says there’s still a long way to go before influencer culture becomes mainstream in Pakistan. So far it has provided a space and a voice for women with talents and business acumen that they had kept under wraps for too long. Rimsha said that the money she earns as an influencer has allowed her to move toward financial independence. “I’ve managed to fund my travels, and support myself in other means which I am very grateful for,” she said. Very few women ever live alone in Pakistan; the norm is to go from their family home to their husband’s family home. Nor is financial independence for women a widely understood concept, let alone a valued one. But influencer culture and blogging have opened new doors for women to earn money on their own terms. The financial independence is gratifying, and is a small step toward broader social acceptance of women who earn their own living.  These are strong, smart women who have figured out how to monetize their passions. Pakistan needed a space where women could own their brands; we must move past the point of looking down on fashion, style or beauty as lesser content, which boils down to pulling people down. Rimsha is a strong advocate for lifting up and supporting women. Global women’s movements have shown the power of solidarity over the years and the influencer culture is no different. There’s a new kind of working woman in Pakistan and she’s here to stay. [post_title] => Pakistan's female influencers are challenging the patriarchy [post_excerpt] => Pakistani society frowns upon women who work outside the home; social media platforms offer them an opportunity to both stay at home and become entrepreneurs. 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Pakistan’s female influencers are challenging the patriarchy

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    [post_date] => 2020-12-17 19:24:22
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    [post_content] => A Washington, D.C. rally held by pro Trump evangelicals revealed the fascism in their worldview.

Prominent right-wing Christians organized a prayer rally and an affiliated “Jericho March” in Washington, D.C. last Saturday. The ceremonial act, which also took place in a number of state capitals across the U.S., was meant to echo the Biblical story about the Israelites bringing down the walls of Jericho by circling it while blowing trumpets; in its modern iteration, evangelical Trump supporters walked seven times around various government buildings while praying to “bring down the walls of voter fraud” and undo the presidential election results. Although there is no evidence of widespread election irregularities, and the Trump administration’s frivolous lawsuits have been shut down—most recently by the Supreme Court—the rally-goers and marchers believed they were engaging in an act of spiritual warfare that would “reveal” the election had been stolen and prevent Joe Biden from taking office. Michele Bachmann, former Congresswoman from Minnesota and a notorious evangelical conspiracy theorist, said in a video posted on Facebook that this was “a Hebrews 11 moment,” referring to what Christians sometimes call the Bible’s “Faith Chapter,” which recounts the righteous deeds of Biblical heroes.

Mike Lindell, CEO of My Pillow and a prominent Trump supporter, addressed the D.C. rally, while several other speakers peppered their talks with plugs for his company. The headliner was Mike Flynn, Trump’s former national security advisor, who was compromised by Russia while in office and whom the president recently pardoned after he was convicted of lying to the FBI. At the rally in Washington, Flynn, who recently called for “limited martial law” to impose a new election, said: “We’re in a spiritual battle for the heart and soul of this country.” And, as might be expected for an event based around the invocation of a trope from what Christians call the Old Testament, the D.C. rally featured shofar blowing and “a prophetic word” from Curt Landry, a so-called “Messianic Jew”—i.e., a Jewish convert to Christianity.

Evangelicals have deservedly received negative press for their efforts to convert Jews; indeed, America’s Christian nationalism goes hand-in-hand with an appropriative Christian Zionism that has profoundly influenced Trump’s foreign policy, not least in his decision to move the U.S. Embassy in Israel from Tel Aviv to Jerusalem. Mike Pence invited a Messianic “rabbi” to a 2018 campaign rally to mourn the then recent shooting deaths at Pittsburgh’s Tree of Life Synagogue; this was a stunningly tone-deaf insult not only because Jews don’t recognize Christian “rabbis,” but also because most evangelicals subscribe to the belief that Jews who do not convert to Christianity are damned to hell.

The philo-Semitism of Christian nationalism is never very far from anti-Semitism. This is neatly illustrated by the fact that the emcee of the D.C. rally, evangelical radio host Eric Metaxas, recently released a racist, conspiracy-mongering “parody” music video about alleged election stealing that depicts four Jewish men—Michael Bloomberg, George Soros, Jerry Nadler, and Chuck Schumer—as puppet masters manipulating Biden’s “strings.”

Once a writer for the relatively innocuous evangelical cartoon series “Veggie Tales,” Metaxas has more recently made headlines for writing fascist children’s books like Donald Builds the Wall, and for sucker-punching a protester after a Republican National Convention event. At the opening of Saturday’s rally, he “joked” about someone in the audience taking out a bazooka and shooting down a media helicopter. Metaxas clearly embodies the values and desires of most white evangelicals, but his recent behavior has alienated right-wing Christians invested in respectability. Phil Vischer, the creator of “Veggie Tales,” has rejected Metaxas’s brand of culture warring. And  Rod Dreher, the reactionary editor of The American Conservative and a convert to Orthodox Christianity, referred to Metaxas’s extreme rhetoric in a recent interview with Charlie Kirk—for example, Metaxas said that calls to concede that Biden won the election are “the voice of the Devil”—as “hysterical.”

Since Saturday’s bizarre spectacle in D.C., some of the more prominent “respectable evangelicals” have been trying to distance themselves from both Metaxas and the charismatic excesses of Trump’s most enthusiastic Christian supporters, who are holding out for a “miracle” that will somehow overturn the 2020 presidential election.

For example, Southern Baptist author Beth Moore tweeted that Trumpist Christian nationalism is “not of God.” Similarly, conservative commentator David French called Christian Trumpism “idolatry” and Metaxas’s rhetoric “a form of fanaticism that can lead to deadly violence.” Of the Jericho marchers, he wrote: “They believe that Trump had a special purpose and a special calling, and that this election defeat is nothing less than a manifestation of a Satanic effort to disrupt God’s plan for this nation.” French added that far from “holding their nose” to vote for Trump, his evangelical base was “deeply, spiritually, and personally invested in his political success.”

I am glad that French has called out this dangerous language and dehumanizing rhetoric, which he correctly identifies as a common precursor to physical violence. But when he writes, “A significant movement of American Christians—encouraged by the president himself—is now directly threatening the rule of law, the Constitution, and the peace and unity of the American republic,” I can’t help but focus on that little word “now.” The abusive, authoritarian nature of right-wing Christianity is not new.

How do I know? I could point you to reams of well-sourced writing by myself and others on the topic, but what I want to say here is that my most visceral and primary knowledge comes from the simple fact that I grew up in the trenches of the culture wars that men like David French and Michael Gerson, who also recently criticized Metaxas, helped to build and further. From the time I was five or six years old, I remember the churches my family attended, as well as my Christian school, drilling into our heads at every opportunity that abortion was “murder,” a “literal Holocaust,” and that we needed to do everything we could to stop the “baby-killing” Democrats. I remember being taught through the 1980s and 90s to see our society and current events not just in starkly black and white terms, but as reflections of “spiritual” warfare being fought by the forces of God and the forces of Satan through human agents.

And the God and country Christian nationalism of my childhood was hardly subtle. One of my elementary school’s walls was emblazoned with Psalm 33:12, “Blessed is the nation whose God is the Lord,” and our talent shows ended with an audience sing-along of Lee Greenwood’s “God Bless the USA.”

Fascism backed by Christians does not emerge ex nihilo. And in our current case, it did not emerge without significant contributions from men like Gerson and French (and women like Moore), along with other “respectable” evangelicals. And until they are willing to take accountability for that, and to discuss explicitly how they might have to examine their theology and rethink its authoritarian components in order to avoid enabling the worst of Christian nationalism in the future, they should not be heralded as heroic for reaching the low bar of opposing violence based on obviously false conspiracy theories.

Religion journalists and political pundits are still far too favorable toward the idea that there is a meaningful rather than superficial ideological gap between “respectable” evangelicals and the types that showed up at the Jericho March.  Remember the reaction to the December 2019 op-ed by Mark Galli, editor of Christianity Today? Titled “Trump Should Be Removed from Office,” it stirred up a storm of reaction and was covered by legacy media platforms as evidence of a schism within Trump’s evangelical base. For journalists, the temptation to see greater diversity of views within the right-wing, mostly white evangelical establishment than is actually present there can be difficult to avoid. Given the extent to which Christian hegemony influences our society, criticizing the beliefs of any large Christian demographic is still largely taboo. But the truth is that white evangelical subculture, in both its “respectable” and its rabidly pro-Trump varieties, is thoroughly authoritarian; the divisions in play here are much less significant than they may seem.

The real story about respectable evangelicals is that they still want to have their cake and eat it too. They reject loudly the never-say-die Trumpist Christianity that Metaxas has embraced, but they have failed to acknowledge their complicity in the current conservative Christian circus—or to examine the authoritarian nature of their own theology. We should not let them get away with such “cheap grace” by applauding them for enabling the worst of Christian nationalism, only to then shrink from the monster of their own creation. Nor should we read into the current divisions between evangelicals the seeds of any forthcoming substantive internal reform, given that authoritarian evangelical subculture is impervious to any such possibility.
    [post_title] => 'A spiritual battle for hearts and souls': white evangelicals grapple with post-Trump America
    [post_excerpt] => So-called "respectable" evangelicals are distancing themselves from Trumpism, but without accepting responsibility for their ole in creating the Christian circus that brought him to power. 
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‘A spiritual battle for hearts and souls’: white evangelicals grapple with post-Trump America

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    [post_date] => 2020-12-04 07:33:19
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    [post_content] => To break down the structures of racism and oppression, start with an act of radical solidarity: listening. 

A memorial gathering for David Graeber, the activist-anarchist and anthropologist who died unexpectedly in September, was held on October 11 in Berlin. The invitation described it as part of an intergalactic memorial carnival. In memory of Graeber’s activism, the masked attendees shouted “off with their heads!” while gleefully popping balloon heads of Trump, Erdoğan and Bolsonaro, who represented “kings to topple”.

They also chanted against patriarchyimperialism and racism in the direction of the nearby Humboldt Forum, a controversial project to repurpose the former Prussian Berlin Palace as a museum for ethnographical collections from Africa, Asia and the Americas. Opponents of the project say it perpetuates Germany’s legacy of colonialism with a collection of stolen objects housed in a building that symbolizes European imperialism.

In Potential Histories: Unlearning Imperialism, Ariella Azoulay, an artist, critical theorist and Professor of Modern Culture and Media and Comparative Literature at Brown University, describes the institutionalization of these “kings”, or the manifestations of political, social and economic control through physical violence and cultural erasure, as part of an interconnected system of imperial oppression stretching back to 1492. She proposes the urgent, imaginative task of unlearning these structures.

In many ways, this aim to rethink imperial societal structures is present in the global wave of demonstrations inspired by the Black Lives Matter protests that started in the United States last spring, sparked by the May 25 killing of George Floyd, a Black American, by a white Minneapolis police officer. Black Lives Matter protests have been ongoing since the 2013 founding of the group after the killing of Trayvon Martin. The recent protests, which also build on the decolonial and antiracist efforts against institutions and monuments by groups such as Decolonize This PlaceMuseum Detox and the Monument Removal Brigade, have triggered a renewed debate on the imperial legacies of Western Europe and the United States, especially the perpetuation of these histories via the institutionalization of material culture.

In June, the King of Belgium responded to a mass Black Lives Matter protest in Brussels by apologizing for his country’s brutal colonial history in the Democratic Republic of the Congo. Activists emphasized that this apology was informal, lacked concrete political action and came sixty years too late. In the United States, Black Lives Matter protesters in Washington, D.C. toppled a statue of Confederate general Albert Pike after Juneteenth rallies. In September, Congolese activist Mwazulu Diyabanza staged a widely-reported protest with his attempt to take back a nineteenth century African funeral pole that was on exhibition at the Quai Branly Museum in Paris. In October, London police arrested eighteen-year-old Benjamin Clark for tagging a statue of Winston Churchill with “racist”.

Diyabanza, the Congolese activist, is part of the pan-African Les Marrons Unis Dignes et Courageux, which has enacted similar actions in the Netherlands and southern France. For the Quai Branly intervention in June, he worked with other activists to live-stream the event; in the video he calls for the French government to stop collecting stolen colonial objects. But the judge who presided over his case stated that it should focus only on the specific funerary pole and not the broader context of ongoing colonial reparation efforts. Diyabanza argued that the museum action should not be considered a crime because, “We get our legitimacy from the perpetual idea of trying to recover our heritage and giving our people access to it.”

In Potential Histories Azoulay stresses this idea of legitimacy in which stolen material culture is often used to prop up state, colonial and imperial actors as a basic premise that underlines the (fraudulent) idea of History. While she draws on her scholarship and activism in Israel and Palestine and research on slavery in the United States, Azoulay’s aims to illustrate the international embeddedness of such imperial and colonial structures.

Azoulay’s ongoing critical photographic theory research plays an important role in unpacking this History. She suggests that the “shutter” of photography, which dates back to the late nineteenth century, was a technology that aided imperial conquest. The shutter “acts like a verdict” in that it initiates a linear before and after and results in a document narrating a specific historical vision—i.e., the vision of the (colonial) photographer and the ruling institution that he represents. She describes the use of photography as a means of recording the attempted erasure of native cultures, which were and are territorially separated and ruled. The photograph is a format in which these results were used to create linear historical knowledge, such as how the creation of new borders renders some “undocumented” or “illegal aliens” and some “citizens.” This is upheld by institutions ranging from museums, universities and archives to contemporary formations of nation-based sovereignty and governance.

 

[caption id="attachment_2232" align="alignnone" width="1920"] From Ariella Aïsha Azoulay's exhibition "Errata" at the Fundació Antoni Tàpies in Barcelona.[/caption]

Azoulay posits that the use of this violent photographic shutter stretches back to 1492, a moment of imperial Spanish colonization of the Americas, the start of the international global slave trade to make this possible and the obliteration of Judeo-Muslim culture through Inquisition decrees. This history also includes the devastation of the Caribbean’s indigenous Taíno people’s politics and culture in 1514; the ruination of the nonfeudal cocitizenship system of the Igabo people in West Africa; the 1872 Crémiuex decree that gave French citizenship to Jewish Algerians but withheld it from Muslims, a divide-and-conquer strategy with ramifications that are felt to this day; and the ongoing ravaging of Palestinian politics and culture since the early 1900s. In this connected schema of colonial destruction and erasure paired with institutionalization and documentation, the concept of history is premised on the ideas of discovery and progress. Each colonial regime “discovered” new artworks and exhibited them in new museums; they documented dispossessed people with the new label of “refugees” and imposed new cultural practices and political institutions premised on the undoing of previous indigenous norms and knowledge.

Potential history is positioned as a means of addressing these historical damages by imaginatively reactivating the memories and potentialities shut off by the imperialist photograph and its material positioning. Azoulay describes “rehearsal methods” for how we can question and begin to undo these structures. One strategy is the act of revising imperial photos through annotation, including notes, comments and modified captions that challenge the histories they describe. When these interventions are rejected by the archives that own the legal rights to the photos, Azoulay redraws the photographs herself.

Another rehearsal method is the idea of striking, found in short chapters that imagine museum workers, photographers and historians going on strike. The idea of striking until our world is repaired means saying no to the relentless new of history. It does not aim to substitute an alternative history or fill museums with new objects, but rather to reject their logic and promote its active unlearning. Azoulay underlines these and other rehearsals as modes of practicing new forms of co-citizenry and solidarity based on critical looking. “Unlearning imperialism,” she writes, “means aspiring to be there for and with others targeted by imperial violence, in such a way that nothing about the operation of the shutter can ever again appear neutral.”

“Being there” is a moment of radical solidarity in which one aspires to listen to those affected by such violence and question the flow of history that imperial institutions strive to promote as casual and natural. This includes recognizing the role of looted objects and their role in building imperial ideas, but also reclaiming them as means to enact other modes of being, such as thinking of them not as protected “art” but as part of people’s real material worlds.

Azoulay also listens to new melodies that arise from such sites of imperial documentation. She recounts the story of her own Algerian father moving to Israel as a child and trying to forget his native Arabic—because in Israel, the European elite actively condemned its use and promoted Hebrew. She first learned that her grandmother’s name was the Arabic Aïsha, the name of the Prophet Mohamed’s third wife, when she saw her father’s birth certificate after he died. Plucked from this imperial document, the name was a “treasure” in her Hebrew-speaking, Jewish-Israeli family; she sought to use it as a site of imagination by adopting it as her own—in addition to her Hebrew name, Ariella. Azoulay speaks of Aïsha as a haunting scream: Aïsha, Aïsha, Aïeeeeeeee-shaaaaaaaa.

Azoulay further demonstrates photographs and documents as dual sites of violence and resistance with images taken by the Civil War photographer Timothy O’Sullivan in 1862. One of his iconic images shows eight Black people standing stiffly near a large house persistently labeled as the “J.J. Smith Plantation.” These words make it clear that the people in the photograph are racialized property. She describes how this violence is repeated in historical archives, in which photographs of Black people taken before and after the Civil War are interchangeably captioned as depicting slaves; she proposes the imagining of a “dismissed exposure,” or ghostly negative of a forgotten image reinserted into the frame. The original image becomes blurred and surreal as it competes with sculptures from the MoMA floating in the background. Since there are no images on display in U.S. museums of Black Americans reunited with objects stolen from them, the dismissed exposure serves as an imaginative placeholder in the photographic archive. It waits for different worlds and meanings.

 

Potential history dwells in such creative exercises. It resists simplistic ideas of financial restitution for destroyed cultures or the mere substitution of one history for another. Instead, it advocates persistent unlearning of how the world is taught, represented and constructed; solidarity in resisting these demands; listening to those affected; and, above all, imagining. Azoulay’s book is a long (over 670 pages) and challenging read. It brings up the question of who has the resources to read it; while its ideas are currently being filtered through museum exhibitions such as the traveling , the question remains as to how this work can reach a wider and more diverse audience. If you do manage to find a copy, perhaps try following one of the more whimsical moments of the book: dip in as you please, conceiving of no beginning or end, but rather of moments that shine in “a bright, brief and sudden light” against the “dazzling” beam of imperialism.

After all of the “kings” had been “beheaded” at the intergalactic memorial carnival in Berlin, we passed around a hat, on which was written things we wanted to cherish and save. “It’s more about the spirit of hope than destruction,” laughed a person in a wooden demon mask.
    [post_title] => 'Potential Histories: Unlearning Imperialism': a review of Ariella Azoulay's new book
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‘Potential Histories: Unlearning Imperialism’: a review of Ariella Azoulay’s new book

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    [post_content] => Sixty years after James Baldwin fled to Europe to escape his native country's racism, Americans are once again leaving to seek a better life.

Election day in the U.S. is November 3, but some Americans have already voted with their feet, fleeing a country whose values have become anathema to them: racism, police violence, the bizarre fantasies of QAnon, exorbitant living costs and daily anxiety of life under a Trump administration.

The U.S. government does not collect data on Americans who leave the country, but estimates that 8.7 million live abroad. A website with information on how to leave says that since May 2020 it has seen its traffic surge by 1,605 percent, or sixteen fold, for Americans seeking information on which countries are open and how to move.

Even if Trump loses, it appears that none of them will be rushing back.

“We do not plan to return to the U.S., regardless of the election outcome,” said Corritta Lewis, who moved in August with her wife and their year-old son to Playa del Carmen, Mexico. Like Tiffanie Drayton, a Black American writer whose June 12 New York Times Opinion piece about “fleeing” America to Guyana went viral, Ms. Lewis sees no future in the United States.  “A new president doesn't change the systemic racism, police brutality, wealth gap, and overall experience as a black woman in America. It took hundreds of years to build a society of oppression; that won't change in four.”

They left, she said, “due to the increased racial tensions, police encounters, politics, and overall safety. My wife and I are two Black women raising a biracial son, and we didn't want him to live in a country where his parents are harassed by police for being Black.” She continued, “On more than one occasion, we have been stopped and questioned by police for no reason. His first interaction with police scared him to the point that we cried for almost five minutes. It broke our hearts… We were simply two Black women in a nice neighborhood, taking a morning walk.”

“We haven't felt this free in our lives,” she added. “Mexico will probably be our home for the next several years… As the election approaches, I watch in horror and am scared for my family still in the States. I don't have confidence that things will get better anytime soon.”

For Black Americans, the choice to flee police brutality, racism and income inequality is compelling. For others, economic pressures can feel just as overwhelming. Why spend more than you have to for a safe and healthy life?

Tim Leffel, 56, and his family, chose Guanajuato, a colonial city in Mexico, in 2018; he has written a book explaining how to move abroad to more than 20 countries. “Our daughter is 20 now, but she went to school in Mexico for three years: one of elementary, two of middle school. Private school, but all in Spanish,” he said.

“We had no reason to stay in the U.S. and keep paying inflated prices for rent, healthcare, and other expenses. We own our home outright in Mexico. Living in Trump's America was becoming more stressful and unpleasant every month, so why pay a premium to put up with that deterioration?”

“It's doubtful we'll move back,” he adds. “The U.S. is just way overpriced for what you get, especially in terms of healthcare, the worst value in the world for self-employed people like me. If a new president and congress can get us to universal healthcare, different story.

For travel blogger Ketti Wilhelm, 30, being married to an Italian means moving back to his country of origin. Wilhelm has spent much of her life living and working outside the U.S. She and her husband have no children and can work remotely. “We'll most likely move back to Milan, because my husband's family is near there, and we both have friends and connections there.”

“Our motivations are political, but it's also about much more than that,” said Wilhelm. “It's what the politics means for living in the U.S.: minimal vacation time, no family leave, no pension, health insurance stress and massive health care costs. Not to mention safety concerns – guns, white supremacy, and mass shootings. All of this is because “socialism” is a dirty word in the U.S., whereas in all the other countries I've lived, it's just part of a modern, well-run and equitable society. There are other ways of living, both culturally and politically, and in plenty of ways, I think they're doing it better elsewhere.” Her recent blog post offers 11 ways to live and work overseas.

Working as an E.R. physician in training horrifies medical student Alex Cabrera, 30, who lives in Reno, Nevada. Now in his final year of medical school and taking an online degree in public health, he sees patients every day whose care, he knows, can medically bankrupt them—even with insurance. “It’s so hard to live here! Wages aren’t going anywhere, unemployment benefits have been cut, people have no health insurance and the rent here for a one bedroom is $1,200.” He recently drove a friend his age to her new home in Victoria, British Columbia and saw another leave for France.

He’s desperate to flee. “I feel like I’m screaming into the void. On one side, you have Donald Trump who just makes it up as he goes along and Biden promising to improve and expand the A.C.A. (Affordable Care Act), which the Supreme Court plans to overthrow.” He wanted to find a medical residency abroad but is resigned to doing his training in the U.S. for the next four years. “As a physician, it’s almost hard to practice medicine in this country when everything is about profit and patient care is secondary. I’m so tired of this system.”

Because the United States remains a global hot spot for exponential transmission of the novel coronavirus, most countries are no longer allowing its citizens to enter without a pre-approved visa. Exceptions among the European countries include Croatia, Albania, Belarus, Bosnia & Herzegovina, Kosovo, Montenegro, North Macedonia, Serbia, and Ukraine. “However all European countries are accepting and approving applications for resident and work visas for U.S. citizens,” says Cepee Tabibian, founder of a website with information for women over 30 who choose to leave the U.S. “They can't [currently] travel to most European countries,  but they can still apply to move right now,” she said. And prior knowledge isn’t an issue, she adds. “You'd be surprised how many people move to a country they have never been to or have maybe visited once in their life.”

Tim Page is one. A Pulitzer-winning music critic and journalism professor at the University of Southern California, he boarded a flight from New York to Belgrade a few months ago, arriving to live in a place he’d never seen. He owns a house in Nova Scotia, but the Canadian border remains closed to Americans and he was deeply disturbed by the U.S. government’s mishandling of the COVID-19 pandemic. He wanted out.

“I'd had some students at USC who came from Belgrade and who kindly adopted me on Facebook and took me out once I had begun to acclimate myself,” he says. “My welcome was a warm one, and this may have been the most beautiful and radiant autumn I've experienced since childhood. It's a fantastic walking city and built in so many layers…I feel very much at home.”

“I'm unmated, I have no dog, my children are grown and doing well. I communicate with my friends through video conversations, phone calls, email, and I keep a nervous eye on developments in the States through on-line television. It's a much gentler life and, at 66, I appreciate the order,” Page adds. The rent for his one-bedroom apartment is $400 a month.

“I'll stay until I want to return,” he says. “Social Security has just kicked in. I have dear friends in Vienna, Berlin, Amsterdam and London whom I'd love to see when things open up a bit, but life is startlingly less expensive here and I think this will likely be "home base" for me in Europe for however long I stay. I'm much more at ease than I've been in a while.”
    [post_title] => 'Another Country,' redux: Americans are (again) moving abroad to seek a better life
    [post_excerpt] => For Black Americans, the choice to flee police brutality, racism and income inequality is compelling. For others, economic pressures can feel just as overwhelming.
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‘Another Country,’ redux: Americans are (again) moving abroad to seek a better life

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    [post_content] => The balance between a commitment to free speech and a means of preventing online abuse is elusive.

A few weeks ago, while scrolling Twitter, I came across a brewing controversy about the Netflix film Cuties, about a young girl from a conservative Muslim family in a Parisian banlieue who becomes involved with a dance crew. While director Maïmouna Doucouré—who is French-Senagalese just like the film’s protagonist—has said that the film is “sounding an alarm” about the all-too-early sexualization of girls (partly) through social media, its critics—many of whom seemed not to have seen the film—immediately objected, essentially accusing Doucouré of creating softcore porn and petitioning for the film to be removed.

Janice Turner, a columnist for The Times who is known for her “gender critical” stance, wrote a particularly scathing review of the film. In it, she conflated Cuties with the work of a charity that had, weeks earlier, put out a call for queer black youth in the U.K. to respond to a survey asking about their age, sexuality, location, and vulnerability of housing. The call, claimed Turner, violated safeguards intended to protect children’s privacy.

Turner’s critics, myself included, saw the piece as an attempt to paint the charity as sexualizing children. The sub-hed of her column stated so plainly: “Attempts to sexualise minors are always wrong but a vocal minority of gay campaigners twist concern into prejudice.”

I tweeted at Turner, accusing her of seeing sexualization where it didn’t exist, but she refused to engage on that point, repeatedly deflecting and implying that I didn’t care about safeguarding. I gave up shortly thereafter, but her followers did not: For hours after our brief exchange, they attacked me from just about every angle you can imagine.

There was a handful of reasonable comments that brought up the issue of safeguarding, but most were overtly transphobic: My attackers denied the existence of trans individuals, stated that children have no conception of gender, and implied those who are trans are simply insane. One person called me “batshit crazy,” while another accused me of having told trans people that “suicide is their only alternative to life-limiting drugs.”

Later, when I tweeted about the controversy around Cuties, one of Turner’s lackeys assumed I was a trans woman (presumably because I include “she/her” pronouns in my bio, which is a simple reflection of my gender identity) and began harassing me, calling me a man. Then that person’s followers began harassing me, in public and in DMs. I closed my laptop and curled up with a book.

***

This was not my first experience with online harassment. I am, after all, a woman on the internet—and a public one at that. Public critique for my political views (most often fair) has sometimes resulted in brigading by the critic's followers; I’ve at times spent entire weekends offline, avoiding Twitter and waiting for the controversy to blow over, as it almost always does. But this was different. For the first time, I experienced firsthand the kind of outrageous abuse that seems to follow transgender individuals wherever they go online. The next day, I logged back in and tweeted about my experience: “Someone on this hellsite mistook me for a trans woman last night and I got brigaded for a bit (thank you, block button), and holy shit I don't know how y'all deal with that all the time what the fuck.” That tweet received nearly 2,500 likes and retweets and dozens of comments both public and private. Trans followers confirmed that my one-off experience was their daily reality. One person called it “living in hell.” Others shared their tactics (“block early, block often”) and their solidarity. I was in the midst of finishing the final edits on a book that covers a number of issues related to free speech and social media, so the topic of harassment had been on my mind. But now I began to reflect more deeply on positions I had taken in the past, on my own experiences, and how those two things interacted. I was raised in New England to be tough and stoic. I didn’t talk much about my emotions growing up, nor did I feel the need. Then, soon after arriving at a university where I knew no one, I went through a breakup that threw me into a major depressive episode, unable to get out of bed. I tried calling my close friends, who were at other universities, but eventually they got sick of my late-night crying jags. I saw the university psychiatrist, who sent me home with pills after talking to me for just five minutes. They didn’t help, but eventually I found my way out of that depression. From there on out, I was Teflon: I didn’t let anything stick. My hard-won ability to slough off criticism gave me the confidence to work toward my goals but I still struggled, financially and otherwise. I decided that, in order to get ahead, I had to tuck my emotions away. By the time I became well-known for my work, my belief in free expression was near-absolute. The experiences that had led me to take this position were noble: the state-sanctioned murder of a blogger I’d been emailing with in Iran; the arrest of a friend in Tunisia, then another in Egypt and one in Syria; and helping people I knew through the asylum process in the United States. For a while, free expression was my religion. I studied government censorship and, later, the role of social media companies in governing our speech. I became one of the first experts on content moderation, and among the first to suggest that perhaps corporations aren’t the best arbiters of speech. For a long time, that stance felt unimpeachable. And then Gamergate happened. Gamergate, for readers who may not be aware, was a 2014 online harassment campaign. At first it targeted women in the gaming industry who had spoken up about sexism and misogyny in their field, but later it broadened to target loads of other women. Many say that it was a precursor, or an early warning, of the alt-right brigading we see online every day now. I ignored it at first. I was in Australia to give a series of talks; upon my return to San Francisco, I had two weeks to vacate my apartment and move to Berlin. It was not an easy time (there was plenty else going on beneath the surface that I’ll save for an eventual memoir). Since my colleagues were following Gamergate, I allowed myself to block out both the phenomenon and the feelings that the incident raised for me. Eventually, I was asked to comment and—still not having quite caught up on the details—I did, deflecting to talk about the importance of not allowing the Mark Zuckerbergs of the world to define acceptable speech. I argued that what we really needed were better tools that would enable users to control their own experiences. Over time, I recognized that I hadn’t given the victims of Gamergate their due. I focused harder on looking for solutions that would both preserve free expression and ensure that harassers—and the pain and silencing they cause to those they target—wouldn’t be tolerated. But I did so quietly, behind the scenes, unsure of what to say. I knew that the tech companies’ failure to take action was partly due to my prior statements on free speech. This latest incident over Cuties brought my previous missteps into clear focus. I still believe, as I write in my upcoming book, that corporations have far too much power over our speech, and that we, the people, should have the ultimate say in what is or is not acceptable expression. At the same time, I now understand that too many of us—on all sides—treat our perspectives as religion. We are dogmatic and inflexible. What I realized from the brigading I experienced a few weeks ago, and the conversations that took place in its aftermath, is that we must always remember to be compassionate. This is important not just for others but for ourselves as well. I now realize that part of the reason I once found it so difficult to express compassion for victims of harassment was that I was burying my own feelings, and thus couldn’t empathize with people who lacked my ability to grow a thick skin. I could intellectualize the harm of harassment, which I most certainly recognized as harm, but I found it nearly impossible to put myself in others’ shoes. Some of my well-known critics have themselves experienced intense harassment. And yet, they too have taken an approach that feels a lot like bullying—or at least punching down. To be sure, public figures should be criticized when they say something awful, particularly when they have the privilege of access to a massive platform like the New York Times Opinion page (I am thinking of the notoriously thin-skinned columnist Bret Stephens, but there are many like him). But we should also be careful to remember the humanity of others—especially when they’re willing to engage in discussion about or account for their mistakes. When it comes to harassment online and what to do about it, I don’t have all the answers, but here’s what I do know: We need to listen to people when they are describing their lived experience. This is particularly true of queer and trans individuals, and people of color. We need to think about holistic solutions that start with education. We need to teach people how to stick up for victims, and how to help them fight back. And we must create better tools and architecture that pre-empt those who would engage in harassment and brigading. I am fine with booting serial harassers off social media platforms, but we also need to be careful about any solutions that fail to consider free expression. In my experience, companies all too often come at harassment with a hammer, whacking not only those who are causing real harm, but also those who are engaging in counter-speech, or sharing their experiences while quoting their harassers. This is harmful too, and we should not accept it as a reasonable tradeoff. There are many partial solutions, but we must be wary of anyone who claims to have a silver bullet; and while there are many worthy ideas out there, each has significant tradeoffs. Nor can we simply ignore harassment or wish it away. Our societies are increasingly divided, a fact that leads to more vitriol, more anger, and more hate. Social media is part of the problem, but it isn’t the whole problem. What we need is to take the holistic view, to see that social media, its architecture and design, maximize controversy for profit, and that there will never be a technological solution to stop online hate and harassment, because it is rooted not in code, but in human behavior. We cannot separate “real life” from “online." And so, whatever approach we take to combat that which ails us must be rooted in compassion.   [post_title] => The struggle to combat cyber bullying begins with compassion [post_excerpt] => Corporations do have far too much power over our speech. At the same time, too many people—on all sides—present their perspective as religion. They are dogmatic and inflexible. 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The struggle to combat cyber bullying begins with compassion

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    [post_content] => After years of shallow coverage, legacy media in the U.S. are finally engaging critically with white evangelical ideology. Read part one of this three-part series on the trajectory of the Christian Right; and part two.

The would-be respectable evangelical elite, which includes Beltway-based media analysts and political lobbyists who rose to power under the Reagan and Bush presidencies, have positioned themselves as Never Trumpers. But they have failed to take responsibility for their role in waging the culture wars that led to Donald Trump’s election to the presidency and subsequent consolidation of power, which happened largely on the back of the Christian Right’s unswerving support. And while majorities of all white Christian demographics voted for Trump in 2018, white evangelicals led the pack and remain America’s most Trumpist demographic.

While elite evangelicals like Peter Wehner, Michael Gerson, and David French all find Donald Trump a bridge too far, they have long supported the kind of Christian schooling that serves to indoctrinate children in patriarchal and anti-LGBTQ views, toxic purity culture, Christian nationalist history, young earth creationism, and right-wing political ideology. They also share their rank-and-file coreligionists’ obsession with banning abortion, which has served since the late 1970s as a proxy for white supremacism, as white evangelicals and other right-wingers invested in respectability felt compelled to give up overt support for racial discrimination.

Concentrated in the Republican Party since the late 1960s, white Christian America has never had to face up to its crimes. These range from supporting slavery and Jim Crow, to supporting the war crimes committed abroad post-9/11 under the presidential administration of George W. Bush—along with complicity in a predictable spike in hate crimes against Muslims at home. More recently, they include complicity in anti-Black terrorism and support for the voter suppression and “law and order” politics that Trump is counting on to win a second term in office.

Thanks to white evangelicals’ unwavering Trump support, “respectable” evangelicals have failed to keep a lid on the quiet part of their ideology; as a result, they have begun to lose control over the image of the Christian Right in the media, which means they can no longer direct the national conversation about evangelical Christianity as effectively as they used to. Although progress in this regard has been uneven, and particularly limited in major legacy outlets, a significant shift is detectable. Even if Trump loses the election this November, I hope the presence of diverse voices and critical perspectives on evangelicalism will continue to increase in the media, so that the public can begin to deal seriously with the threat authoritarian Christianity poses to democracy and human rights.

The primary barrier to covering right-wing Christianity fairly is the legacy media’s unspoken taboo on careful, critical examination of views that prominent Christians say are the product of “sincerely held religious belief.” This lack of critical coverage allows conservative Christians to get away with insisting that they are above politics; and because reporters for cable news and major media outlets fail to challenge the claim, they reinforce the white Christian supremacism that has become such an important political force.

Like freedom of the press, religious freedom is an important First Amendment right. But when believers use their faith as a bludgeon to attack othered groups and to prevent equal accommodation of members of those groups in the public square, we have moved beyond the bounds of a truly democratic approach to pluralism.

Because white evangelicals are using their religious beliefs to mobilize politically, the media must hold them to account just as they would any political movement. Advocates of democracy and human rights must make the Christian supremacism that pervades American politics visible; this is the most effective means to reclaim a robustly democratic understanding of religious liberty from the Christian Right, which defines it as their right to impose their religious beliefs on a public that does not share them.

Since 81 percent of white evangelicals voted for the flagrantly impious Trump in 2016, journalists, pundits, and commentators have scrambled to explain why. The initial flood of commentary about white evangelical support for Trump was ill-informed, presenting the Christian Right through the lens of hypocrisy; while this criticism was shallow, it was important in that it indicated the extent to which respectable evangelicals were losing their control of the Christian Right’s media image.

Eventually, critical hashtags created by former evangelicals (including myself) like #ExposeChristianSchools and #ChurchToo garnered coverage in outlets like New York Times, Washington Post, and Associated Press.  Liz Kineke, a religion journalist, produced Deconstructing My Religion, a documentary about ex-evangelicals for CBS Religion (I appear in the film).

More recently, New York Times religion reporter Elizabeth Dias wrote: “Evangelicals did not support Mr. Trump in spite of who he is. They supported him because of who he is, and because of who they are.” An evangelical herself, Dias has a history of uncritical, positive coverage of white evangelicals, so it is remarkable to read her critical assessment of white evangelicals in the most prestigious newspaper in the country, even if that assessment was framed very similarly to the introduction of a recent book on right-wing Christianity and gender that Dias failed to cite.

Bradley Onishi, an ex-evangelical who is Professor of Religious Studies at Skidmore College and host of the podcast “Straight White American Jesus” (full disclosure: I have been a repeat guest), told The Conversationalist that the media still has a tendency to give disproportionate coverage to evangelicals who are critical of Trump, which he sees as “a reticence on the part of legacy outlets to be fully critical of white Christians.” He added: “We have it baked into our ether that they are good, wholesome, moral Americans who are the backbone of the country.”

Instead of exploring “the ways white evangelicals are entangled with white supremacists, white nationalists, homegrown terrorists, militias, and other anti-democratic groups,” prominent outlets take pains to represent evangelicals as largely benign, said Onishi. In his view, ex-evangelicals should be given far more media time. They know better than anyone “how and why white evangelicals became the most extreme religious group in the country when it comes to immigration, race, reproductive rights, and religious liberty.” I agree completely, because I believe in the power of stories to change minds.

The American media’s increasingly critical coverage of white evangelicals, however incomplete, has coincided with the rapid growth of the non-religious population. The latter has been driven by the Christian Right’s culture wars, which would seem to be at the root of much of the asymmetric polarization the United States has undergone in recent years. Just as Christian nationalists are concentrated in the Republican Party, a large majority of the religiously unaffiliated tend to vote for Democrats. Secular Democrats could help change the ways Americans discuss religion and pluralism; and the more the party recognizes them, the more likely we are to see such changes.

Many secular Democrats are frustrated at the heavy emphasis the Democratic National Committee places on trying to reach white Christians, the vast majority of whom will certainly vote for Trump again this year. But the Democrats have recently taken some serious steps toward embracing the nonreligious vote. These include the DNC’s 2019 Resolution 38, which recognizes the contributions of nonreligious Americans, and the appointment of Sarah Levin, formerly of Secular Coalition for America, as co-chair of the DNC’s Interfaith Council. Levin deserves much credit for pushing the DNC to include secular voters, which could create a positive feedback loop with the press that will further weaken respectable evangelicals’ control of their movement’s narrative.

Levin told The Conversationalist that the rot at the core of conservative evangelicalism “has been exposed to a new level in the eyes of everyday Americans,” who now see clearly “what it looks like when a narrow set of beliefs is privileged, when religious liberty is weaponized to undermine civil rights, when patriotic pluralism is replaced with Christian nationalism, and [how it affects] our foreign policy.”

The disastrous impact on American democracy of an empowered Christian Right could easily, as Levin points out, have been predicted. Many secularists are ex-evangelicals who know white evangelical subculture intimately have been sounding alarm bells for years; they should be part of the national conversation. The lesson of the Trump years could and should be that if the media learns, with the help of ex-evangelicals, to cover the danger of Christian nationalism accurately, it could make possible a healthier democratic future in the United States of America.
    [post_title] => The failure of 'respectable' evangelicalism, part 3
    [post_excerpt] => In the third of a three-part series about the trajectory of Christian nationalism to its current powerful position, the author looks at the media's failure to engage critically with white evangelical ideology.
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The failure of ‘respectable’ evangelicalism, part 3

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    [post_content] => Even as femicide rates rise, conservatives in the ruling party want to roll back legislation designed to protect women.

For the last five years Turkish feminist movements have faced one backlash after another and are perpetually braced for the next one. “There is always this… feeling of insecurity, uncertainty, and inability to see the future,” activist Feride Eralp told The Conversationalist. “Your most basic rights are constantly under threat.”

Eralp has been advocating for women’s rights since she was 15; her mother was active in the founding women’s movements in the 1980’s. In recent weeks, thousands of women have been demonstrating on the streets of Istanbul, Ankara, and 35 additional cities across Turkey to demand their civil rights and to protest a shocking rise in rates of femicide.

The catalyst for this latest round of protests occurred in July, when police found the mutilated corpse of Pınar Gültekin, a 27 year-old student, in a rural area of southwestern Turkey. They arrested her ex-boyfriend, Cemal Metin Avci, who confessed to having beaten and strangled Gültekin, before burning her body and stuffing it into a barrel, which he buried in the woods. The horrific incident was heavily covered by Turkish media, eliciting widespread revulsion; the murder became a rallying cry for feminist groups, which had already been protesting for months the failure of government authorities to protect women from domestic violence and femicide.

The government’s obligation to protect women is enshrined in the Istanbul Convention, a groundbreaking human rights treaty against domestic violence that is aimed at preventing violence against women. It is formally called the Council of Europe Convention on preventing and combating violence against women and domestic violence. Turkey was the first country to ratify the treaty, signed on March 12, 2012. Since then, 45 countries and the EU have signed. No country has ever withdrawn from it.

Recently, President Erdoğan's Justice and Development Party (AKP) suggested they would withdraw Turkey from the treaty.

The impetus for the Istanbul Convention was the 2009 decision of the European Court of Human Rights (ECHR) in Opuz v Turkey, which found that Turkish authorities failed to protect Nahide Opuz from her violently abusive ex-husband, even after he stabbed her repeatedly and murdered her mother.

So far this year, 285 women have been murdered in Turkey. That’s more than one woman murdered per day, the majority at the hands of their estranged spouses.

Despite these numbers, lobbying groups for political Islamists, composed mostly of conservative men, have been pressuring the government to withdraw from the Convention on the basis that it undermines ‘family structure.’ In fact, the Istanbul Convention truly aims to protect the most vulnerable members of the family from domestic violence.

Preservation of the traditional family structure has long been a foundation of values instilled by the Turkish ruling party, explained Sinem Adar, an Associate at the Center for Applied Turkey Studies in the German Institute for International and Security Affairs. “I think the current government definitely has a very particular, rigid understanding of the family,” Adar told The Conversationalist.

Erdoğan has said numerous times throughout the years that women should have at least three children. The President has also referred to women who do not wish to have children as “unnatural” and “incomplete.” The deputy chair of AKP, Numan Kurtulmus, once described single women as “hedonistic,” and asserted that they put “dynamite in the foundations of the family.”

When Erdoğan, who was then prime minister rather than president, made his 2013 statement about woman having to bear three children, he played into this capitalistic driver of women’s oppression. As Eralp said, the family becomes a unit to keep women producing labor, inside and outside the home. Turkey does not have a strong social welfare system and it is on the brink of a financial crisis; under these circumstances, women become primary caregivers for children and the elderly. “With an economic crisis of this degree, you don’t want to lose free labor,” Eralp explained. As Erdoğan said in his speech: “One or two children mean bankruptcy. Three children mean we are not improving but not receding either. So, I repeat, at least three children are necessary in each family, because our population risks aging."

Turkish society invests the family with tremendous value and importance; the average Turkish citizen is inculcated from childhood with a strong sense of responsibility for relatives. But when the issue of gender is contextualized within the family, individual rights are undermined. “It’s almost like not seeing the woman as an individual but seeing them as part of a family,” Adar said. In other words, a woman’s safety, security and freedoms cannot be seen as intrinsic, but instead debatable within traditional family structures.

The government’s rhetoric and policy can be seen as systematic pressure to suppress individual liberties when it comes to family, sex, gender relations; they leave very little space for women to seek change. “It’s like making the voice of the women who need the help the most, less and less heard, because again everyone is packaged in the context of the family,” Adar said. “If they decide to abolish [the Istanbul Convention], it would definitely have an influence on individual liberties.”

Canan Güllüm, the president of the Federation of Women's Associations in Turkey, said during a phone interview that the Islamist lobbying groups have long advocated for the “protection of the holy family.” She agreed that this contributed to a culture that threatened women’s safety and freedom. “Family, where the violence is reproduced as it is happening now in the society, is not a safe place for women,” Güllü said.

The composition of the protests belies conservative claims that Turkish feminists are primarily secular. Practicing Muslim women wearing the traditional headscarf are as visible at demonstrations as their secular sisters; they are all willing to hold picket signs reading “We don’t want to die!”; the phrase recalls the last words of Emine Bulut, whose husband stabbed her to death last year in a café—in front of her 10-year-old daughter. Women who represent a broad swathe of political and religious views have come together in these protests to advocate for their right to life. As Güllü pointed out, they “do not feel comfortable in today's patriarchal and unequal family structure where their rights are not protected.”

Whether they are religious or secular, there is only one set of laws, and one path of recourse for all people in the country. “Women are aware of these rights and they’re not willing to give them up for any ideological or political reasons,” Eralp said. “I can’t imagine a woman who would push that away under her own free will.”

The debate around the Istanbul Convention in Turkey has also divided the ruling AKP’s base. Erdoğan’s own daughter, Sümeyye Erdoğan Bayraktar has come out in support of the Convention. Bayraktar is the deputy chair of the Women and Democracy Association (KADEM), which is conservative on issues such as LGBT rights; it advocates for ‘woman’s human dignity’ and is often engaged in lobbying the government.

There is something religiously conservative in the family value model the government is trying to “preserve,” but it isn’t predicated on a secular vs religious binary. A more accurate analysis would emphasize the ongoing inequality between men and women, and how the impunity and lack of justice demonstrated in Turkey promotes it. In recent years, a more moralistic, conservative discourse has become salient in the public realm. At the same time, there has been an increasing intensity of violence by the state and break down of the justice system in order to consolidate power.  As Adar put it; “it has to do with the institutional deterioration [and] the deterioration of the primary rule of law.” To a certain extent, the increase in violence now prominent in the public eye, reflects the socio economic situation of the country.

The rate of femicide has more than doubled in Turkey since the signing of the Istanbul Convention, which means that its legal and protective measures are not being implemented. Rarely is there justice for women who are murdered or abused, particularly if the perpetrators are well connected. For Turkish women, their rights, as Eralp observed, are transactional.

Güllü added that while the framework to protect women and promote equality is already in place, it hasn’t been prioritized. The government, she believes, has not upheld the values of civil and gender equality in the last 20 years.

The rhetoric employed by Erdogan’s conservative government further conveys to the public an implicit understanding that this type of discourse and behavior is acceptable; this acts as a legitimizing power. In general, there is an acceptance and understanding of men’s motives to commit violence towards women, which ends up being passed from one generation to the next. Amnesty International went so far as to say in an August statement on the rise of femicides that “even the discussion of a possible withdrawal [from the Convention] is having a huge adverse impact on the safety of women and girls.”

At the same time, women in Turkey are clearly going through a period of consciousness raising and are becoming much more politically assertive. But unless the value of gender equality is internalized throughout all levels of government and civil society, the task of protecting individual rights in Turkey will continue to be challenging. What’s needed is a widespread understanding that no one “deserves” to be subjected to violence.

Turkey’s feminist activists are hopeful, given the increasing numbers of women coming out to protest and stand up for their rights. “The women's movement in Turkey is very strong and consolidated, and we will not give up fighting,” Güllü said, emphatically.

 
    [post_title] => "We don't want to die!" Turkish women demand government action to end femicide
    [post_excerpt] => Women who represent a broad swathe of political and religious views have come together in mass demonstrations to advocate for their right to life in a deeply patriarchal society, under a government that has failed to implement the laws that should protect them.
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“We don’t want to die!” Turkish women demand government action to end femicide

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    [post_content] => Being able to vote is rarely the reason people choose to become citizens.

It’s an election year, the most momentous of this century, possibly for the U.S., in the last 50 or 60 years. Eager to vote, many residents are rushing to apply for and win citizenship, with 126,000 ready to take the oath that will offer them a plethora of new privileges.

Millions more are not.

The process is neither simple nor quick, as Amy Zhang recently wrote in The New York Times: “filling out a 20-page application, paying almost a thousand dollars, organizing piles of supporting documents, planning my life around five years of residency requirements and waiting another two — as well as F.B.I. background checks, InfoPass appointments and a civics test.”

Other obstacles prevent some long-time residents from making this move. If a naturalized foreigner, (even the word “naturalized” being one that some find abhorrent), repatriates or permanently leaves the U.S., they’ll still owe income tax to the U.S. government until or unless they renounce their American citizenship or even their green card.

But being able to vote is in fact rarely the reason people choose to become citizens, said Nancy Foner, Distinguished Professor of Sociology at Hunter College and the Graduate Center, City University of New York. She’s an expert on immigration and author of 19 books on the subject. “They mostly want citizenship for instrumental reasons,” Foner said. “They don’t want to get deported. If they’re citizens, they can sponsor their parents and minor children. Very few people become citizens because they want to vote.”

Having full citizenship does offer important protections, she said, like losing anxiety over “a change in laws. There’s a fear about that.”

The very high cost of acquiring U.S. citizenship – which has risen 83 percent lately — is an inhibiting factor, she adds. “The expense is very high! [rising to $1,170 as of October 2.] And some people are unsure of their English and the test they have to take.”

Thanks to current policies under Trump, “citizenship rates are not that high,” Foner said. “They’re higher in Canada which encourages citizenship and offers classes while the Trump administration is actively discouraging it.”

No matter how long they live in the U.S., often married to an American, maybe raising their American-born children, some remain determinedly faithful to their original roots and passport. Fiona Young-Brown, 47, a writer who lives in Lexington, Kentucky with her American husband, grew up in England, her accent still strong after 22 years in the U.S. A global traveler who met her husband when both were teaching English for three years in remote areas of Japan, Young-Brown first came to the U.S,  in 1993 as an exchange student at the University of Iowa. Coming to live in the U.S. has offered her professional opportunities and social freedom she knew she couldn’t have found in class-conscious England, she said.

“I grew up in a working-class town and we were always working class, living paycheck to paycheck. I’m the first college graduate in my family.” Watching American TV in the 70s and 80s “it always seemed so glamorous and exciting, just this place where you make your own future, a blank slate where you were free to re-invent yourself,” she adds. Even at 13, she wrote to the U.S. embassy in London about how to obtain a visa.

She had attended a local prep school in England as a child on full scholarship, but the inevitable class differences reminded her daily how inescapable they were. “America was going to be a place where that wasn’t an issue,” Young-Brown said. That proved to be true, but her initial optimism has faded.

Today, even after decades in the U.S., and a thriving writing career, she’s still not interested in citizenship. “America is definitely not the same as when I got here,” she said. “It’s become a much crueler country, much meaner, with more delight in kicking people who are down. It’s not a place to dream but a place you’ll struggle, and you’ll never make it anyway. To take citizenship at this point feels like an endorsement of all this shit that’s going on. To wave a little flag would feel hypocritical and completely tasteless.”

If she were single, she said, “I would have left a long time ago,” but her husband has deep roots in Kentucky, parents in poor health and, now with Brexit, she faces a much more complicated path to repatriation.

For Kevin McGilly, a 55-year-old gay married Canadian in Washington, D.C., there’s a powerful attachment to the U.S. in the form of the Black teenager he and his husband are adopting. Although he’s lived in the U.S. for many years, he still takes “existential pleasure in being Canadian. The two countries look similar, but underneath things are very very different.” Now at a point in their careers they enjoy more mobility, he and his husband have seriously discussed whether or not to return to Canada. “If Trump’s re-elected, it’s a very serious prospect,” he said.

Taking citizenship, as anyone considering it quickly learns–even if you can retain dual citizenship—means literally formally renouncing allegiance to your country of origin. “I love this country and am grateful,” he said of the U.S., but he doesn’t want to take a further step “because of what you do to become a citizen – stand in front of a magistrate and take an oath to abjure your former country. That stopped me cold. I’m not going to say I’m no longer Canadian, even if it’s pro forma.”

Other requirements were off-putting as well, he said, like having to list all the groups you’ve ever belonged to and every country you’ve visited and when. “It’s ridiculous!” And you have to swear that you’re not a Communist, a “1950s language” McGilly calls silly in today’s era.

And yet, he wishes he could vote, as he calls himself “a political animal” – instead channeling his energies into canvassing and registering voters for the candidates he believes in.

The first time Inge de Vries Harding, who lives in Chapel Hill, North Carolina, came to the U.S. she was only three-and-a-half, when her Dutch father got a job in San Diego, and she has spent most of her life living in the U.S. But at 16 she also spent three years living in the Netherlands because her brothers were then 18 and 19, and her mother said, “there was no way her boys were going to fight in Vietnam.” Living in Holland was difficult after being so accustomed to American freedoms, she said, and she was relieved to return to the U.S., where she trained as a pediatric nurse, married an American and had two sons in the U.S. In 2015 and 2016 she “very seriously considered” moving to Vancouver, Canada, thanks to its “very different mindset” but there were too many practical obstacles.

Now, still refusing to take U.S. citizenship, Harding remains rooted by family in the country. “For me it’s very simple,  I have children and grandchildren here. I’m not  going anywhere.” The few times she considered becoming a U.S. citizen she was put off by  “too much pomp and circumstance.” She has since been inhibited again by the “fairly large expense. I sometimes wish I could vote, but not enough to take that step. You actually have to denounce your country. I can’t do that! I’m proud of my Dutch heritage.”

For immigration attorney David H. Nachman, managing partner of the New Jersey firm Nachman, Phulwani, Zimovcak (NPZ) Law Group, P.C., people who cling to their cultural roots — even after decades living in the U.S. —form a large part of his practice.

“It’s related to how people feel about their cultures. None of my Japanese clients want to become citizens because it goes against their culture. Japanese are fiercely nationalistic and the French are the same way. Even getting a green card is seen as giving something up of their heritage so they don’t want to do that,” he said.

To help these clients, Nachman can offer options like an E-1 or E-2 visa, which allows permanent residence to those who can produce a solid business plan, show sufficient capital to invest in it and eventually grow their business enough to hire Americans.

“The vast majority who don’t want citizenship plan to work here temporarily and then go home,” he said.
    [post_title] => To become a citizen or not? Long-term U.S. permanent residents consider their options in the age of Trump
    [post_excerpt] => Taking citizenship, as anyone considering it quickly learns–even if you can retain dual citizenship—means literally formally renouncing allegiance to your country of origin.
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To become a citizen or not? Long-term U.S. permanent residents consider their options in the age of Trump

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    [post_content] => Elite evangelicals who oppose the current president built their careers on the culture wars that brought him to power.

For my July column at The Conversationalist, I began exploring the failures of what I call “respectable” evangelicalism—that is, the kind that is associated with a prestigious professional pedigree of some sort and an investment in civility politics. The members of this conservative Christian subculture have established a friendly-seeming presence across prominent liberal media outlets, from the major network television news broadcasts to The New York Times and the Washington Post. Because they have easy and regular access to these platforms, PR-savvy commentators from within the conservative Christian community can claim that their fellow white evangelicals are an unfairly maligned and misunderstood demographic, sincerely motivated by moral convictions about abortion and a fear of losing their “religious freedom.” Liberals, in other words, should empathize with them.

This framing, which has contributed mightily to the normalization of extremism, still dominates the American discourse. But the majority of white evangelicals are ostentatiously enthusiastic for Donald Trump; their unwavering support for the president is accompanied by a remarkable statistical about-face on the question of whether a leader’s immoral private life can coexist with an ethical public and professional life, a fact that has certainly thrown a wrench in the gears of the evangelical PR machine.

Respectable evangelicals are losing their ability to control the narrative, which is an important development that I will examine in next month’s column. This month, the subject is the failure of respectable evangelicals to accept responsibility for the harm they have done to our society and our polity. Theirs is an ethical failure; it reveals the rot at the very center of the conservative evangelical project over the last half century.

In my previous column I examined the ways in which evangelical public figures, particularly Michael Gerson and Peter Wehner, have failed to convince their coreligionists that unwavering loyalty to Donald Trump reflects poorly on evangelicalism. Wehner’s career as a GOP operative goes back to the Reagan administration, a connection of which he remains proud. Despite the hagiographic image the media has built of President Reagan, he was in many ways a proto-Trump. Reagan was catapulted to power in part thanks to the efforts of a then newly surging Christian Right, whose foot soldiers were moved by his anti-government rhetoric and projection of “cowboy” masculinity.

During the 1980 presidential campaign Reagan even used the slogan “let’s make America great again.” It was that election that set the United States on its trajectory toward Trumpism. Perhaps there is no better symbol of what Reaganite conservativism always was than the popular Soviet defector and Cold War comedian, Yakov Smirnoff, who, at the peak of the COVID-19 pandemic, opposed a mandatory mask policy in his adopted hometown of Branson, Missouri. The town is a sort of geriatric evangelical Las Vegas—at least in terms of the entertainment it offers to tourists, if not so much the libertinism. “What a country,” indeed.

Gerson acknowledged in an April 2018 article for The Atlantic that evangelical Trump supporters “have associated the Christian faith with racism and nativism,” but in the same piece he disingenuously implied that the nineteenth-century history of evangelicalism lies entirely in the abolitionist movement. In fact today’s white evangelicalism is much more a descendant of slaveholder Christianity, which claimed to have found its justification for human bondage in the Bible.

Gerson has not, as far as I know, ever expressed regret for his work in the George W. Bush administration, the politics of which—his politics—helped pave the way for the rise of Trump. The disastrous Iraq war boosted paranoia in the United States; its legacy is a climate of permanent fear, the flames of which the GOP fanned briskly after 9/11. The path from “truthiness” to post-truth is short. But please, sir, continue to wring your hands about how alienated “religious voters” are by Kamala Harris’s record on abortion while the country burns, in large part thanks to a movement you helped build.

Around the same time I was writing about Gerson and Wehner, I published related analysis in Religion Dispatches focusing on the failure of evangelical commentators David French and Ed Stetzer to dissuade rank-and-file white evangelicals from embracing conspiracy theories and spreading disinformation. The almost desperate tone of French and especially Stetzer in their commentary belies, perhaps, a sense at least of embarrassment, if not guilt, about how far into the post-truth wilderness their coreligionists have proven willing to go. What I do not see from them, or other similar commentators, is any serious attempt at self-reflection on the role they played in creating this state of affairs.

Stetzer scolds his fellow evangelicals for their “gullibility,” but not for their paranoid “mistrust of media and government.” According to Stetzer, all evangelicals need is a little more “discernment,” a perfectly vague concept he does little to fill with specific applicable content. He also invokes the Ninth Commandment’s injunction against bearing false witness and worries that the evangelical “witness” is being harmed, a tack that will fail to get results for reasons I explored in last month’s column. Meanwhile, French unconvincingly proffers his own supposed solution to the issue of evangelicals embracing QAnon and Bill Gates nonsense. If evangelical churches were simply to preach a better “political theology,” he maintains, one predicated on a robust understanding of the Ninth Commandment, the issue would be resolved.Clearly, neither man is willing to dig down to the roots of the problem—namely, the conservative evangelical theology that, as scholars in religious studies and sociology have demonstrated, was developed within, and with the purpose of justifying, an unjust hierarchical social order. Although many evangelicals with pretensions to respectability would deny they are racist, conservative evangelical thinking places men above women, white people above racial minorities, and straight people above LGBTQ people; it also emphasizes absolute parental authority over children and prescribes corporal punishment.

In other words, white evangelical subculture is a perfect recipe for authoritarianism. This is reflected in the many revelations, in recent years, of a culture of sexual misconduct and coverups.

Stetzer holds a prominent position at Wheaton College, an evangelical institution that made headlines in recent years for firing a woman hired to “support” LGBTQ students, essentially because she turned out to be “too gay,” and for ousting the only tenured African-American woman in the history of the school for the manner in which she chose to express solidarity with Muslims at a time of surging Islamophobia and anti-Muslim hate crimes. Evangelical colleges such as Wheaton depend on right-wing parents and donors who make sure the schools enforce social conservative orthodoxy, even if, quietly, some professors teach “controversial” subjects, such as evolution, psychology, and even human sexuality more or less responsibly—though always at the risk of becoming too visible and thus being purged.

These colleges depend on K-12 Christian schools feeding into them, which brings us back to French, who has a record of staunchly defending them, despite the fact that they discriminate against LGBTQ students, faculty, and staff. They also teach the sort of “alternative facts” that constitute, ahem, false witness. Be that as it may, French proudly notes that he sent his own children to a Christian school, where he served as chairman of the board. As openly queer Florida State Representative Carlos Guillermo Smith (D-Orlando) noted in a recent webinar hosted by Secular Democrats of America, at least 83 Christian schools in Florida that receive taxpayer funding through vouchers have policies in writing that they will expel openly gay or trans students. Typically, such schools also teach young earth creationism and a version of history distorted by Christian nationalism. Is it any wonder that many children socialized in these schools—as I was, by the way—emerge ready to embrace conspiracy theories?

The refusal of elite evangelicals to accept any responsibility for the harm they have done by encouraging and pursuing the Christian Right’s culture wars agenda reveals the rot at the core of the entire conservative evangelical project over the last half century.

The consequences of culture warring include paving the way for the rise of President Trump, whom #NeverTrump evangelicals now seek to scapegoat due to his penchant for saying the quiet part of their ideology out loud. But they are also much broader, affecting everything from the problems of LGBTQ youth homelessness and suicide, to our country’s failures to address urgent problems in the areas of climate change and public health, to our lack of regard, as the only United Nations member state not to have ratified the UN Convention on the Rights of the Child, for children’s rights to a robust education and to freedom from abuse and neglect.

America’s respectable evangelicals, still upheld by establishment media as commentators who deserve to be taken seriously, will not have any sort of “come to Jesus” moment over the harm they have done. If, however, enough Americans demand that those of us who have suffered that harm in various ways should be treated as stakeholders in the relevant discussions, it might be possible to compel them to face uncomfortable realities. In any case, sustained public pressure over their lack of accountability will likely be necessary if the United States is to have a healthy democratic future.
    [post_title] => The failure of 'respectable' evangelicalism: part 2
    [post_excerpt] => The refusal of elite evangelicals to accept any responsibility for the harm they have done by encouraging and pursuing the Christian Right’s culture wars agenda reveals the rot at the core of the entire conservative evangelical project over the last half century.
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https://conversationalist.org/2020/04/30/jesus-is-my-vaccine-culture-wars-coronavirus-and-the-2020-election/
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The failure of ‘respectable’ evangelicalism: part 2

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    [post_content] => With just 89 days left before the presidential election, we need more grassroots community-led political spectacle grounded in culture and pluralism.

The morning before July 4th, a group of artists and activists working together under the banner of the project “XMAP: In Plain Sight” sent flights throughout various parts of the United States to skytype messages in defense of immigrants incarcerated in detention facilities. These multicultural, multilingual messages -- such as “Care Not Cages,” “Azadi” (“Freedom,” Urdu/Hindi)  “Lespwa Ak Libete” (“Hope and Freedom,” Haitian Creole)  “Mitakuye Oyasin” (“All Are Related,” Lakota) and “Nos Vemos Libres” (“We Will See Each Other Free,” Spanish) — conveyed hope, resistance, and solidarity. They also received significant attention from legacy media outlets like the New York Times, L.A. Times, and CNN—and on social media

That same night, at Mount Rushmore (on stolen Lakota Sioux land), the president of the United States threw a populist pageant. Each detail of the event, from his nativist and racist speech to the grandiose setting, was designed to inflame his base’s desire to pull the country deeper into white nationalism and isolationism. While Native American activists protested outside the event, he ignored people lost to the raging coronavirus pandemic and those suffering under impending economic collapse, and explicitly denigrated people fighting for racial justice. The spectacle was aimed to bolster his failing popularity by stoking fears of a culture war created and driven by his own administration.  

The two events were bipolar political spectacles. The Mount Rushmore event was fascist propaganda grounded in populism and nativism; XMAP:IPS was community-led mobilization grounded in culture and pluralism.

With just 89 days left before the presidential election, we need more of the latter. 

The world is in a fragile state, as its peoples confront multiple catastrophes simultaneously— the coronavirus pandemic, mass political uprisings, forced displacement caused by climate change and war, and massive inequality. In the United States, these interlocking crises are exacerbated by a government fast descending into fascism, sacrificing lives for cheap political points as the GDP craters and millions hover near poverty. 

Past administrations weakened the immigration system, the issue XMAP:IPS addresses. But the Trump administration, with its short-sighted and cruel policies, has caused it to degrade almost completely into brutality. As of May 2020 there are over 25,000 immigrants in detention, all denied protections against COVID-19. The current government has eroded protections for asylum seekers; it has also attempted to ban certain minority populations, roll back the protections offered to recipients of DACA (children of undocumented immigrants), and deport foreign students—all while continuing to threaten immigrant families with forced separation of children from their parents. 

And then there are persistent calls to build a wall: Trump’s “big, beautiful” wall, which serves as a billboard for the administration’s xenophobia.

And that’s the key. So much of what emanates from the White House is bluster and stunt. As election season heats up, the administration is ramping up the political theater. In the month since the July 4th weekend, he and his daughter Ivanka posed with cans of Goya beans to indicate their support for the company’s CEO, whose controversial pro-Trump remarks led to calls from Latinos to boycott the company’s products. He held what could only be called a campaign rally in the Rose Garden, despite the long-observed norm by which incumbent presidents refrained from electioneering at the White House. Later the same week, there were pickup trucks on the South Lawn held up by a crane emblazoned with “Trump Administration.” Even his use of social media is a sort of ongoing digital spectacle. Trump’s recent tweets — which range from claiming the election should be postponed to attempting to ban Tiktok — fix the attention of the media, which chases them like a kitten with a ball of yarn and amplifies them in an endless cycle. 

But just because these are stunts doesn’t mean they can be ignored. The administration is turning violations of basic rights into a series of antics to push the window of acceptability while manipulating our gaze away from the next violation. And as the tide appears to be turning, their tools against falling poll numbers will be voter suppression, attempts at election invalidation, and dialing up their culture war rhetoric. The stakes around the elections—which, despite the U.S.’s declining stature in the international arena, will be one of the most consequential global political events in recent history—couldn’t be higher. 

We need to fight it all, in the courts, on our airwaves, in the press — and also in the streets and in the public imagination. For this last one, we need to mount spectacles of our own. 

There is a long-standing tradition, domestically and internationally, of community-led cultural intervention — a social relation amongst people, mediated by images”  — crafted in the language of aesthetic political resistance and radical community. It is an essential tool of nonviolent action. ACT UP, the grassroots movement to find a cure for AIDS, is particularly well known in the United States. More recent examples can be seen in South Korea, Armenia and Argentina, where culture-based demonstrations have been instrumental in pushing movements towards their goals.

I haven’t always supported political spectacle as practiced in the United States. Too often it is generated from outside an affected community, such as last decade’s Kony 2012. When imposed on a community’s needs and demands, grand gestures can be paternalistic, whitewashed, corporate stunts, such as Paving for Pizzas, or Refugee Nation, mounted by the same advertising firm that refused to stop working with Customs and Border Patrol, the US agency responsible for menacing immigrants. These types of actions suck time and energy away from the actual work that leads to positive social change. And as with the president, authoritarians and fascists have historically relied on it as a means of delineating and manifesting ideology and to distract a populace from larger social ills. 

But when the purpose of political theater is to get people to engage with grassroots movements for change, it can be an effective tool for strengthening coalitions. When grounded in participatory democracy and cultural expression, the planning and implementation process of these events are an effective means of connecting people. This is what my team at XMAP:IPS had in mind when we created the strategy for our action in immigration. 

We built the project predicated on three commitments: First, to amplify the voices of immigrants. Second, to be intersectional in the makeup of the production team and the invited contributors. Third, to partner with a network of national and local activists and organizations working directly with affected communities, and provide a new way for them to collaborate with each other. Highlighting their calls to action helped attract attention and resources for their work. This is how we captured the public square.

Ours was one of several interventions that captured media attention this summer. Black Lives Matter protesters have peacefully claimed the streets: they turned Brooklyn’s Barclays Center and 125th Street in Harlem into outdoor dance parties; in Washington, DC they created an outdoor yoga studio. In Minnesota an Aztec dance group paid tribute to George Floyd with performance, and a group in Atlanta honored John Lewis with dance. Artists turned slogans of resistance into public art. K-Pop stans — Korean pop music fans, many of whom have turned to activism -- were joined by American TikTok teens in culture jamming the president’s June 20th Tulsa rally. In a signal they are watching and using the tools they have at their disposal to activate on current political events, they rapidly spread messages over social media channels to reserve seats in the stadium. The president’s campaign staff claimed a million people would attend. Instead, only 6,200 showed up. The president was despondent -- and the culture jam achieved its goal. 

Each of these actions is a statement. It is a reminder that none of this is okay -- but that we might be able to come together to fight it. 

In a time of fascism and propaganda, we need reason and action to be supported by grand visions of change. 

These actions are fuel to our organizing power. They can be even more effective in firing up the collective imagination if they are connected, networked, and sustainably resourced. Driven by urgency and a political philosophy of interconnectedness, artists and activists too often fight without income or safety nets. Currently, legacy media outlets are giving far more coverage to the spectacle of the Trump administration and the GOP, than they are to the spectacles mounted by grassroots movements for social justice. 

And yet, despite the lack of attention paid by the legacy media, those very movements — for Black Lives, for the climate, for the displaced and detained — are currently fighting to turn the public gaze to calls for justice. In the tradition of past cultural activations stretching from the March on Washington for Jobs and Freedom through to the establishment of Black Lives Matter Plaza in Washington DC and painting the sky with messages of solidarity, our movements are using culture and community to hold the public square. 

We are at a critical moment in history. It requires us to continue using art as a foundation of social change and community building. We need support to allow people to stand up in a different way and create the space to do so, to use public dialogue to reignite compassion and build a collective vision for the country. Our interventions leading up to November can apply a different kind of pressure and allow us to dream beyond the election. Imagine the community engagement over the coming months if we were able to mount a coordinated series of local and national cultural activations.

With 89 days left until the election, we could lead the country through song, dance, art, and flight into a just future. Let’s give it to them. In the words of the late John Lewis, let’s find a way to get in the way. Let’s go big. 

 
    [post_title] => Radical community is the way to counter the Trumpian populist spectacle
    [post_excerpt] => We are at a critical moment in history. It requires us to continue using art as a foundation of social change and community building. We need support to allow people to stand up in a different way and create the space to do so, to use public dialogue to reignite compassion and build a collective vision for the country.
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Radical community is the way to counter the Trumpian populist spectacle