- ralorolo: non-thunder, much talk and commotion from one (or more) with no real knowledge of what they’re talking about or trying to do, something like “hot air” but more so
- rashida: non-game, a cruel “playing” that is a game only for the dominant “players” with the power to force others to participate
- rathom: non-gestalt, a collection of parts with no relationship other than coincidence, a perverse choice of items to call a set; especially when used as “evidence”
- bíili: “in love, I say as a statement…” (bíi + li)
- bóoya: “in fear, I request…” (bóo + ya)
- béed: “in anger, I say in warning…” (bée + d)

Rebecca Long-Bailey at a Manchester Labour Party event on November 7. 2019.[/caption]
Lisa Nandy on September 23, 2018.[/caption]



Quite a few of these men tried to fast track a comeback, circumventing both apology and expressions of contrition. Charlie Rose approached feminist editor Tina Brown with the idea that she produce a program with him interviewing prominent men who had been toppled by #MeToo (she declined). Louis CK received a standing ovation when he appeared unannounced to do a stand up set at New York’s famous Comedy Cellar, only a few months after he acknowledged that he had on several occasions stripped naked and masturbated in front of female comedians whose nascent careers were predicated on his goodwill. And last October The New York Review of Books published a 3,000-word, first person essay by Jian Ghomeshi, the disgraced Canadian former radio show host. The CBC fired Ghomeshi in 2014 after learning that the Toronto Star was about to publish an investigative report detailing credible accusations that he had for years battered women during sexual encounters, and had abused women who worked for him. Titled “Reflections from a Hashtag,” the essay is redolent of narcissism and self-pity. It begins:
Reaction to the essay was swift and negative, rising to a crescendo of outrage after Ian Buruma, then editor of the NYRB, made some egregiously tone deaf remarks in a follow-up
Devin Faraci (screencap)[/caption]
While Salbi’s separate interviews with Caroline and Faraci are short and somewhat superficial, they do provide insight into the impact of sexual assault and the power of a sincere apology. A victim who receives an acknowledgement of wrongdoing and a heartfelt expression of contrition from the perpetrator can experience a powerful physical and emotional response. In the interview, Contillo tells Salbi that while the assault itself was terrible, a “larger psychological pain had lodged itself” in her body.
Caroline Contillo highlights one of the less understood effects of trauma — that it invades the body and stays there, long after the physical act. Ensler says the same thing to Maron: that when a victim receives an apology that carries empathetic recognition by the perpetrator, it causes a physical reaction. Contillo said that Faraci’s apology provided relief not only because she could let go of the pain, but because she now felt that she was “living in a culture that suddenly seemed to care about” women who had been sexually assaulted or preyed upon.
Faraci offered his 




