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Illustration of a vegetarian fast food restaurant. Many people can be seen enjoying their food, while others are seen ordering it. In small bubbles hovering over food items, we see a breakdown of the ingredients that went into them. On the left side of the illustration, we see a sweeping landscape of a farm, and a farmer holding a box of veggies, waving at one of the cashiers in the store.
Capitalism

Is An Ethical Fast Food Chain Possible?

The short answer is yes—but it hasn’t proven easy.

by Alex Park

THE LATEST

A collage with a black background and flashes of deep blue. In the top left corner, a fragment of a black and white photo of a woman seemingly naked, her hand to her mouth. In the right bottom corner, a black and white photo of a surgery room. The black running through the center conveys a rip between the two.
Abortion

The Reality of a National Abortion Ban

by Raina Lipsitz

A pastel drawing of a woman with black hair and a green, long sleeved tunic standing in a closet. We see the back of her head as she looks over her shoulder at a hanging, long-sleeved white shirt, while reaching her hand out to hold the sleeve.
Love

If Clothes Make the Man

by Vanessa Hsia

2TDF8H6 KATHLEEN HANNA, BIKINI KILL, NEWPORT TJS, 1993: Kathleen Hanna the singer of Bikini Kill playing at the Legendary TJs in Newport, Wales, UK on 8 March 1993. This Bikini Kill/Huggy Bear Tour came at the peak of the Riot Grrrl scene and was to promote the two bands combined 1993 album Yeah Yeah Yeah Yeah (Kill Rock Stars). The gig started with a music workshop for women only. It is a black and white film photo, with Kathleen Hanna wearing a mesh white button down over a black bra. Her dark hair is cut short with bangs, and she's holding a microphone slightly to the side, looking up to the ceiling. Behind her, a few fans watch. They appear to be underground.
Books

Imperfect Feminists to the Front

by Marissa Lorusso

A collage on a fuzzy black background, with a disembodied hand holding a white cutout in the shape of a phone. There are fractured pieces scattered over the image, including one green triangle, one red triangle, and two triangles that show pieces of a keffiyeh. There is a fractured shard of an eye layered over the phone.
Conflict

What We Owe Gaza’s Journalists

by Safiyah Zaidi

Adult friendshiP

An illustration of two friends lying on the floor, one wearing a light blue, short sleeved collared shirt, her hands clasped over her chest and her eyes closed; the other woman is wearing a pink blouse and is leaning on her shoulder, looking up at the sky. Behind them there is a checkered blanket and bouquets of flowers. In two inserts, we see the woman in the pink shirt alone, clearly in pain and grieving.
Old Friends

“Then Came the Bodies”

by Marianne Eloise

An illustration of five friends, arms linked, exploring somewhere new.
Old Friends

The Healing Power of the Friendship Retreat

by Alanna Bennett

A painting of a woman from behind, holding a glass of wine and looking out at a party where everyone is socializing.
Old Friends

No New Friends

by Amil Niazi

An illustration of a photo album, with two people in different photos reaching out across the page towards each other.
Old Friends

How Do You Reconnect with Someone You Haven’t Spoken to in a Decade?

by Lio Min

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Politics

An illustration of a woman in a purple sweatsuit at the top of a mountain, climbing into the solar eclipse (a black circle overlapping with a yellow border, representing the moon and sun). In one corner, there's a inserted illustration of a woman looking up into the sky with protective glasses on, in the other corner, there's a close-up illustration of an eye where the iris is replaced by the eclipse.
Eclipse

Total Eclipse of Despair

by Anna Lind-Guzik

Two women who've collected iron from the rubble in Antakya, Turkey on a makeshift cart cover their faces to protect themselves from the dust as they walk through the center of the city. Everything around them is gray, nearly all buildings flattened or crumbling. Photo: Can Erok
Crisis

One Year After the Earthquake

by Nimet Kıraç

An offshore oil rig in the middle of the East China Sea. There does not appear to be land nearby in any direction.
Climate Change

The State of Climate Action in 2024

by Pedro Cisterna Gaete

A blurred image of a young girl in a red wheelchair, on a mauve background.
Opinion

How International Law Can Better Protect Women and Girls with Disabilities

by Lilian Dibo Eyong and Meena Paudel

A patterned image of a dove on a sage green background. There are four doves: the one on the left is in focus, and with each dove following, each dove becomes less in focus, as the background also slowly fades to a darker gray.
War

We Must Not Give In To Nihilism

by Anna Lind-Guzik

Some Favorites

An illustration of seven different illustrations of the same woman through different stages in her life, in a color gradient of reds and burgundies. They are all looking down at a semi circle underneath them, where tiny children toddle around.
Labor

The Babysitters Club

by Lacy Warner

A woman in a colorful patterned sari, rich with bright oranges and blues and golds. She is holding vegetables she has grown on her farm, and is surrounded by bright greenery.
Work

A Farm of One’s Own

by Aliya Bashir

An illustration of an abstract figure, emitting light as if they are a crystal. Their light bounces on the background.
Feminism

Feminism is for Nonbinary People, Too

by Anna Hamilton

A surreal illustration of someone crying, with one hand covering most of their face, and the other held out in front of them in a "stop" gesture. They are looking downwards and you cannot see their eyes, but a tear escapes between their fingers on the hand covering their face.
Grief

How Grief Affects Autistic People Differently

by Marianne Eloise

A composite image of three portrait photographs of members of the UK Nanas. All three are older women wearing bright yellow tabards. The woman in the left photograph is mid-chant, with her fist in the air; the center portrait is an extreme close up of a woman looking directly into the camera; the portrait on the right is of a third woman, standing stoically in her yellow tabard, which she has decorated with various buttons, and the text "Nana Dancing Queen." Behind the women is a fence adorned with tied scraps of yellow fabric.
Community

Meet the Anti-Fracking Nanas

by Katie Dancey-Downs

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