WP_Post Object
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    [ID] => 9787
    [post_author] => 15
    [post_date] => 2026-02-03 20:58:23
    [post_date_gmt] => 2026-02-03 20:58:23
    [post_content] => 

While at surface level, #WeirdTok is all fun and games, it also cuts to something deeper about being human.

Soapbox is a series where people make the case for the sometimes surprising things they feel strongly about.

The user who makes delightful felt animations. Wild, dramatically narrated video montages about horses at Costco and skeletons at Subway. A creator building a sprawling fortified terracotta city in a forest, an armored hand periodically creeping into frame to demonstrate the latest structure. Programming cards to play Coldplay’s “Clocks” on an antique mechanical organ. Witches in unsettling paper maché masks. A man who goes in deep on the technicalities of the musculoskeletal anatomy of mythical creatures. A tractor set to EDM.

“This is a hilarious and brilliant way to use your weed zapper technology LMAO how do you always find the best TikToks??? My FYP is never this obscure,” my friend and colleague Erin Biba replied when I shared the tractor video to Bluesky. I took her question as a challenge: How weird could my For You Page get? With a bit of effort, as it turns out: very, very weird.

#WeirdTok is a magical, fascinating, bizarre, wonderful, confusing, sometimes horrifying place filled with myriad wonders, delights, and, unfortunately, the inevitable incursion of AI slop. It is also art I genuinely, unironically love. It’s fucking great. And thanks to TikTok’s highly powerful algorithm, the app has learned what I like—and what I do not—with uncanny alacrity. If the FYP throws most people a hodge-podge of content it thinks is popular—horses for the horse girls, tradwives in beige kitchens cooking cereal from scratch, political commentators weighing in on the minutia of the Trump administration—for me, it has been forced to come up with the unpopular. The artisanal videos made by fellow strangeness enthusiasts, with 200 views and three baffled comments from normies wondering how they got there.

Delightfully, the more #WeirdTok I interact with, and the more extensive those interactions—watching all the way through, saving, liking, commenting—the more the weird juice flows. And flow it does. Surrealist skits in a Japanese restaurant. An artist projecting an animation of a horse onto a cityscape from the back of a bicycle. Musical stylings. A heavy equipment operator riding in the bucket of an excavator to the tune of “Cotton-Eyed Joe.” Elaborate frame-by-frame stereoscopic graffiti. Cats playing theremins. Dizzying animations of skeletal anatomy. More musical stylings: Suited brass bands chasing runners in a park while playing the “Mission Impossible” theme. Dazzling woodcock fancams. People wearing cardboard bug costumes with cutouts for their faces and writhing around in a parking lot.

Refusing to keep these gems to myself, several nights a week, I select a carefully curated #WeirdTok to share on Bluesky. I always tag Erin, who replies with a different weird video SHE has found. Over the months, our interactions have attracted a small band of loyal followers akin to those who wait to see how many eels show up under a bridge every morning; a small, fun, silly bright spot in dark times.

This shouldn’t be mistaken for escapism—delightful as it may be to watch remote control cars carrying a payload of pastel plushies while crushing autumn leaves, or a man’s surreal video series about his sleep paralysis demon, or a woeful potato taking a shower. Rather, the utter randomness of #WeirdTok—and the community that has formed around it—feels inherently strange and ungovernable, a necessary connection to humanity during a fucking scary time to be alive. We cannot survive if we cannot find joy: Surrounded by the fall of empire and the rise of fascism, I DO want to watch a whimsical video of wizard puppets jerkily animated in outdoor locations, thank you—and as it turns out, other people do, too.

While at surface level, #WeirdTok is all fun and games, it also cuts to something deeper about being human and the way art can transcend linguistic and social boundaries. I’m a long-time fan of so-called “outsider art.” Strange performance pieces. Unsettling musical compositions. Surreal found object exhibitions. Art cars and bohemian silliness. Whole communities centered around radical living, such as Bombay Beach along the Salton Sea.

These spaces feed my deep and abiding affection for weirdness, but also for making a place for art that is unconventional, highly specific, challenging. #WeirdTok, too, is often produced by self-taught, working-class artists exploring the world without feeling bound to whatever the rules of art are supposed to be. Art that is increasingly difficult to make in the modern era because of how expensive it has become to simply live. Gone are the days of the WPA and its serious investment in arts and creativity in the United States, or the arts grants that contributed to a flowering of culture in the U.K. in the 1960s and ‘70s. Instead, our cities are filled with creeping homogeneity, Airbnbs, and flipper homes trying to cash in on reputations of countercultures that now can’t actually afford to exist in those same places, while the true radicals are forced to the margins, such as the Ghost Ship collective in Oakland, destroyed by a fire in 2016 that killed 36 people. In the face of this, supporting weird art is essential.

It's also a surprisingly human thing to do. The cream of the #WeirdTok crop doesn’t use artificial intelligence, and in fact, actively defies even the most feverish robot hallucinations. Human weirdness is original. It comes from somewhere deep in the heart, not a blender filled with other people’s creativity and run on high for 30 seconds before being blorped out and shoved in your face. It is produced for the love of the game.

To discover a truly unhinged video feels hard-earned, a sort of reverse algorithmic manipulation. It is also, fundamentally, a rejection of technofascism and the bland hegemony tech companies want to force upon all of us, to turn us into passive consumers gobbling up slop and rolling in garbage while the world burns.  As a very specific niche, #WeirdTok often only makes it way to the right viewers, often without captions, hashtags, or explanations. It simply is, waiting to be discovered as you scroll. Some nights I am hit with banger after banger, saving every other video for future enjoyment and sharing, the FYP and I in a groove, unstoppable. It is like wandering the streets of a new city with no destination in mind, my favorite way to travel, finding new, intriguing things around every corner. It’s an experience that reminds me of the “old internet,” a long-gone place that we all once inhabited and loved, where it was possible to randomly stumble upon a painstakingly hand-coded website, human-made, then never see it again.

The ephemerality of TikTok is also an important element of #WeirdTok, and not just because the videos can vanish at the click of a button. At times, it feels like a fever dream, one that is frustratingly elusive to explain to people outside this liminal space. From an entirely practical perspective, there is also a “you had to be there” sense that is escalating as the app’s future in the U.S. grows increasingly uncertain. After a forced deal with Oracle, it appears ByteDance will be licensing its algorithm, but TikTok’s future overall is a big unknown as its new parent company brings its own biases and priorities to the table, all under the looming hand of the Trump administration. Will this change squeeze the joy from the FYP, as weird art serves no purpose under capitalism? If so, where will the weird art go next?

There is a sense of being on the rooftop at a wild party, watching the grey fingers of dawn slowly creep over the horizon, knowing that in daylight, everything will look very different. Yet, #WeirdTok is a reminder that even if this party ends and people trickle home, shedding feathers and sequins on transit, weird art, human ingenuity, joyous creativity, will endure. There will always be another party, and no matter where it shows up and who will be there, it will exist.

[post_title] => How Weird Can Your For You Page Get? [post_excerpt] => While at surface level, #WeirdTok is all fun and games, it also cuts to something deeper about being human. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => soapbox-weirdtok-tiktok-videos-social-media-outsider-weird-art-strange-unusual-fun-content [to_ping] => [pinged] => [post_modified] => 2026-02-03 21:00:39 [post_modified_gmt] => 2026-02-03 21:00:39 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9787 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An illustration depicting various #WeirdTok videos.

How Weird Can Your For You Page Get?

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    [ID] => 9993
    [post_author] => 15
    [post_date] => 2026-01-29 23:07:30
    [post_date_gmt] => 2026-01-29 23:07:30
    [post_content] => 

A memoir that grapples with changing ambitions and the myth of having it all.

Many millennials (or non-millenials, for that matter) will be familiar with the overarching plight of Amil Niazi’s Life After Ambition, her "good enough memoir": the experience of being stuck in the rat race of chasing one dream after another, only to find yourself on a never-ending grind. In this race, there’s always one more goal to achieve—one more professional hurdle to overcome, one more career ambition to attain—before the dream can be realized. For women especially, relentlessly pursuing a profession, while ensuring all other aspects of your life are left unscathed, becomes an ever-shifting goalpost; the quintessential “having it all”.

As the book’s title implies, Niazi unfolds the futility of this chase, made especially futile given the instabilities accompanying her career of choice—journalism and writing. But the memoir is as much a personal unfolding as it is a professional one. In it, we learn of Niazi’s parents' almost romcom-like origins before she disabuses the reader of the myth of their marriage and the prospect of an idyllic childhood. There are the anticipated working-class migrant struggles, the family never having quite enough, which takes them across oceans to seek a better life in England, where the author was born, and eventually, to Canada, where the author has spent most of her life. There’s also the abuse between her parents, which Niazi touches without ever quite expounding on, even as she informs of their eventual divorce and sketches her own experience of intimate partner abuse later in life.

In Niazi’s childhood, adolescence, and early adulthood, there’s a persistent feeling of lack. There’s little romanticizing of her circumstances, and she admits her personal rat race was likely born from this instinct: Storytelling—reporting and writing—was the one endeavor that allowed her to make sense of the world. In distressing but humorous episodes, she depicts a life of underemployment before eventually landing a job that sets her on a viable career path. Amid all the instabilities, she moves from Vancouver to Toronto with a boyfriend who physically abuses her—and there, the violent ending of their final contact results in a hard-to-shake addiction to prescription drugs. Through all of this, Niazi continues to work, uncertain of who she can trust with the vulnerable parts of her life, but finding stability through her ambitions—learning along the way, her calculus won’t always pay off.

There are bright spots throughout Niazi’s ordeals, despite the numerous and varied difficulties. There is a dog she loves and cares for, friends who intervene, and a reliable boyfriend who eventually becomes her husband. Yet her career ambitions remain the driving force that shapes her life, until suddenly, it isn’t; and for Niazi, a large part of this shift happens when she becomes a mother. After a period in London—chosen, of course, for her career ambitions—she ultimately returns to Toronto with her family when she realizes those ambitions have changed. 

Indeed, in the final analysis of Life After Ambition, I wonder if the author doesn’t slightly betray the title. She gains fresh perspective through her choice to pursue having a third child, and by attempting the kind of writing career she’s always longed for, one less defined by output, and instead, by balance. For her, motherhood and writing are intertwined and related; one aids the other, and though she must make sacrifices to have both, neither can be forfeited. 

Perhaps less than delineating what life looks like after ambition fades and falters, what the author concludes is what becomes of us—especially of many women—when our ambitions include more than the careers we set out to have. In so doing, what Niazi offers in her debut book is not only a re-think of our lives as she unravels her own, but a re-defining of ambition entirely, demanding we consider the whole of our lives, and not just the parts we keep separate in the name of career.

[post_title] => January Book of the Month: "Life After Ambition" by Amil Niazi [post_excerpt] => A memoir that grapples with changing ambitions and the myth of having it all. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => book-of-the-month-botm-january-pick-life-after-ambition-amil-niazi-memoir [to_ping] => [pinged] => [post_modified] => 2026-01-29 23:09:45 [post_modified_gmt] => 2026-01-29 23:09:45 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9993 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
The book cover for "Life After Ambition" by Amil Niazi.

January Book of the Month: “Life After Ambition” by Amil Niazi

WP_Post Object
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    [ID] => 10038
    [post_author] => 15
    [post_date] => 2026-01-21 20:59:24
    [post_date_gmt] => 2026-01-21 20:59:24
    [post_content] => 

A new community gathering, coming February 2026.

We’re kicking off a new gathering for our community, and you’re invited! Starting in February, we’re launching Conversation Club, a special new way to spotlight some of our favorite stories, by hosting conversations where writers can answer your questions and share more about how their stories came to be. It’s kind of like a book club, but you don’t have to read a whole book!

Read the article, come with questions (or not—just bring your mug of tea if that’s what you’re feeling), and be in community with us. It’s a casual, friendly discussion group and an encouraging space to stay curious, informed, and connected with fellow Conversationalist readers. 

Our first Conversation Club will feature our Executive Director Erin Zimmer Strenio’s recent piece “A Helping of Something Hopeful”, about her weekly neighborhood potlucks and how they've nourished her community on multiple levels. How did she get the potluck up and running? How did she keep it going? How can you get one started in your own community? Erin will chat with our Executive Editor Gina Mei, sharing what she’s learned and answering other questions from the community, including readers just like you. 

You can RSVP to our first Conversation Club below, and read Erin’s piece right here. We can’t wait to be in conversation with you. See you there! 

RSVP: Add your email to the list and we’ll send you a calendar invite and Zoom link.
Date: Friday, February 20th, 2026
Time: 11-11:45 AM PT // 2-2:45 PM ET

[post_title] => Join the Conversation Club! [post_excerpt] => We’re kicking off a new gathering for our community, and you’re invited. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => conversation-club-event-series-announcement-rsvp-discussion-group [to_ping] => [pinged] => [post_modified] => 2026-01-21 20:59:26 [post_modified_gmt] => 2026-01-21 20:59:26 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=10038 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An illustration of six pairs of hands holding out various dishes of food over a grassy expanse, with a "conversation club" sticker in the corner.

Join the Conversation Club!

WP_Post Object
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    [ID] => 9811
    [post_author] => 15
    [post_date] => 2026-01-13 18:45:25
    [post_date_gmt] => 2026-01-13 18:45:25
    [post_content] => 

With my veganism and other important belief systems in my life, I've decided that being imperfect is better than abandoning my morals altogether.

Three months ago, I ate a cheese pizza. This isn’t exactly headline news, but it mattered to me, because it broke a streak of many months, maybe years, since I’d last eaten dairy. I had been traveling and felt exhausted and defeated, and for whatever reason, the only thing that would soothe me in that moment was a real cheese pizza. I ate it, my tummy hurt, I felt bad. Then, I woke up in the morning and went on calling myself a vegan. 

It wasn’t the first time I’d faltered. Although I don’t make a habit of it, since going vegan seven years ago, I’ve eaten dairy a few times, including once, when a Shinto priest offered my husband and I two small cakes during a trip to Japan. (Vegan or not, it felt both rude and disrespectful to refuse.) 

These minor incidents could have been opportunities for me to give up my veganism entirely; proof that I’d “failed” or that my efforts were meaningless. But surprisingly, they've instead shifted my perspective: While I’ll never formally reintroduce dairy back into my diet, I’ve decided that being imperfect is better than abandoning my morals altogether.

Recently, I’ve begun trying to apply this grace to other guiding principles and belief systems in my life. There are so many things I care about that it can be difficult to do everything justice: the environment, disability, animal rights, poverty. Because of this, sometimes, it can feel as if living by any kind of set belief system is pointless, that our individual choices make no difference in the much larger fight. We are up against capitalism, war, the meat industry, violence, and some of the most anti-planet government policies we have ever seen. When you feel as if the world is crumbling around you, how much damage is an errant cheese pizza or Starbucks drink or Shein skirt really going to cause? But I believe this absolutism completely dismisses the power of our collective efforts to enact meaningful change, and how much we lose when we abandon our principles altogether. 

For me, my mistakes have become a recentering reminder of why I became a vegan in the first place: as a commitment to limiting any damage to the earth and its living things, beginning with what I eat. While I ate fish until I was 10, I have never eaten meat, something that used to shock people more than it does now. My mother was a vegetarian, and when I was four or five years old, I was given the choice to add meat to my diet, but I said no. By then, I understood that it came from the same animals I liked so much, making a stance of ethical vegetarianism feel easy: I loved pigs, refused to watch Bambi, and had never even killed a bug

Throughout my teens and twenties, as I gained new knowledge and autonomy, my beliefs continued to evolve. I donated to animal charities regularly and started to learn more about the environmental issues we are collectively facing, including how the meat and dairy industries are accelerating climate change. I gave up eggs at 13 and dairy at 19. After seeing a plaice at an aquarium, I vowed to never eat seafood again. This was in the ‘90s and ‘00s, when being a vegetarian (let alone a vegan) was far more limiting than it is today, and not exactly a popular stance. Even within my family, my mother’s choice to raise me as a vegetarian was controversial. During these years, I was ostensibly quiet about my vegetarianism, and took a similar approach when I became a vegan in my twenties. Luckily, Leicester, my hometown in the UK, has a large Hindu and Sikh population, so there were many vegetarian restaurants and supermarkets where I could eat and shop. But elsewhere, I often found myself defending my dietary choices, even when I tried my best not to bring them up.

Over the years, when asked why I ate the way I did, I’d simply say that I did not want to eat animals. But inevitably, people would push back, probing, for example, whether I would eat grass-fed beef or free-range chicken, assuming that if animals had better living conditions for their short lives, I’d agree their consumption was more “acceptable.” But their logic always posited the rights of nonhuman animals in opposition to the rights of human animals, and to me, they’re inextricable: To reject violence and exploitation means to reject it against all living creatures.

My vegan philosophy is continuously changing, but this core belief has not, even as its parameters progress. Lately, for example, I’ve been worried that eating mushrooms might be cruel because of the growing evidence of their intelligence. I’ve also become increasingly aware that other animals such as insects die as a consequence of crop agriculture. It’s difficult to know where my boundaries are, because my veganism is about minimizing harm, which means as I garner information, I reassess my choices. Still, I’m not perfect, because nobody is—especially when our food and agricultural systems make it near impossible to make faultless ethical choices. But my imperfection is also what allows my beliefs to evolve and adapt: Without room to falter, we can’t have space to grow.

Of course, I didn’t always see it this way. In fact, knowing just how difficult and conflicting our moral offerings can be, for a long time, despite mostly living as a vegan, I shied away from the label. I didn’t think I could live up to its standards and I didn’t want to feel any more cast out than I already had as a vegetarian. I couldn’t imagine giving up certain foods like cheese and chocolate for the rest of my life, and I felt embarrassed at the idea of falling short. But as my vegan philosophy evolved to leave room for faltering, I realized that my veganism could be an ideal to aim for, rather than a set state that binds me to guilt when I fail to meet it. Soon after, I encountered a Vox article titled “Vegans Are Radical. That’s Why We Need Them,” that both illustrated and illuminated this very point. 

The piece touched on something I have known my whole life: Vegans are unpopular. Part of the reason is because we shine a light on much of the general population’s cognitive dissonance when it comes to animals and food, which can be a slippery slope to exposing an individual’s broader moral hypocrisy. It also explains why, growing up, I pretended to be cool and apolitical about my vegetarianism, and later my veganism—despite both being inherently political. On the outside, I acted as if I didn’t care what anyone else ate or did, but I was lying. On the inside, I cared very much, and still do. 

The Vox piece also refers to veganism as an act of solidarity, which it is. By taking the stance that “animals are sentient beings with lives of their own” and imbuing “it into one’s body and everyday practice,” veganism relies on one of the most universal activities we all participate in to enact its politics: eating. But this stance of solidarity can put you at odds with those who ultimately don’t want to feel bad about what they do or eat—especially if you forgo quiet veganism, as I now have. The louder you are about your beliefs, the more you identify yourself with them, and the more shameful it is when you misstep. When I was quietly vegan, I had no one to answer to if I ate a chocolate bar in a moment of weakness. 

There is an assumption that, because I am loud about my ethical beliefs, I think that I am perfect and that everyone else should be, too. But this isn’t the case. Furthermore, this aspiration to an ideal while accepting your own shortcomings applies to other values or choices people may aim for, like eschewing fast fashion or boycotting particular brands or corporations. It’s also why our mistakes can so often inspire nihilism: If we can’t change the world on an individual level, why aspire to ethical principles at all? In the end, maybe it’s because our morals are personal, and when we stray from them, we have ourselves to answer to. 

When you care deeply about something, as I do, you want to solve the problem completely. And while I do not expect everyone to be vegan, I do want everyone to do what they can to reduce our collective suffering, whatever form it may take. This can feel insurmountable against the tidal wave of people, corporations, and governments that not only do not care, but seem to be actively campaigning to make the world worse than it is. But the good news is that even when you feel defeated or nihilistic, holding steadfast to radical beliefs is how we can push back. Because for every corporation lobbying against our collective well being, there is an organization or movement gaining ground or a small group of people somewhere fighting to make it better. Consider the huge wins achieved by activists against odds that once seemed impossible: improving factory workers’ conditions, regulating Big Tobacco, banning CFCs, and so many more. Small actions build into bigger and bigger wins.

Within my movement, I am inspired by those running small animal rescues and large organizations alike, from World Animal Protection and WWF to Sea Shepherd and the Animal Justice Project. Following and supporting the everyday work of farm rescues like Edgar’s Mission in Australia and Coppershell closer to home always fills me with pride. The work is often thankless, even when these movements achieve big wins, like banning animal testing in certain countries, recognizing animal sentience in the UK or ending whaling for profit. But the love that humans can have for a single lamb rescued from a slaughter auction, despite knowing they cannot save them all, always stops me from giving up. 

Reflecting on my own activism over the last 32 years, while I’ve never had the stomach to hold vigil at a slaughterhouse or put my body on the line in a protest, I have stood with people who do. Veganism is, at its simplest, an act of political boycott. I put my money where my mouth is, donating regularly to vegan charities and organizations and frequenting vegan restaurants, supermarkets, and brands. I’ve also co-founded an agency that supports vegan brands and non-profits with branding and copywriting. While it never feels like enough, it’s the only way I know to live my life. 

These acts of resistance against the system may be small, but they’re also part of a larger global movement to enact change. The meat and dairy industries have needed to reimagine their advertising to reflect customers’ consciousness, sometimes even tapping celebrity sponsors to polish their image. Some companies have also released plant-based alternatives and reduced their meat offerings. Many others offer buzzwords like “grass-fed” or “regenerative” beef, attempting to tap into diligent meat consumers, despite evidence that it isn’t any better for the cow or the planet. Still, these changes reveal a transformation in societal thinking, and hopefully, there will be more to come. 

When I take the long view, even of my own life, there are many more vegetarians and vegans today than there were when I was a child. What’s more, there are more vegan friendly options at restaurants and bars, and fewer eyerolls when you request something plant-based, because even non-vegans might enjoy their morning coffee with oat or soy milk more than they ever did with a cow’s. It isn’t only the availability of options, but shifting attitudes. It has been years since I have sat with a group of people in a restaurant and endured a probing about why exactly I’m ordering a plant-based burger. My choices just aren’t weird or interesting anymore, and that’s a wonderful thing.

When the world isn’t changing as fast as you’d like it to, and when you know the powers that be are against you and your politics, it can be so hard to try, and to keep trying. But the combination of relinquishing perfection, alongside pursuing community and solidarity with like-minded individuals, is how we fight on, slowly and clumsily, knowing there will be missteps. Staying on a path of reducing harm and aspiring to live by our ideals does far more for our individual and collective well-being than giving up after we’ve faltered. This is how we refuse to give into nihilism. This is how we refuse to let the corporations and militaries and lobbyists win. They want, or rather, need you to believe you can’t make a difference, and so you shouldn’t even try. But before we can begin or continue persevering in any radical change in earnest, we must first reject this lie, and continue to aspire to our ethics, each and every day.

[post_title] => Practice Not Perfection [post_excerpt] => With my veganism and other important belief systems in my life, I've decided that being imperfect is better than abandoning my morals altogether. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => morality-imperfection-practice-veganism-vegan-diet-lifestyle-belief-systems-guiding-principles-individual-collective-choice-food [to_ping] => [pinged] => [post_modified] => 2026-01-14 22:38:55 [post_modified_gmt] => 2026-01-14 22:38:55 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9811 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An illustration of a girl petting a goat, with a hunk of cheese sitting in a window behind them.

Practice Not Perfection

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    [ID] => 9891
    [post_author] => 15
    [post_date] => 2026-01-09 00:16:00
    [post_date_gmt] => 2026-01-09 00:16:00
    [post_content] => 

For months, I've tried to make sense of my sudden inability to write about societal collapse. Then, I found out I was pregnant.

I've been promising, and failing, since before the 2024 U.S. election to write about the world on fire, and the arsonists fanning the flames. The essay I'd had in mind was called "Don't Be Fucking Stupid About Dictatorship", a warning I’d been repeating to anyone who’d listen, that felt increasingly urgent as the months went by. There's been plenty to write about since: Just this week, the Trump administration sowed global chaos when it kidnapped Venezuelan President Nicolás Maduro. Unlike Bush's invasion of Iraq, his administration didn't bother with any pretense for regime change beyond dick-swinging dominance and oil. They also don't even have a concept of a plan beyond further threats to invade Greenland, Cuba, Mexico, and Colombia. Yet still, I couldn’t get myself to write about any of it. 

This was unusual. For the last decade, I've written extensively about abusive tyrants and their destructive attempts at control. In that time, they've only gotten more brazen—enough so that arguments that used to get me accused of tin-pot hysterics have now become common sense for the same people who used to do the accusing. The U.S. is, in fact, a corrupt billionaire-backed authoritarian regime staffed by rapists and racists with imperial delusions, in league with a fanatical Supreme Court and a global network of gangster heads of state. The behemoth that is the climate crisis is real and accelerating, as monstrously strong hurricanes hit the Caribbean, and monsoon flooding across South and Southeast Asia kills thousands and displaces millions. Dehumanization continues to lead to countless atrocities: in immigrant detention camps, on Venezuelan fishing boats, for civilians in Gaza, Sudan, Congo, and Ukraine. Meanwhile, the free press is eroding worldwide, and Elon Musk, world's richest man, has killed humanitarian aid for the world's poorest people. Simultaneously, fellow techbro Sam Altman wants us to believe the same chatbots that insist there are two r’s in "strawberry" will solve all of our problems, when so far, they mostly seem to be causing psychosis in users while killing the job market, making bikini pics of children and women without their consent, and stealing people's water

In the midst of all this, I've tried to make sense of my writer’s block. Perhaps it's because I have a hard time repeating myself—my ADHD brain is wired to seek out novelty—or because it's too painful to write about societal paralysis and collapse. 

Then, eight months ago, I found out I was pregnant. 

Suddenly, I had a much better excuse for my inability to focus on all the shitheads ruining everything. But also, something far more welcome: a new surge of hope, and with it, an urge to write again, this time about something slightly different. As I write this, I’m in my third trimester, anxious and excited for my daughter’s arrival, which feels imminent. While this baby wasn't planned, she was very much wanted: I've known I wanted to have a kid ever since my mom died when I was 24. My mom had always mothered me so well, in a way even my adolescent self recognized, and when she died, I felt untethered. The only clarity I got from that awful time was that I was meant to pass on all the unconditional love she'd given me to a child of my own. 

But I also wasn’t sure how or when I’d get there. At the time, I was still stuck in abusive dynamics, and would be for years to come. Like many survivors, I had a lot of grieving and healing to do before I eventually broke the cycle. (As Philip Larkin famously wrote, "They fuck you up, your mum and dad, they may not mean to but they do.")

Luckily, I've been blessed with financial stability, which allowed me to take my time and find my way. But it still took many years of therapy, loving community, and good decisions—freezing my eggs; ending bad relationships, whether familial, romantic, platonic, or work-related; getting blessed by Buddhist monks while cradling a baby-sized wooden penis in a fertility ritual at Chimi Lhakang, the temple of the Divine Madman in Bhutan—to prepare me at forty to become a mom. 

It's a funny fact of modern life to have the old-fashioned way of doing things—meet a wonderful man, fall in love, get pregnant—be the surprise. I had an appointment booked with my fertility doctor and was set to pursue single motherhood with a sperm donor when I met my partner last fall. I joked with my friends, "The minute you light a cigarette, the bus comes." But we’ve both been grateful for the ride. 

I'm also old enough to be immersed in all the doomerism around what until recently was called "geriatric pregnancy", so I was shocked at how easily we got pregnant. (Thank you, Divine Madman of Bhutan!) It took me eight weeks to even realize what was happening—already too late in many U.S. states to make an informed decision about keeping a pregnancy. I'd chalked up the first trimester exhaustion to depression over rising fascism, and spent the night before my blood test googling "pregnancy or perimenopause?”, genuinely unsure which was to blame for making my boobs so sore. The morning after we got the results, I got an email from my fertility doctor asking how I was doing. I thanked him for checking in, and shared the fortunate news that we wouldn't be needing his help after all.

I’d been excited but daunted to undertake parenting alone, and it's been a beautiful gift to go through the process with a partner, especially someone so loving and supportive. Simultaneously, there have been so many aspects of this process that have felt out of our control, and it's scary to be bringing a little girl into a world of rising temperatures and white supremacy. The Trump regime, and RFK Jr. in particular, has a eugenicist fixation on breeding white women to produce more white babies, while simultaneously showing extreme hostility to pregnant people. Our future pediatrician needed to check we still believe in vaccines, and that we understood that Tylenol and infant formula are safe. Meanwhile, my partner was turned away from getting the recommended COVID vaccine because becoming a new parent does not qualify him under the new, absurd restrictions. 

But in the face of this, I'm also confident that our daughter will be well-loved, both by us and the village that supports us, and that we will do what we can to model a better way of life for her in our home and in our community. I hope she always feels that sense of comfort and safety with us, even as the world rages on. And I hope that the strong foundation we’re building together gives her the courage to face the challenges that we know we can't shield her from. Our daughter hit the jackpot with two parents who cannot wait to meet her and surround her with love—something she’s already repaid by kicking her dad hard in the face when he put his cheek to my belly. (He's a soccer player, and a true believer that "football is life!"; so you can imagine his delight.)

I got lucky that I could feel her little flutterkicks super early. This summer, at the beginning of my second trimester, I took a long-planned trip to Berlin with friends. I'd debated trying to get into the nightclub Berghain with them, and even got a pleather raver dress that fit my growing bump for the occasion. Baby had already attended Beyoncé’s Cowboy Carter tour with me, and stayed up to see Cardi B (also pregnant at the time!) perform at Pride, so I was tickled at the thought of us sober dancing together in a warehouse. But I ate too much schnitzel at dinner and my feet hurt, so I stayed in watching Irish murder mysteries instead; probably the wiser choice. That night, I felt little twitches in my tummy for the first time. I thought maybe I was imagining things—but I'm confident now that she was just already saying hello. 

On that same trip, I dragged my friend to the Stasi Museum, converted from their creepy former headquarters. It was easy, and terrifying, to see the parallels to the U.S.: The East German secret police's growth over time reminded me of ICE and Border Patrol's expanded reign of terror, both in terms of mission creep and surveillance techniques. Even the recruitment perks mirrored one another, though the Stasi had much higher standards for who they let in the club. Once again, I was confronted with the dichotomy of bringing new life into the world as other lives are being torn apart. 

It’s been hard not to think of the Stasi murdering border crossers and street protestors when ICE just executed a mother of three by shooting her in the head through her windshield in broad daylight, her wife sitting next to her and neighbors recording the scene on video. Renee Nicole Good was not the first person Trump’s paramilitary thugs have bragged about inflicting violence on, either. After shooting Marimar Martinez in November, a Border Patrol agent reportedly texted his buddies with the line, “I fired 5 rounds and she had 7 holes. Put that in your book, boys.”

As I’m discovering firsthand, having kids nowadays is apparently a never-ending lesson in this kind of cognitive dissonance. I realize, too, it’s both totally natural and a bit crazy to be excited and hopeful about growing this new little human inside me, considering all the horrors I’ve already listed, and the many others I haven’t. Many people I love and respect are foregoing having children entirely, whether because they simply don't want them, because they're too expensive (especially in New York City, where I live), or because ecofascism has robbed them of any hope for the future. My loved ones who do have kids have shared the joys of parenting, but also the struggles, especially during COVID. As their kids grow, they're facing difficult questions about declining prospects, school shootings, and how adults let the world get this way.

I recognize that the aforementioned financial stability takes care of some, though not all, of these concerns. As for those that remain, I think, in spite of everything, here's my vote of confidence for perpetuating the species: Humanity can be pretty awful, but also pretty amazing. There's still so much joy and wonder to be found in this world, something I've witnessed from people who continue to live and love under the direst of the circumstances. I don't agree with people who say that having children is what gives life meaning—my life had meaning and purpose before. But I do think my daughter has already challenged me to remain hopeful on her behalf, and to take action to better myself and my community to create a softer landing for her when she’s here.

She's kicking me as I write this. I'm congested, my joints hurt, I’ve developed gestational diabetes, and I miss carbs. As excited as I am for her to arrive, I'm also terrified of giving birth, and how much I have to do and learn before then. But I also take solace now in all the good news I can find, because it gives me new hope for the future—for her future. Zohran Mamdani won his mayoral campaign with a promise to bring affordable childcare to New York City. CUNY researchers recently discovered a potential universal antiviral that can defeat multiple families of viruses at once, including Ebola, COVID, and SARS. Chicagoans are telling ICE to fuck off, whether that's dads in pajamas or the Pope. Chinese and European solar power technology is moving forward in leaps and bounds, with renewable energy overtaking fossil fuels in most parts of the world, even as the U.S. lags behind. The African Union passed a Convention on Ending Violence Against Women and Girls, lapping many parts of the world with its second regional treaty on women's rights. Trump and Putin won't live forever, and Stephen Miller, RFK Jr., and Pete Hegseth aren't immune from prosecution. Bolsonaro and Duterte are in jail. Elon Musk is the loneliest man on Earth. 

Yes, it's an extremely dark time, but that's not exactly a historical outlier. People have been making babies throughout the worst of them. And nothing motivates me more to build a better future for all of us than this little girl, who, like every child, deserves safety, stability, love, and care, and a world equipped to give it to her.

I can’t wait for her to see it.

[post_title] => The Strange Hopefulness of Growing a Human While the World Burns [post_excerpt] => For months, I've tried to make sense of my sudden inability to write about societal collapse. Then, I found out I was pregnant. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => hope-week-pregnancy-motherhood-children-personal-essay [to_ping] => [pinged] => [post_modified] => 2026-01-09 08:25:27 [post_modified_gmt] => 2026-01-09 08:25:27 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9891 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An illustration of a house as a flowering tree gradually grows within it, splitting it open with flowers.

The Strange Hopefulness of Growing a Human While the World Burns

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    [post_author] => 15
    [post_date] => 2026-01-08 00:16:00
    [post_date_gmt] => 2026-01-08 00:16:00
    [post_content] => 

While reporting on climate change isn’t always hopeful, the women I've met along the way are forging a path forward for intergenerational resilience.

In the dim flicker of a kerosene lantern on a fog-wreathed houseboat, I watched Nazia Qasim’s reed-scarred hands pierce threadbare fabric with her needle, weaving colored abayas as her eyes fixed on Dal Lake’s silt-choked horizon, diesel haze mingling with the sour tang of rotting lotus stems, where vibrant beds once bloomed. 

I’ve heard endless tales from Nazia—and Qudisa, and Bano, and their sisters—about how the lake’s relentless shrinkage has mirrored their own lives’ contracting. Yet the women have overcome: As the lake withers, under absent snows and dying streams, the water now polluted and undrinkable, they have found new work and purpose through their weaving. For hours last January, I watched their hands move in the lantern’s glow, transforming loss into livelihood. This sisterhood, which once thrived on an endless, ancestral bounty of lotus, water chestnuts, and fish, now scraps stitched tight, the women’s quiet knots a fierce stand against the fade.

As a climate reporter based largely out of India, I am often tasked with telling stories on the frontlines of disaster. I have crouched in Pampore’s parched Karewas at dawn, watching farmers Farida Jan and Snobar Ahad recount the decline of saffron, a visceral dirge for disappearing traditions I could feel in the cracked earth underfoot. I’ve seen women shoulder jerry cans under a merciless sun, irrigating wilted bulbs past cobwebbed government drip lines, turning the world’s most prized spices into frantic wagers against the sky, where one failed season means debt for entire villages. And in countless moments, I’ve watched with growing frustration how easily the world abandons the Global South, which disproportionately bears the brunt of climate change, and how rarely the countries most responsible seem to face the same consequences. 

This work necessitates exhaustive fieldwork in fragile ecosystems, sifting through scarce data amid conflict, and confronting the grief of vanishing landscapes and livelihoods. But in my writing on the realities of climate change, I’ve also made a conscious effort to find stories of resilience, rather than just stories of despair. Stories that not only show there are still people who haven’t given up on the fight, but who have made a meaningful difference in changing the tides.

These changemakers are often women. 

Perhaps because of this, my work has always felt inherently hopeful: Despite climate theft splintering families—stealing not just saffron yields and Dal Lake’s bounties, but the heartbeat of a country’s soul—these women persist as resilient guardians, weaving their survival with fierce tenderness from the shattered threads. 

This has also made it all the more important to me that I get their stories right. As a writer, I prioritize women’s agency and consent, letting them narrate their own stories however I can. This approach shatters poverty tropes, spotlighting their resilience and innovation over the victimhood stereotypes that dominate mainstream coverage of rural Indian women. It also imbues my work with deeper meaning, in hopes that harmful narratives might begin to shift as more of these women’s stories are allowed to take up space.

Over the years, I’ve chased India’s climate fury, from Kashmir’s vanishing glaciers to Maharashtra’s cracked fields and Tamil Nadu’s drowned coasts. And the women I’ve met along the way light a fire in me: Their grit isn’t survival, it’s rebirth for a warming world. 

~

“When I got married, nobody asked my choices,” Kamla told me on her daughter’s wedding day, now nearly two years ago. “Today, I ensure hers.”

The message was loud and clear: Economic independence is agency in a patriarchal script. And for Kamla, it had allowed her to reclaim this agency on her own terms, and to give her daughter a chance at a better life.

I first met her in early 2024, while reporting my story “A Farm of One’s Own” for The Conversationalist. Kamla is a farmer from Khajraha Khurd’s sunbaked fields, in parched Bundelkhand’s Jhansi district, Uttar Pradesh. She leads local farming techniques to combat drought, something that has helped pull families in the region out of poverty, proving climate adaptation thrives on female ingenuity.  

In the days we spent together, I crouched beside Kamla as she worked, enveloped in the mud’s earthy scent. Her eyes were sweat-stung, her fingers plunged into the sun-warmed soil. As she crunched freshly picked beetroot, she explained to me how she uses neem traps to ward off pests amid erratic rains. Her father-in-law burst out laughing, teasing her for explaining farming to me like she knew anything at all. 

But it was clear she knew more than he understood. When the global coronavirus pandemic rapidly swept across India, some of the most vulnerable, and climate-vulnerable, migrant women were robbed of their work, Kamla included. She not only found meaningful work in the aftermath, but self-reliance, trading callused hands for hoe and seed, wresting millet, broccoli, and lentils from her own organic farm.

Kamla’s resilience was magical to witness. I spent many days with her, seeing how she started her day, plunging into compost heaps steaming with kitchen scraps and dung, spreading the fertilizer across her garden. Watching her wipe soil from her weathered palms, spinach bunch in hand, I saw her rooted at last from laborer to earth-tender, peace in every leaf, life hers again.

In the afternoon, she tiptoed through the fields and quickly kneaded the dough for lunch and put it on the tawa, slapping it thin and golden and slathering the sizzling ghee, serving it with a tin cup of frothy chai brewed strong over a chulha fire. We ate together in the rows of a multi-cropped farm, the air humming with neem leaves. This wasn't just a meal; it was a window into resilience in motion, women and girls weaving nourishment from the land. Nearby, her great-grandmother sat cross-legged on the earthen floor, her gnarled fingers deftly cleaning a mound of fresh red chillies in the sun—plucking stems, wiping dust, and muttering local songs on the front porch of her house, a visual treat to witness a silent hymn to preservation in a world of fleeting harvests.

As we ate, I thought of these women, whose callused hands not only yield the wisdom and knowledge of saplings and sickles, but carry it forward, forging an intergenerational resilience against climate chaos that exists beyond immediate harvests, or even lifetimes—ensuring the next generation endures.

~

Over the years, I’ve met countless women enacting change like Kamla, often without credit or acknowledgement. In India’s northern Haryana state, I met Sunita Dahiya, a woman pioneering eco-friendly menstrual products, and training rural women to produce organic pads that decompose rapidly, slashing microplastic pollution and the burden of billions of plastic disposables in landfills each year. In north Kashmir’s Bandipora district, I met Phula Bano, who manages large herds of wild dogs, cattle, and horses through daily treks in the Himalayas, helping to sustain a low-carbon, resilient ecosystem.

For an early story for The Conversationalist, I also met the beekeeper Towseefa Rizvi—a living embodiment of sisterhood in action. As the first female beekeeper in Ganderbal district, Kashmir, Towseefa has demonstrated, again and again, how one woman’s rise can create pathways for others to join her. Within her community, she also demonstrated that beekeeping could be a profitable path, as well as a productive response to ecological despair. Today, she still trains and supervises village women in the tender art of queen-rearing and swarm management, and sells local honey through various haats and online.

When I visited her home in Bandipora district in north Kashmir, I saw apple groves dotted with buzzing apiaries in her backyard, as she coaxed her bees into new, modern hives. She viewed her bees as family, and over the years, dedicated herself to learning about the restoration of biodiversity, pollination of resilient crops, and climate vagaries. 

Her journey was also proof that true climate hope lies not in flashy summits, but more often, in one woman’s quiet and relentless work.

~

Centering hope in my reporting, of course, hasn’t saved me from the realities of writing about and from regions affected by climate change.

What started as whispers of women-led mangrove safaris while researching another story last year eventually evolved into a gruelling quest, marked by relentless weather delays and elusive sources. For months, I chased the story of Sindhudurg’s mangrove guardians—fierce women from one of Maharashtra’s pioneering women-led self-help groups (SHGs). And for months, I wondered if the story I hoped to tell would ever come to fruition.

Weather changes were unforgiving foes. Monsoons flooded coastal paths and stranded my sources with switched-off phones for weeks. Out of anxiety, I’d chase them via voicemail. Officials also proved phantoms as the network dropped along eroding coastlines.

It wasn’t easy to convince the women to entrust me with their stories; their promises fading with each storm surge and postponed boat trip. But visiting the coast and sharing chai in salt-lashed homes finally broke the ice last fall, and resulted in my final piece from the year, “Guardians of the Mangroves”, about how Maharashtra’s crab farmers are spearheading women-led coastal restoration amid local climate chaos. 

Late in my visit, I stood with farmer Sonali Sunil Acharekar amid the hushed mangroves, her rough hands parting their roots in silent vigil, as cries of herons and egrets filled the skies. She paused mid-story about lost fish, her fingers sifting through the silty tides to snare a scuttling fiddler crab.

She grinned. “See? Even the birds know we’re guardians.” 

I felt a spark of wonder that, despite rough weather nearly killing this story, I could still bring these women’s unbreakable strength into the light. As we enter a new year, I am ending the last with gratitude for their efforts, and the stories these women have shared. I hope, too, I continue to push myself to amplify excluded voices, to craft stories of climate hope that counter the despair-dominating headlines, and to show women as stewards of India’s Global South.

When we lose sight of hope, we risk nihilism that doesn’t allow us to see ingenuity amidst climate chaos—something women in the Global South have delivered time and time again, and something that has made me feel consistently hopeful in my work. While reporting on climate change itself isn’t always hopeful, there is always hope—and at the center of that hope are the women who bend, rise, and persist, their strength illuminating the fragile edge where water meets earth.

[post_title] => Planting the Seeds of Climate Hope [post_excerpt] => While reporting on climate change isn’t always hopeful, the women I've met along the way are forging a path forward for intergenerational resilience. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => hope-week-climate-change-resilience-action-profile-economic-independence-global-south-india [to_ping] => [pinged] => [post_modified] => 2026-01-08 07:58:50 [post_modified_gmt] => 2026-01-08 07:58:50 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9889 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An illustration of a girl surrounded by a growing flower bush, with a cut-out around her in the shape of a woman.

Planting the Seeds of Climate Hope

WP_Post Object
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    [post_author] => 15
    [post_date] => 2026-01-07 07:35:47
    [post_date_gmt] => 2026-01-07 07:35:47
    [post_content] => 

Why Ireland's Basic Income for the Arts program is just the first step in better supporting the country's artists.

In 2022, visual artist Elinor O’Donovan was working as a receptionist in Cork, Ireland, when she began to receive the Basic Income for the Arts (BIA) stipend. The Irish government had launched the program that year as a way to address the country’s unstable arts sector, which had left many artists without job security and consistent financial earnings—O’Donovan included. At the time she applied, she'd just graduated from university and was living with her parents as she tried to figure out the next steps for her career. When she found out she’d been selected from a pool of over 9,000 other applicants for the BIA, it was life-changing. As one of 2,000 artists receiving a weekly income of €325 over a three-year period, O’Donovan was able to quit her job and move to Dublin to make art full-time. 

“The BIA has allowed me to be a bit more brave with the stuff that I make,” she tells The Conversationalist. “It allowed me to make whatever I want, and not feel as if I have to justify why it's important to a funding body.” 

According to a cost-benefit analysis published by the Department of Culture, Communications and Sport last September, the BIA has been a resounding success for beneficiaries, and Irish society at large. The report revealed that recipients were able to dedicate an additional four hours per week to art-making, and that the program “strengthened artists’ professional autonomy, capacity for creative work, and attachment to the arts sector.” Moreover, for every €1 of public money invested in the pilot, the country received €1.39 in return—a value that accounts for an increase in earnings generated from art-making as well as an increase in public engagement with the arts. In short: Giving money to artists, with no strings attached, was demonstrably profitable.  

For O’Donovan, income from the BIA not only gave her more time to make art, but provided her with newfound financial stability, something that affected every part of her life. She had more time to cook for herself, joined a gym, and for the first time, was able to afford to go to therapy. She was also finally able to plan for the future. 

“I was 26 when I started receiving [the BIA], and I was able to start a pension fund,” she says. “Just having that fallback [was a relief], knowing that I would receive an income no matter what happened; if I got sick, I would still be able to pay my bills, pay my rent. It has really been transformative for my well-being.”

Importantly, the BIA has also allowed her to create opportunities for other artists: O’Donovan’s ability to explore filmmaking, something she was afforded because of the stipend, meant she could create new jobs in the field. “Having financial stability from the basic income means that I've been able to hire other people to work with me,” O’Donovan says. “So there's even been a kind of trickle down of the basic income to other artists and other creatives in Ireland.” 

For artists around the world, the program has also offered one hopeful potential solution for a global arts sector severely hit with funding cuts and political uncertainties over the last few years. But while things have taken a recent downturn, the financial instability of the arts has been a major problem for decades, if not centuries, something that likely explains the growing admiration for the BIA around the world.

In a capitalist society, creative work is not valued as a productive or profitable field, which often means that artists are being underpaid for their work, if they’re paid at all. Creativity and art-making require passion and time, two resources that are generally scarce in an economic system more concerned with profit than beauty. Often, this forces workers to abandon or sideline their creative work in favor of taking a non-creative job that will provide financial stability. But a program like the BIA provides an alternative model, giving artists the financial foundation to create without the stress of figuring out how they will pay their rent or bills. 

Joining other basic income pilot programs around the world, the BIA demonstrates that providing workers with financial stability first allows them to thrive, increasing a country’s worker satisfaction, contributing to better mental health, and resulting in higher housing stability, by supporting people pursuing their preferred fields of work

Even the program’s most ardent supporters, however, argue that the BIA is only the start of a more stable arts field. In Ireland, the arts generate €1.5 billion in income each year, but according to Praxis, the artists’ union of Ireland, artists still face “extremely challenging economic conditions.” In an open letter published in September, the group cited that 50.7% of artists in Ireland still live in Enforced Deprivation, compared to 15.7% of the general population. (The Irish Central Statistics Office defines Enforced Deprivation as when a household experiences two or more of 11 national deprivation items, such as being unable to replace worn out furniture, or being unable to afford a drink or a meal with friends once a month.) The BIA, then, should be seen as just the first step in a bigger effort to make the industry more sustainable. 

“It has always been precarious,” writer, editor, and Praxis policy director Michaele Cutaya tells The Conversationalist. “I've never managed to make a living off just my art income, [and] my situation, my difficulties, are not isolated instances.” As a union representative, Cutaya helped advise the government on the BIA’s design; but despite its success, she emphasizes that the country still has a long way to go. 

“Quite a large part of the economy relies on the work of artists,” she says, citing the profit the arts brings to the hospitality sector in Dublin as one example. But very little money generated by the arts sector actually goes to artists, a discrepancy that continues to grow despite the BIA. In the last three years, work opportunities have diminished throughout the sector, a trend worrying to union leadership and artists alike. “Access to public funding remains the main source of income for artists, mainly through the Arts Council,” Cutaya continues. “[But] I find that the number of chances of getting your work selected has gone down because essentially there seems to be a lot more people applying [to public funding].”

This may explain why some are concerned that the BIA will become “the shiny object” of policies, while other issues in the sector go ignored, like unregulated pay, the use of AI, and the still-growing lack of opportunities.

“There's a lot of issues and they’re not doing much about it,” says actor Christophe Lombardi, who was in the control group of the BIA pilot program, where he received one yearly payment of €650 as compensation for participating, rather than the weekly stipend of €325. (The results of Lombardi’s control group were used so researchers could better understand how the BIA helps artists over a longer period of time, in comparison with those not receiving it.)  

Emphasizing other issues he would like to see addressed, Lombardi points to Gayanne Potter, a voice actor whose voice was used without permission by ScotRail to create AI-generated platform announcements in Scotland. “We are facing all the [same] problems [in Ireland]. So I don't want [the government] to use the BIA as an excuse to pretend to help the artists, but behind the scenes, not [do] anything about the rest of the issues.” 

Last April, the Irish Creative Industries Forum (ICIF) wrote to the Irish government requesting measures for the protection of artists from AI, and the enforcement of copyright infringement laws against the misuse of the technology. As of yet, however, the government has yet to implement any AI regulation policies in response. 

Still, there is a widespread recognition that the BIA is a net positive, and can and should be used to help address many of the existing issues in the industry. In its letter, the ICIF requested that the BIA be extended to artists affected by job loss caused by AI. Across Ireland, unionized artists are currently campaigning for the BIA’s permanent expansion. “It does make a difference, obviously,” Lombardi says. “Because it's hard to stay creative, to keep things going, while you can't keep a roof over your head. There was [an] upswing in mental health—everything's better.”

In Praxis’ open letter, the union demanded for the program’s extension for an indefinite period of time, and for the income to be indexed to inflation. Additionally, the union urged the government to expand eligibility to include previously omitted art forms, like performance artists, socially-engaged artists, craftspeople, and designers. 

Arguing that the BIA pays for itself in economic returns, Praxis warns this expansion should not come at the expense of other arts agencies, which also deserve resources, attention, and support. “The arts sector needs more funding, not less,” the letter reads. 

O’Donovan agrees. Given her experience, she says the BIA should be one part of a “bigger ecosystem” that helps the arts sector thrive, and allows artists to be fairly compensated for their work. “I think what people don't understand about being an artist is how much work you do that goes unpaid,” she says. “Having the basic income means that I'm still able to live and I'm still able to work.” 

The pilot program was originally set to end in December 2025, but has now been extended to February 2026. From September 2026, it will be a permanent program in the country, although the government has not defined eligibility criteria or the number of recipients moving forward. In an email to The Conversationalist, a spokesperson for the Department of Culture, Communications and Sport writes that “details such as the duration, eligibility and selection method… have not yet been decided.” 

Cutaya says, so far, they’ve also been left in the dark about the expanded program’s specifics, something especially concerning because, while the program was initially launched under a progressive coalition government, the current government is conservative. “We know very little at this stage,” Cutaya says, but adds that Praxis is holding out hope their input will be taken into consideration as the program evolves. 

This lack of transparency has also left current BIA recipients in the dark, unsure of how they will support themselves in the gap between February and September. “Realistically I'll just have to start working again,” O’Donovan says. “It feels like a shame. I'm really grateful to have had these three years where I've been able to work full-time as an artist because very few people who aren't on the basic income can afford that.” 

Reflecting on how public arts funding is the first to be cut during economic hardship, Lombardi wishes that society at large would recognize the inherent value of artists’ labor for the mental health and wellbeing of the general population. “Imagine life without art,” Lombardi says, pointing to how artists played a key role in keeping people sane during the pandemic. “Imagine for six months, there is no art. You can't watch stuff, you can't read stuff, you can't go out and see stuff. You can't sing, there's no music, there's nothing. The only thing is work and sports. That's it. The decrease in mental health would be astounding, people would go around the bend.” 

Having access to the most basic resources to be able to live while working in your preferred profession shouldn’t be a privilege for the few: Everyone deserves what the BIA has provided to artists for the last three years. But as too many places proverbially edge closer to the dystopia Lombardi describes, the BIA might be seen as a place to begin to reimagine how we value and fund the arts moving forward. Whether it’s an album, a painting, a play, a movie, a live band—whatever your preferred mode of expression—the arts remind us of the wonders of life, forcing us to see the beauty in between work shifts and growth indicators. Fair pay to the workers who deliver those reminders to the general population, then, is urgent; otherwise, we risk a world without fascination. The findings of the BIA pilot reveal the systemic flaws of how society treats its artists, and beyond the stipend, point to more hopeful solutions on the path to a world where art and artists are truly valued.

[post_title] => Painting a More Hopeful Future [post_excerpt] => Why Ireland's Basic Income for the Arts program is just the first step in better supporting the country's artists. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => hope-week-universal-basic-income-for-the-arts-artists-ireland [to_ping] => [pinged] => [post_modified] => 2026-01-07 07:35:53 [post_modified_gmt] => 2026-01-07 07:35:53 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9937 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
A two-panel illustration of a person with a flower head; in the first, the bud is closed, and in the second, the flower is in bloom.

Painting a More Hopeful Future

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    [post_author] => 15
    [post_date] => 2026-01-06 06:39:32
    [post_date_gmt] => 2026-01-06 06:39:32
    [post_content] => 

How committing to a weekly neighborhood potluck has both fed and strengthened my community.

There’s a certain serendipity that happens at a potluck. Foods that have never mingled together find themselves side by side: jambalaya in a crockpot, a cardboard pizza box, a plastic tub of Trader Joe’s hummus, a platter of gluten-free brownies. None of it really makes sense when scooped together onto a plate, but all of the flavors blend like fast friends—and if you’re lucky, oftentimes, the people do, too.

It’s another Monday night, which for me, means another neighborhood potluck. Every week, a group of us meets in the same grassy area by the bay in our neighborhood outside of Providence, Rhode Island. This week, I brought a pesto pasta salad with random veggies I found in our fridge; last week, it was leftover ribs my husband made over the weekend; the week before, a bag of chips and salsa. As we set up shop on a foldout table, I can see the curious faces of people driving and biking by, wondering what the heck is going on. But for us, it’s just another Monday night. People start trickling in around 5:30pm and stay until the sun goes down. We catch up on each other’s lives, and watch the kids run around while helping ourselves to a second plate. Then, we pack up our things and say our goodbyes, knowing we’ll see each other again next week.

While these gatherings now feel like a staple in my life, I first learned the magic of weekly potlucks a few years ago, in my old neighborhood in New Orleans, Louisiana. It was 2022, and we were still feeling a bit socially raw, fresh out of our Covid bubbles. A neighbor friend started a group text, inviting us to gather every Monday at the playground for a whatever-you-have-lying-around potluck dinner and a good hang.  

At first, the weekly cadence sounded like… a lot. Weekly? Really? Could my social battery handle it? 

Yet after the first few months, it started feeling like an important ritual, and after the first year, it felt like a sacred space. The regular cadence was key. It allowed us to check in on each other and get to know our week-to-week rhythms. I could ask how Jen’s doctor’s appointment went last week, or if Joel had recipe-tested the chicken and dumplings he was planning for his upcoming popup restaurant. When I wanted someone to be my accountability-buddy to do that yoga class I kept swearing I’d do, I could ask if anyone else had been looking for an accountability-buddy, too. And with the standing weekly gatherings, all of this could happen in an intentional way, our commitment to a weekly meal slowly blossoming into something more. 

After spending a couple of years social-distancing and mostly avoiding group gatherings, our neighborhood potlucks also felt like a joyful and much-needed form of social fitness, something scientifically proven to be just as important to our well-being as physical exercise. Maybe you’ve heard of Harvard's 85-year happiness study? It started in 1938 and followed 724 participants from their teens to old age. The participants regularly answered questions about their health and habits, their income and relationships, their joys and disappointments. The study also incorporated insights from their spouses and 1,300 of their descendants. 

What did the study find to be the most important factor in determining a long and happy life? Strong, supportive relationships. Not cholesterol levels, or how many kettlebells you’ve lifted (although those things are important, too!)—but genuine human connection. It was a stronger indicator for happiness than even genetic predispositions, social class, or IQ. 

This was also precisely what many of us were so starved for back in 2022. As the weeks went by, it felt like we had cracked the code to maintaining a genuine closeness with our neighbors. I also realized it wasn’t just the shared meal that was feeding us and allowing for deeper relationships to grow: It was our commitment to having it in the first place. 

In New Orleans, I experienced the fruits of this firsthand. A group of us kept showing up, kept checking in on each other, kept extending the invite to other neighbor friends, and kept feeling the goodness of our Monday merriment spilling into the rest of the week. It was something to look forward to, something that consistently got our weeks started on a hopeful note. The Sunday scaries felt almost cured by the Monday potluck magic. 

It was also a weekly reminder that, no matter what else was happening in the world, we were all still here, still showing up, and still feeding each other—with food, with friendship, with community, with care. 

This commitment never felt burdensome, but instead, like a newfound necessity. In the age of TikToking your way down the street and scrolling in bed until you fall asleep, people are overconnected but undercommitted. Relationships, however, are built on commitment—and at least according to the Harvard study’s findings, that means our happiness is built on commitment, too. It’s a muscle to exercise like any other, and when we allow it to atrophy, our communities tend to suffer. But when we put the effort into consistently exercising it, our relationships and our communities begin to bloom.

It still impresses me that we managed to meet up every week for over a year, even with small kids and busy jobs and all the rest. I believe a big part of this was probably the fact that we met in a public space (the neighborhood playground), that was walking distance for all of us (no driving required), which also meant that nobody had to host (no need to clean your house).

The not-hosting part felt especially important. Nobody had to stress about people coming over and nobody had to deal with washing the dishes since we BYO’d our own plates and cutlery. We also never felt the pressure to bring anything fancy, a rule we established early on. One week it might be a bag of chips and the next it might be leftover birthday cake and maybe the next it would be homemade enchiladas if you had a little more time to cook. It all evens out in the potluck wash. And when everyone brings something, everyone leaves full. 

When I moved to Rhode Island in 2024, I knew I had to keep my potluck muscles active in order to keep this little bit of magic alive, too.

I started a Whatsapp group and kept adding new neighbor friends to join as I met them. I scheduled the first potluck as a test run, just a couple months after we’d moved into our house. Given the big turnout (close to 40 people), I knew it could be a regular thing, so we started it up in earnest in the summer when the weather was more reliably outdoor-friendly. My husband and I began sending out a reminder on Monday mornings. And for the regular crew that started showing up each week, and telling other people to join, the potluck magic alchemized just as it had in New Orleans. I felt especially proud when I started seeing people I didn’t recognize who had heard about it through the neighborhood grapevine.

Every Monday, we’d arrive at the park with our foldout table and gingham tablecloth (adding a tablecloth instantly makes any gathering feel more special). For a quick second, I’d worry that nobody would show up. I’d feel a bit self-conscious, then I’d remember that even if nobody came, I’d still be outside eating with my family, which is a gift on its own. 

I wouldn’t take it personally if people couldn’t make it (although a younger version of myself probably would have). But sure enough, people always did, and a mishmash of dishes would start appearing on the table. Hot dogs and mini quiche? Sure, why not! Barbecue ribs and a mountain of edamame? I mean, yeah, let’s do this! The neighborhood kids would run around on the grass and inevitably start piling on top of each other, like a Polaroid snapshot from 1995. No iPads or AI or any other tech-y shenanigans. Just some good ole wholesome potluck fun.

After a full summer of weekly potlucks, however, it became clear that one major difference between New Orleans and New England is, well, winter. In New Orleans, we could keep the weekly cadence humming along for most of the year. The summer heat and storm season did force some cancelations, but in Rhode Island, the days started growing dark by 6 p.m. and it was puffy coat season by Halloween, so we had to “close for the season” in October. 

“I really miss our Monday potlucks,” neighbor friends have told me recently. Some have even offered to host in their homes, but this feels like breaking a key tenet. Removing the hosting pressure is a big part of what keeps our potlucks running so smoothly and solidly, so inclusively and so stress-freely. 

While I know it’ll come back in full force once the weather warms up and the sunlight stretches back into dinner hours, I can still feel my potluck muscle craving exercise. We’ve been looking into community spaces that might be willing to host us during the winter, such as the library or the masonic center a few blocks away. Or the old-school bowling alley, which has some tables in the back. We’ve also been brainstorming other ways to stay connected during the colder, darker months. Perhaps a weekly walking club around the neighborhood? Or a soup swap (like a cookie swap, but for soup)? 

But I also know that rest is important when it comes to exercise, too. And it’s during this wintry off-season that I’m discovering how much the seedlings of our summer potluck friendships have sprouted. People are still texting each other to check in, still asking each other for HVAC repair advice and babysitter recommendations. And thankfully I still have my accountability buddy checking in on how we might move our bodies this winter — she just suggested a 30-day “gentle burn workout” with short daily videos, asking if we could text each other once we’ve finished each as motivation and a healthy bit of peer pressure.   

A potluck, of course, isn’t the only way to nurture and maintain our relationships, but it’s one that’s made me feel particularly hopeful. Commitment begets commitment, and makes the muscle stronger, something we can feel even when it’s not in use. 

Bringing people together on a regular basis is also a reminder that small rituals can add up to something much bigger. In the months since our last potluck, our Providence community has been deeply hurting following the horrific mass shooting that took place at Brown University in December. We’ve been checking in on our neighbors, and feeling a wide range of emotions: grief, sadness, anger, anxiety, and heartbreak. But as we continue to grieve, our commitment to holding space for each other gives me hope that we’ll live another day, and share another meal, and continue to show up for each other, again and again.  

[post_title] => A Helping of Something Hopeful [post_excerpt] => How committing to a weekly neighborhood potluck has both fed and strengthened my community. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => hope-week-weekly-neighborhood-potluck-community-food-personal-essay [to_ping] => [pinged] => [post_modified] => 2026-01-14 02:30:14 [post_modified_gmt] => 2026-01-14 02:30:14 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9910 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An illustration of six pairs of hands holding out various dishes of food over a grassy expanse.

A Helping of Something Hopeful

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    [post_date] => 2026-01-05 08:02:34
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    [post_content] => 

How door-knocking for Mayor Mamdani restored my faith in the power of organized people to defeat organized money.

The thought of knocking on a stranger’s door once filled me with dread. It sounded uncomfortable at best, and potentially humiliating, or dangerous, at worst. What if someone slammed the door in my face or said something memorably vicious? I’m a 43-year-old white woman, raised in an upper-middle-class home in Buffalo, New York. My parents, respectively descended from Eastern European Jews and Sicilian Catholics, discussed politics and occasionally attended protests, but knocking on strangers’ doors wasn’t a big part of my childhood. 

Yet in the last eight years, as I’ve gotten older and more politically active, I've begun to grasp the value of pushing through that discomfort. In April, before the summer’s Democratic primary, I started knocking on doors for then-New York City mayoral candidate Zohran Mamdani, and continued through Election Day in November. Altogether, I knocked on approximately 2,000 doors, usually with a partner, which was more fun and comfortable, if less efficient, than going alone.

Door-knocking shifts for Mamdani regularly drew dozens of New Yorkers, even in terrible weather, and on Monday and Tuesday nights, when fewer people are motivated to go out after work. I mostly knocked on doors in Brooklyn, where I live, but my fellow canvassers came from all over the city. Some were ideologically motivated, while others had concrete, pragmatic reasons for showing up, like the woman I met who joined a canvass because “the bus I took to get here took 40 minutes to make two stops.” (Making buses fast and free was one of Mamdani’s signature campaign promises.) Or the 40-something Afro-Latino couple who said they came out for the sake of their children’s future, because “right now, things aren’t looking so good.” Other first-time canvassers I encountered included a soft-spoken young woman named Fatima, a heavily tattooed, outgoing 20-something Asian-American guy, a shy middle schooler with her immigrant dad, and a young white man who praised the campaign's “immaculate vibes.”

Together, we reportedly knocked on over 3 million doors

One reason Mamdani means so much to so many New Yorkers is that he assembled a 100,000-person volunteer army—the largest in municipal history, and one of the most diverse. His volunteer base included young and middle-aged progressives of all stripes, and a substantial subset of Jewish New Yorkers, South Asians, and Muslims. Getting to know my fellow canvassers for hours and months at a time as we worked to expand that coalition was an extraordinary project in a perilous time for democracy. It demonstrated the hope that tens of thousands of us still feel, and how hard we are willing to work to make life better for ourselves and our neighbors. 

Given how many doors we knocked throughout the city's five boroughs, the New Yorkers we reached were even more varied than the volunteers. During one general election canvassing shift in Kensington, a young Black woman opened the door to me and my friend Tania, who is Jewish. Although she didn’t initially recognize Mamdani’s name, as we went into our spiel, she realized he was the candidate her boyfriend had urged her to vote for. “Normally I wouldn’t tell a woman to do what her boyfriend says, but in this case, he’s right!” Tania said. (Our new friend smiled.) 

Another striking moment came when an older man in South Brooklyn’s Sunset Park unsmilingly asked if I were Mamdani’s daughter. He seemed to be trying to determine why I was volunteering for a man to whom I had no apparent ethnic or religious ties. Why else would I be doing this? Mamdani was not, in fact, my father, I explained, but I believed so strongly in his agenda that I was volunteering anyway. The man kept his face blank. I wondered when someone had last knocked on his door. 

Another day in Sunset Park, an older Spanish-speaking woman thanked me and my partner, who also spoke Spanish, for volunteering. She invited us into her home, where she and a small circle of relatives were celebrating her 90-year-old father’s birthday with balloons and cake. I’ll never forget the warmth and intimacy she offered us as total strangers.

In the last eight months, I’ve met Mamdani fans from Ireland, Germany, Sweden, Australia, and Canada. None could vote or contribute to the campaign, but some shadowed canvassers and interviewed volunteers, most commonly because they belonged to left-wing political parties and hoped to reproduce his success at home. Although he often emphasized that he was running a local race to benefit New Yorkers, it was clear Mamdani was also inspiring admirers around the world.

In addition to many happy, surprising, and rewarding encounters, I had my share of the awkward, unsettling, and agitating. There was the woman who saw my “New York Jews for Zohran” shirt and pretended to retch; when I moved toward her, thinking she might need help, she screamed, “That was about you, because you want my children dead!” There was the super who ordered us out of his building because we were supporting a candidate who, he falsely believes, “wants to kill all the Jews.” Another woman called my friend Allie “Nazi scum” and said she should just “put on the burqa [Mamdani will require] right now.”

Moments like these were reminders of the ugly racism our politics so often exposes. They shook me: I am rarely around people who would speak this way to anyone, let alone a stranger. But they also strengthened my resolve to work for and with people who lead with love, respect, and decency, and model those traits for others.

As of last week, New Yorkers have made one such person our mayor.

Just before the polls closed on Election Night, Tania and I met a man with two little girls with him on the street in Park Slope. He hadn’t planned to vote and realized he couldn’t make it to his polling site in time with the kids. After he left, I joked that we should have offered to babysit: “We can start delivering on Mamdani’s promise of free child care right away!” We were giddy with pre-election anxiety, and desperate to turn out every last vote.

A short time later, once it was clear Mamdani had won, my friends and I experienced one of the happiest moments of our lives. We were weeping and hugging and singing and cheering at what we’d accomplished together. All the neighbors we’d met on the ground were reflected in the voting blocs he’d won: older, moderate Black voters; young voters, including but not limited to white socialists; and immigrants, Muslim and non-Muslim alike. I’d knocked on doors before, but Mamdani’s campaign showed me just how powerful it could be.

Later, I wondered if we’d ever find a way to recapture that feeling and use it to drive ourselves forward in less happy and hopeful times. Could we love each other enough to keep doing the work that only occasionally produces such moments, even in times when there’s no end, and no payoff, in sight?

I’m still not sure how we’ll navigate this fundamental challenge of organizing. But being part of a political project that attracted the passionate support of New Yorkers in all five boroughs, and sympathizers around the world, has restored my faith in the power of organized people to defeat organized money. And although a huge part of Mamdani's appeal is that he ran on improving New Yorkers' daily lives, he also showed that grassroots campaigning works—and that contemporary politics can be a joyful and loving project that brings people together, rather than an ugly spectacle that thrives on negative attention, exploits our fears, fills us with anxiety, turns neighbors against each other, and leaves us feeling empty, sad, bitter, and alone.

In canvassing for Mamdani and other DSA-backed candidates, I saw how much people are craving community, connection, and fun. We need to create more opportunities like this—to move joyfully toward something, rather than slogging through a sales pitch for a mediocre candidate who’s better than their opponent in hopes of slowing what feels like an endless parade of horrors. In the last year—still emerging from the long shadow of a global pandemic—I’ve embraced more near-strangers than I had in the previous five. Now, there’s a bracing sense of possibility in the air—the unfamiliar feeling that good things can still happen, and we can make them.

[post_title] => Knocking On Hope's Door [post_excerpt] => How door-knocking for Mayor Mamdani restored my faith in the power of organized people to defeat organized money. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => hope-week-door-knocking-new-york-city-mayor-zohran-mamdani-politics-election [to_ping] => [pinged] => [post_modified] => 2026-01-13 18:46:44 [post_modified_gmt] => 2026-01-13 18:46:44 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9905 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An illustration of a woman facing a man and opening a door where the front of his face should be.

Knocking On Hope’s Door

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    [post_date] => 2025-12-29 23:35:11
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From new releases to new translations, everything worth adding to your TBR pile next year.

Book cover for The Emperor of Gladness by Ocean Vuong.

The Emperor of Gladness
by Ocean Vuong

My favorite book of the year was The Emperor of Gladness by Ocean Vuong, which lived up to its hype. It features Hai, a dropout and addict who is saved from jumping off a bridge by Grazina, an elderly woman with dementia. He becomes her caretaker and roommate, and they develop an odd, moving relationship that reaches across generations and connects their shared immigrant experience. It’s also a story about getting by in a backwater town (East Gladness, Connecticut), and the found family Hai makes working at a Boston Market type chain. I loved Vuong’s poetic sensibilities in his last novel, On Earth We’re Briefly Gorgeous, and his latest felt like the author stretching his wings.

Anna Lind-Guzik, Founder

Book cover for No Fault by Haley Mlotek.

No Fault: A Memoir of Romance and Divorce
by Haley Mlotek

I loved No Fault, writer Haley Mlotek's cultural history of divorce, for the way it combines historical research with literary analysis, and for how Mlotek weaves the story of her own divorce through it all. It's a moving inquiry into big topics (love, marriage, family, partnership, community, autonomy) that feels like an honest conversation with a trusted friend. I came away from this book thinking differently about our cultural scripts for romance and separation, but also about the various couplings and splits that have shaped my life and those of the people I love.

Marissa Lorusso, Newsletter Editor

The Obscene Madame D
by Hilda Hilst, translated by Nathanaël

I've long been curious about Brazilian writer Hilda Hilst, whose work was only translated into English for the first time in 2012, nearly a decade after her death. The Obscene Madame D—a slim and profane novella about a 60-year-old woman named Hillé who goes "insane" following the death of her lover—did not disappoint. I read it in one sitting, allowing myself to be carried along the current of Hilst's existential contemplations about grief and God and sex and sanity. I've since learned fellow Brazilian writer Clarice Lispector was a friend and fan, and I can see it. But having read (and loved) both, I think Hilst is more absurd; more corporeal. This book felt like sinking into a fever dream, and achieved the rare feat of both making me laugh out loud and sending me into a philosophical spiral. (Note: A new edition of The Obscene Madame D was released earlier this year by Pushkin Press, but I nabbed myself a secondhand copy from Nightboat, Hilst's original U.S. publisher, which is the edition included here.)

Gina Mei, Executive Editor

Airplane Mode: An Irreverent History of Travel
by Shahnaz Habib

I'm obsessed with Airplane Mode: An Irreverent History of Travel by Shahnaz Habib. For the factoid or wanderlust lover, this book explains the modern history of travel and explores the theme of colonization through a traveler mindset. Most travel books are written by white authors, so I also found it extremely refreshing to see travel from Shahnaz's perspective. This book opened my eyes to topics like passport privilege and even how Thai food's popularity in the U.S. began. If you've ever said, "I love to travel," Airplane Mode is essential reading.

Kiera Wright-Ruiz, Social Media Manager

Little Witch Hazel
by Phoebe Wahl

As a mom of two young kids, I read a lot of children's books, and one that I keep coming back to is Little Witch Hazel by Phoebe Wahl. The book is divided into four seasons, and during each season—in the blossom-filled spring, in the carefree summer, during spooky season, and in the snow—the kind witch makes house calls throughout the forest to help her animal neighbors and deepen her community. Hazel is a midwife, a mystery solver, and an always kind-hearted friend. Each time we read it together, my daughter and I discover new details in the illustrations that we hadn't noticed before. It's a delightful escape to another world and reminds me how important it is to show up for our neighbors throughout the seasons.

Erin Zimmer Strenio, Executive Director

Cursed Daughters
by Oyinkan Braithwaite

When I picked up Oyinkan Braithwaite's Cursed Daughters at the Lagos airport in November, my flight had been delayed. It was a happy coincidence to be able to start reading it when I had some unexpected free time, as I'd been meaning to get it since its September release. The problem came days after, when between some busy reporting days and visiting family I don't get to see very often, I found it difficult to put the book down. 

Braithwaite's Cursed Daughters is an intergenerational story about Nigerian (Yoruba) women in a family, the Faloduns, who are quite literally cursed in their love lives. The story oscillates between different time periods and marks how culture and tradition can evolve—or not—in different eras we think of as contemporary. Aside from the witty writing and plot, what I loved most about it was its mix of originality while also exploring a familiar subject that I think anyone from anywhere can relate to. Without giving too much away, I think what impresses me most about Braithwaite's writing is that she manages to avoid obvious clichés about Nigerian sensibilities and how family obligations work, and instead offers the nuance so many of us observe and live in.

Before I'd finished, while still in Nigeria, one of my aunts managed to convince me to leave the book behind for her to read. Reluctantly, I did, then almost immediately ordered another copy so I could pick up from where I left off as soon as I got home. 

Kovie Biakolo, Contributing Editor

Mỹ Documents
by Kevin Nguyen

Months after finishing this book, I'm still baffled at how Kevin managed to write something so eerily prophetic. Mỹ Documents takes place in a not-really-that-dystopian timeline where, following a slate of domestic terrorist attacks, the U.S. begins rounding up Vietnamese Americans and sending them to internment camps. The book centers on four "cousins" from the same family, and their vastly different experiences of survival over the years the order is in effect. Mỹ Documents doesn't shy away from the obvious parallels to the internment of Japanese Americans during World War II (and, in fact, specifically admonishes one of the characters for not knowing their Asian American history), but instead shows how easily history can and does repeat itself. Somehow, Kevin handles this with both the weight it deserves, and a good sense of humor, the moments of levity so necessary, and so human, they make the rest of the book feel like a punch to the face.

G.M.

Underland: A Deep Time Journey
by Robert MacFarlane

This book came to me as a recommendation from a friend, who highly encouraged me to read it because of our shared love of nature, adventure, and musings on the great unknown. MacFarlane is an explorer who writes in a captivating, vivid way about his experiences and interactions with some of the most interesting environments and people on the planet. He hones in on the idea of "deep time" and how there is a relativity to experience depending on where and how we live. Underland is filled with wonderful explorations of caverns, catacombs, glaciers, mountains, and more...all with insightful history of both the places and people who dare to explore them to their fullest (or "deepest"). 

Jessica Granato, Executive Assistant

Lili is Crying
by Hélène Bessette, translated by Kate Briggs

A cult classic when it came out in France in the 1950s, Lili is Crying was translated into English for the first time this year, and is the most "holy shit"-worthy cautionary tale against codependency I've ever read. With sparse language, and stylistic choices that blur the lines between narration and inner monologue, Lili is Crying is a book about a mother and daughter's increasingly unhinged relationship, told over the course of the daughter's lifetime. Charlotte (the mother) emerges as an all-time literary villain, insidious and manipulative and cruel. Lili (the daughter), meanwhile, more than lives up to the title: She spends most of the book in tears. Despite multiple attempts at detangling herself from her mother, she just can't seem to leave her behind. While definitively a work of literary fiction, after finishing it, I texted a friend who works in film and TV that it would make a hell of a horror movie. This is my official plea for someone to please make it.

G.M.

[post_title] => The Best Books We Read in 2025 [post_excerpt] => From new releases to new translations, everything worth adding to your TBR pile next year. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => best-books-2025-reads-tbr-ocean-vuong-oyinkan-braithwaite-haley-mlotek-hilda-hilst-shahnaz-habib-phoebe-wahl-robert-macfarlane-kevin-nguyen-helene-bessette [to_ping] => [pinged] => [post_modified] => 2026-01-15 21:43:21 [post_modified_gmt] => 2026-01-15 21:43:21 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9866 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
The oil painting "Reading" by Georges Croegaert, depicting a woman lying back on a couch and reading a book.

The Best Books We Read in 2025

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    [post_date] => 2025-12-17 18:25:59
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How women crab farmers along India's coast have linked their livelihoods to environmental conservation.

A soft current ripples near Jamdulwadi Island as 15-year-old Prachi Santosh Acharekar guides her canoe through the gnarled trunks of a mangrove forest.

The afternoon sun warms the surface of the water, revealing a familiar scene to local communities around India’s Konkan coast: clusters of mud-covered crabs, basking on branches.

As she approaches them, she slows her boat. Prachi, a 10th-standard student, doesn’t just see mud crabs: She sees her future. Her focused gaze and deft handling of the boat are part of her autodidactic training, a testament to a burgeoning passion that runs deep within the Acharekar family. 

Prachi Santosh Acharekar navigating her canoe through the mangroves, a part of her crab farming training.

Champions of the Mangroves

In Achara village, where she lives, crab farming season typically runs from October to May. When Prachi is fully inducted into her family’s business in about three years, during this time, she’ll be busy with preparations, stocking seed, feeding the crabs, and folding boxes to safely transport them once they’ve been harvested. 

All of it will also formalize her role in a grassroots movement, led by women from India’s coastal belt: In Sindhudurg, women fisherfolk have become champions in linking their livelihoods with environmental conservation. Through crab farming, they’ve created a strong incentive to protect local mangroves, which serve as critical nursery habitats for mangrove crabs. The benefits of this are both economical and ecological: Alongside generating sustainable income for the women, the mangroves’ preservation stabilizes shorelines and mitigates erosion, enhancing coastal resilience against the impacts of climate change. 

At the heart of this enterprise is Prachi’s aunt, 55-year-old Sonali Sunil Acharekar, a proud entrepreneur and leading member of Konkansparsh, one of Maharashtra’s pioneering women-led self-help groups (SHGs). Like all women of this SHG, for her, the mangrove is not just an ecosystem, but a dynamic marketplace.

“Be it dolphin safari, trekking, birdwatching, or traditional fishing, we do it all at Konkansparsh,” says Sonali, sitting in a charpoy at her home, surrounded by a vast area of mangroves. “But crab farming is our speciality. It is something we feel deeply attached to.”

Sonali and other leaders manage the entire crab farming supply chain, from feeding and harvesting the crabs to selling them. The process is meticulous but straightforward. Crab seeds are carefully placed one-by-one into fiber boxes. Each box is then deployed within the protected mangrove territories of Sindhudurg district, which boasts 6,940 hectares of mangroves perfectly suited for farming. Sonali also feeds the small raw fish stock twice daily, in the morning and evening. Then, once the crabs are ready, they’re harvested, boxed, and sold. 

Sonali Sunil Acharekar in the backyard of her home in Achara village.

Overseeing the entire operation in this way has significantly enhanced the women’s access to resources, as well as to the market. The payoff is also demonstrable, including as a sustainable model: Last year, the Acharekar family, a seven-member unit that works in tandem, generated an impressive 150,000 INR ($1,706 USD) from the sale of 180 crabs. They also earned an additional 130,000 INR ($1,466 USD) from running mangrove safaris. 

“It feels so good to partake in the process,” says Sonali. “This year, we intend to maintain 200 boxes fully. More boxes mean more business and more business means more prosperity.”

Their success also reinforces a crucial ecological benefit: According to research published in the Marine Biological Association of India, mud crab farming is not only a sustainable—and profitable—livelihood, but an essential strategy for mangrove conservation, supporting the region’s climate resilience through ecosystem protection. The mangroves provide a conducive natural habitat for raising mud crabs, or green crabs, commonly from the species Scylla serrata, which are indigenous to the region. By breeding and harvesting crabs, and building and tending to crabs pens in mangrove creeks, the women have both created a financial incentive for the mangroves' protection and helped to increase the local crab population.

In coastal areas, crabs are considered an economically significant species due to their huge demand. The crabs themselves can also tolerate a wide range of temperatures and salinities without destroying local ecosystems. But over the years, sand mining, saltwater intrusion, and rising water temperatures have contributed to a declining mud crab population, and are just a few of the ongoing stresses and trends that fisher communities have dealt with, and that local SHGs hope to tackle. 

A wild baby crab crawls on the trunk of a mangrove tree.

In other coastal communities like Kerala, Maharashtra’s neighboring state, crab farmers who once caught wild juvenile crabs and had plentiful stock are grappling with rising costs and dwindling returns, as crabs have become scarce and stressed. Their annual incomes have dropped by 50,000 INR to 100,000 INR (around $600 USD to $1,200 USD) due to poor water quality, causing frequent disease outbreaks, pushing many farmers to downsize or cease operations altogether, largely due to reduced harvests linked to environmental degradation.

Sustainable crab models in coastal communities in Maharashtra aim to address the pressing problems of overfishing, habitat loss, and food insecurity through long-term economic stability. But without such practices, crab harvesting may yield fleeting profits, triggering ecological collapse and harm to a region’s inhabitants.

In addition to boosting the economy, this is part of why the SHG’s endeavors have been such a great boon to the area.

According to Kedar Palav, Livelihood Specialist at Sindhudurg’s Mangrove Foundation, women-led groups comprising 40 women have been active in Sindhudurg district during the 2024-25 crab farming season. “Our aim,” he notes, “is to facilitate strong livelihood opportunities for the women.”

Sonali Sunil Acharekar (left) and her niece Prachi Santosh Acharekar (center) in conversation with Mayur Pansare (right), a Project Assistant for the Mangrove Foundation.

But even those with formal careers are drawn to the potential. Sonali’s 32-year-old son, Omprakash Sunil Achrekar, an engineering graduate, has embraced crab farming full-time; and Manish Tari, 22, an undergraduate in fisheries science, launched Manish Agro & Seafood with his father during the Covid-19 pandemic, specializing in vertical crab farming.

“We deal in red and green crabs,” says Tari. “A single piece per kilo can go up to 2,400 INR. It’s very lucrative.”

Navigating the Tides

Despite the economic potential, the journey is not without profound risks and hurdles. The most immediate occupational hazard, however, is theft.

“Theft of crabs is a big problem here,” says Sonali. “Sometimes diseases can spread in the backwaters, as well…A mortality rate of 20 percent is considered normal.”

It’s a challenge that has historically forced some farmers out of business. Samiksha Gaonkar, 50, from Pirawadi village, recalls being part of Sindhudurg’s very first crab culture group, which operated between 2014 to 2019. Despite each group member earning around 5000 INR per month, they were forced to shut down.

“Our crabs got suddenly stolen,” says Samiksha. “We could not keep a check on the thefts and then we had to pull out.”

Anagarajan Joshi, 58, a former crab farmer, at her friend’s home in Pirawadi village.

Another hurdle is the scarcity of crab seed. According to Palav, there is only one hatchery in India: the Rajiv Gandhi Centre for Aquaculture (RGCA) in the southernmost state of Tamil Nadu. 

Sanjeevni Santosh Mithbavker, 43, a member of the Vedoleshwar SHG, says crab farming has become more difficult as a result. “We lack seed,” she says. “If the supply of seed becomes easy, we can take this business forward.” 

Despite the scarcity, Sanjeevni sold crabs worth 60,000 INR last season. But while business is “great,” seed still costs 25 to 30 INR for a single piece—makings it an expensive venture for the average crab farmer.

A Wave of Resilience 

To counter these challenges, government and non-governmental efforts have actively focused their support on the most vulnerable communities, placing women at the forefront.

Government initiatives such as the Mangrove Conservation and Livelihood Generation Scheme, alongside international projects like Enhancing Climate Resilience of India’s Coastal Communities (ECRICC), have been instrumental in fostering local interest in Sindhudurg’s coastal villages, including Achara and Hadi. As part of the Mangrove Foundation’s intervention, women’s groups also receive substantial training and support, including expert talks, presentations, and hands-on workshops that offer extensive practical training. 

On the ground, additional support comes from 34 Sagar Mitras—fisheries graduates who act as vital resources for the women. Mayur Vinayak Pansare, Project Assistant with the Mangrove Foundation, sees themselves in a family-like role. While they occasionally help fix issues, like crabs breaking through fiber boxes, he says, “It’s heartwarming to see these women coming forward and taking steps towards self-reliance.”

Sanjeevni Santosh Mithbavker, 43, mends nets at her home in Hadi village.

The financial assistance is also significant: The Achrekar family, for instance, received a substantial 90 percent subsidy from the Department of Fisheries and the Mangrove Foundation. Between 2021 and 2025, larger initiatives like the Pradhan Mantri Machi Sampada have backed an additional 124 fisheries projects, with women as a remarkable 60 percent of beneficiaries between 2021 and 2025, says Bahar Vithala Mahakal, Sindhudurg District Program Manager at the Fisheries Department.

This focus is clear across other programs, too: The Sindu Ratna Samrudhi Scheme saw a 70 percent rise in female beneficiaries in a single year, between 2022 and 2023.

Planting the Future

Women’s presence as crab sellers in Sindhudurg’s main fish market signals a generational shift in the industry: They’re taking center stage in an otherwise male-dominated marketplace. For Dakshita (who asked we only use her first name), her presence here is about more than selling her own yield—she’s also reclaiming a little more of herself. 

“What is the need for middlemen when I can run my own business?” she says, waiting for customers.

Dakshita, 50, sells green crabs at the Malvan fish market in Sindhudurg.

In Prachi’s case, the journey towards self-reliance began slowly. She initially “harbored no interest in crab farming.” But witnessing her family’s dedication and serving as a guide for tourists through the vibrant backwaters transformed her perspective, converting her initial disinterest into a passion.

In the shifting tides of the Maharashtra coast, Prachi represents the strong voice of a younger generation, seamlessly blending tradition with science to carve a new path forward. For them, crabs are the ‘green gold,’ promising economic returns.

While elder members strengthen their place in the market, Prachi is now articulating a dream that links her environment to her education, which she plans to pursue further by studying Marine Science.

“By protecting the mangroves, my crabs thrive,” she says. “The mangroves in return protect my family from storms, erosion, and the rising sea.”

A view of a mountain village in Sindhudurg.

In the nearby pond, Prachi and Sonali have also started to plant new mangrove saplings. Other efforts at sustainability have only grown. In 2017, scientists visited the area and told local crab farmers that in order to have a better catch, they needed to maintain cleaner water. To boost women’s participation in local water and pond management, women farmers are now being trained to regularly flush water through the crab ponds for freshness, monitor water quality, and prevent overcrowding. Since then, they’ve seen the return of many new birds in the area, from cattle egret to common sandpiper and Indian pond heron.

The tides speak louder than people in Sindhudurg’s coastal communities, and for these powerful women, mangroves stand like guardians along the coast. The more they nurture the mangroves, the more the mangroves give back to them, too. It’s a quiet partnership in nature, this connection between crab farmers and the mangrove forests, and a small step in healing the Earth.

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Guardians of the Mangroves

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An essay about fibroids, and the time I bled on the floor at work.

Several years ago, I had an operation to remove eight uterine fibroids. One was roughly the size of a grapefruit; another, an orange.

Despite the hour-long cardio kickboxing class I was then taking five times a week, I had been putting on weight—probably just muscle mass, I’d deludedly thought at the time. But my abdomen was noticeably protruding, and I had gone from having heavy periods to bleeding uncontrollably at times that were unconnected to my usual menstrual cycle. I looked and felt like I was four months pregnant, minus the motherly glow: all of the eerie, alien sensations of pregnancy with none of the compensations of a yearned-for baby. I could feel the fibroids’ taut mass when I woke up in the morning, like a brick in my belly, and I had to pee constantly—so much and so often that I was afraid to go anywhere without knowing where the nearest bathroom was. I knew, as you often do, that something was wrong.

Fibroids are uterine muscle cells that grow in a ball or clump. They can be as small as a pea, or as large as a full-term baby. They can grow inside or outside of the uterus, directly on the uterine wall, or from a “stalk” made of smooth muscle cells.

They’re also incredibly common: Many women have them, but you wouldn’t necessarily know unless you had symptoms. Black women are more likely than other women to get them, and more likely to need treatment. Larger fibroids and those that grow at the end of the vaginal tract can make penetrative sex painful—something I never experienced, though they did shrink my once prodigious libido, as neither the word “fibroids” nor the thing itself is a known aphrodisiac.

In rare cases, fibroids can resolve on their own. Mine had to be surgically removed because they were causing me to bleed as suddenly and copiously as if I’d been stabbed—including one time when I bled through a super-plus tampon onto the floor at work. A male coworker had pointed out the small puddle of blood forming beneath my desk, wondering aloud where it had come from: Was the ceiling weeping blood, like something out of a horror movie? I pretended I had cut my leg and fled to the ladies’ room, eventually returning, mortified, to mop up the blood with a Lysol wipe. My coworkers were kind enough to accept, and even pretend to believe, the bizarre claim that I had somehow injured my leg, when both were visibly bare and intact.

It wasn’t the first time my fibroids had made themselves known. Several months earlier, I’d bled through an ultra-absorbent tampon at a movie theater while watching a documentary about Ruth Bader Ginsburg. It was summer; I was wearing pale green shorts. When I stood up, rivulets of blood poured down the backs of my legs and pooled in my sneakers.

Another time, despite the presence of another super-plus tampon and a gigantic, diaper-like maxi pad, I ruined a set of white sheets on a bed in a house my parents were renting. My sister-in-law—a social worker who’s seen worse—helped me change the sheets.

Then there was the time I started bleeding heavily while waiting in line for an international flight. The floodgates opened just after an airline employee summoned me, by name, to the check-in desk, where I was asked to produce my passport for a random extra security check. As I boarded the flight, I squeezed my legs together and prayed. During takeoff, I pressed a scratchy airplane blanket into my lap like a tourniquet.

It was in a period of painful transitions that my symptoms were most acute: six failed job interviews and three funerals, two for grandparents and one for my parents’ oldest and closest friend. All the black clothes came in handy. When it got hot again, I bought a hideous, tent-like maxi dress made of thick black cotton. I hated how it looked—too funereal for summer—but loved that it was ankle-length and absorptive. 

After months of heavy bleeding and diagnostic tests—CT scans and ultrasounds and endless consultations—I had a myomectomy. At some point I started looking into what causes fibroids; as with so many medical problems women suffer, the answer was a combination of, “We don’t know” and “Try losing some weight.” Being overweight or obese is a risk factor, as is consuming red meat and alcohol, especially beer. Nulliparity, or never having given birth, is another. I am neither sylphlike nor fat. My weight has fluctuated over the years, but rarely by more than 15 pounds. As far as I know, I have never been pregnant. I have often consumed red meat and alcohol, including beer, though I’ve attempted to rein in these vices as I’ve gotten older. While I don’t blame my love of beer and bacon for my fibroids, it was hard to read about the risk factors without feeling indicted—and, in my case, mulish and defiant. (“Especially beer?” I muttered to myself while researching. “Who came up with this list, my mom?”)

Thinking it might shrink my fibroids to a manageable size or keep them from growing back, and liking the idea of grandkids, my sweet-natured, supportive dad once gently floated pregnancy as a possible solution. I’ve always been ambivalent about motherhood and resent pressure and unsolicited advice of any kind. But it wasn’t a crazy suggestion. I am in a stable and happy long-term relationship with a man who is also ambivalent about parenthood, but would have done his best to knock me up if I’d asked.

Getting pregnant wouldn’t necessarily have solved the problem, either. Pregnancy, with its wild hormone fluctuations and variable uterine blood flow, can shrink fibroids, but it can also cause them to grow. Fibroids can also increase the risk of a miscarriage, premature birth, breech birth, or placental abruption, a serious condition in which the placenta separates from the inner wall of the uterus, potentially causing the person giving birth to bleed heavily and/or cutting off the baby's supply of oxygen and nutrients. In other words, an unexpected pregnancy could shrink my fibroids—or kill me and my baby. And regardless of what I want, part of being a woman is knowing that millions of people around the world would find either scenario acceptable.

After the surgery, I was out of commission for six weeks. It took me a week to have a normal bowel movement again, and more for my energy and strength to return. I was forbidden to engage in any physical activity more strenuous than walking. Just out of the operating room and still doped up, I’d slurred that I was from a family of nurses and social workers (I didn’t mention the lawyers), and that I thought that nurses were underpaid saints. The nurse on duty said, “I like you! I’m gonna put you in one of the good rooms.” It was a private room on a high floor with a stunning view of the East River. My partner folded his large frame onto a tiny couch-bed in the corner and slept there for several nights.

On the first night, two nurses helped me drag my body out of the hospital bed so I could pee. One of the incisions opened up, sending a hefty splash of pooled blood shooting out of my side. It wasn’t painful and I was too out of it to be frightened, but my partner looked like he’d seen a baby get hit by a car. The nurses muscled me back into bed. It turned out I needed a transfusion, which meant lying still for several hours while feeling the prickly, itchy, ghostly sensation of being pumped full of a stranger’s blood. When I moved the wrong way, I’d inadvertently tug on the IV catheter, sending a hot, throbbing ache skittering across the surface of the skin where they’d stuck the needle.

When I was discharged, a kind but stern nurse with a mellifluous Caribbean accent told me not to do any heavy lifting for at least three weeks. “That means no housework—no mopping or vacuuming, nothing like that,” she said. My partner and I grinned at each other. “I mean it, now!” said the nurse, misinterpreting our amusement and sending us into a fit of laughter. She seemed to think I was the kind of woman who can’t stand to keep a filthy house no matter what the doctor says, rather than the kind who lived, for years, alone and happy in a tiny, dusty, book-filled bachelor pad I almost never cleaned.

Fibroids can grow back, and mine did, necessitating another procedure just one year after the first, and another one after that. Each time, I was newly amazed by my body’s fragility and resilience: the skin, so easily pierced, slowly knitting itself back together again; the scars, so angry and ropy and red, fading to pale pink, sliver-like threads over time.

Harder to quantify was the return of my strength and confidence after years of feeling conspicuous and out of control. The fibroids heightened my anxiety—unless or until I get a hysterectomy or undergo menopause, they can always recur. Not knowing how my own body is going to behave at any given moment makes it difficult to stay sanguine. But maybe because I am close to a number of women who regard their own bodies with shame and ambivalence, I’m determined not to be ashamed of mine. I take a certain amount of perverse satisfaction in telling the story of the Time I Bled on the Floor at Work. When it happened, I was profoundly embarrassed but not ashamed, and I still find the whole episode deeply, darkly funny.

A friend once said that he hates bodies and wishes we could exist as pure spirits, free from the constant, undignified labor of keeping our corporeal forms healthy and strong. I often feel this way. At the same time, I am in awe of my body and consider its restoration a minor miracle. I may never be able to master it fully, but I’m grateful I could rebuild and transcend it.

[post_title] => Female Trouble [post_excerpt] => An essay about fibroids, and the time I bled on the floor at work. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => uterine-fibroids-myomectomy-personal-essay-womens-health-bodies [to_ping] => [pinged] => [post_modified] => 2025-12-14 00:58:10 [post_modified_gmt] => 2025-12-14 00:58:10 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9828 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An illustration of a woman's lower legs. She's wearing black heels and blood is dripping down her leg, forming a puddle on the floor beneath her.

Female Trouble