WP_Post Object
(
    [ID] => 8636
    [post_author] => 15
    [post_date] => 2025-06-25 22:18:26
    [post_date_gmt] => 2025-06-25 22:18:26
    [post_content] => 

Why I became more subscription-conscious (and you should, too).

Soapbox is a series where people make the case for the sometimes surprising things they feel strongly about.

In my junior year of college, I wound up with a free subscription to a bunch of magazines, including Real Simple. To this day, I have no idea how it happened, and if my bank account or credit card had been charged at the time, I would have remembered. But it wasn’t. So, even though I hadn’t paid for them, for much of that school year, magazines would show up in my mailbox; and apart from Real Simple, I’d mostly ignore the rest. Unable to remember any other analog subscriptions prior—even if this one was free—we’ll say this was my first. Not one that belonged to my parents, siblings, or friends, that I might have made use of, but one that was truly mine. This was 15 years ago.

Post-college, I briefly lived with my brother and benefited from all his subscriptions, many of them digital. When I eventually began graduate school and moved out, I would acquire my own first digital subscriptions, too—although these, I actually signed up and paid for. Back then and soon after, the $9.99 for Spotify and $7.99 for Netflix didn’t feel like chump change, although it didn’t exactly break the bank. Either way, both seemed like a good deal. At least, a better deal than the price iTunes charged for individual songs and albums, and the cost of renting or buying individual movies from a store, or paying for cable. 

It’s been over a decade since I completed graduate school, and since then, in addition to my first two digital subscriptions (and my unintentional first magazine subscriptions), I’ve at some point or another (and quite frankly, altogether) been subscribed to Hulu, HBO Max, Disney+, Peacock, Paramount+, Tidal, various print and digital magazines and newspapers, multiple money managing and investing apps, CitiBike, Uber One, Zoom, YouTube Premium, Amazon Prime (#judgeaway), HUM vitamins, and more. This is all without mentioning the endless products I’ve bought online then temporarily and periodically subscribed to, whenever they’ve offered a discount for doing so. 

It’s an excessive and exhaustive list, but in my defense, having studied and then covered culture, some of these subscriptions were for work, and the cost was either free for a time or could at least be counted as expenses for my taxes. Others were arguably also because of work due to having less time to myself; during certain periods in my life, hunting for home goods in a store just didn’t seem like a good use of my time when I could just search for them on a database and have them delivered to my door. 

At a certain point, however, I gradually began to realize something much more fundamental had been lost in all the “convenience” I’d been paying for. I was becoming less conscientious of how my choices were not just directly affecting  my physical locale, but the people who live and work in it. Sure, in theory, I said I valued my neighbors, residents and businesses alike, but I’d make critiques about the changing neighborhood (“there goes the neighborhood!”) without implicating myself in those changes. More thoughtful and purposeful encounters with my community had been sacrificed at my altar of convenience. 

So, I began to unsubscribe, unsubscribe, unsubscribe. 

Looking back, my subscription-ending journey—or perhaps more accurately, subscription-consciousness journey—was a product, at least in part, of post-COVID lockdown reflections on what I really need and how I’d really like to spend my time. The excess of my subscriptions had started to feel akin to hoarding, and I needed to clear space, even if most of that space was intangible. There was also the lightbulb realization that has become more and more common amongst Millennials, that, despite our monthly investments in accessing various forms of media, we don’t actually own most of the culture that we consume. What’s more, should the companies that do own that media go defunct or be sold to entities that we may prefer not to do business with, we really wouldn’t have much recourse—except to unsubscribe.

This could mean years and years of playlists and TV shows and films that we would no longer have access to because they were never really ours to begin with, ultimately leaving us with nothing. And while I’m not interested in owning many things from culture, save for books and some fashions, I do think ownership of culture in its various forms serves more than capitalistic desire. Our things can be physical memories of what we love or once did, what has been passed on and gifted to us, and sometimes, reminders of what we saved and scraped for—emblems of hard-fought earnings. We are robbed of this when we choose to rent something out of convenience or compulsion instead of mindfully acquiring things that are truly meaningful to us.

We also aren’t the only ones both literally and figuratively footing the bill for our abundance of subscriptions: The obvious, of course, is that small, local businesses pay the ultimate price for our overreliance on the monopolies cannibalizing our choices. There’s an impersonal, persistent transactional relationship that develops when you constantly have things delivered to you via third parties. It’s not your favorite delivery person from your favorite Jamaican spot; it’s just the person that first picked up the order who you’ll likely never see again. It’s not the local hardware store owner that understands which tools work best for your apartment because they know other people in your building dealing with the same problem; it’s you endlessly scrolling through the best reviewed or highest quality or cheapest options online, hoping the tools you’ve chosen will get the job done. It’s missing out on a discount from the owner of the neighborhood craft and candle store—who unbeknownst to too many others, can also act as a notary—and choosing a digital coupon over a beautiful reminder that you’re part of a community.

Moreover, overconsumption inevitably leads to resource depletion, and in this brave new world where the latest AI technology permeates everything we do (sometimes against our will), even the climate-conscious among us are contributing to it negatively. Binge-watching or binging-anything-digital also has adverse health effects, including on our mental health and sleep, and we’re yet to fully grasp all of its socio-psychological effects, not to mention its contribution to our loneliness and isolation crises

When I think about the last 15 years of subscribing—and lately, unsubscribing—I’ve had to admit that like many of us who live during this time, I sacrificed more convenience for less community, ownership of important things for access to seemingly everything, and gave my contact information to a bunch of companies whose aim is to profile my habits and patterns with little care for how my day is going. Unlike my favorite delivery person at my favorite Jamaican spot, who never fails to ask. 

Today, I don’t have as many subscriptions as I once did, and for different reasons. I downgraded or fully got rid of some streaming services because I didn’t watch them enough and I felt the value didn’t match the price—especially as prices have hiked significantly in the last few years. My short stint with CitiBike was because quite frankly, I’m more of a walker and a subway rider—and I’ve accepted once again that biking regularly for transportation is just not something I enjoy. Meanwhile, while I’ve kept some print literature, I’ve ended other subscriptions or kept them as digital-only because they were starting to need their own storage space in my home—and I couldn’t lend or donate them fast enough. And of course, with subscriptions like Amazon Prime, I decided I could no longer live with the cognitive dissonance of having it while being opposed to its labor politics and the politics of its owner. (Unfortunately, this has also meant ending a more than decade-long affair with Whole Foods, which I unashamedly enjoyed as much as the farmer’s market I still frequent.)

I don’t think I’ll ever be subscription-free. I still have Netflix, and although Tidal had replaced Spotify in my life for many years due to its higher-quality sound, I missed my old playlists and collaborations on the latter and decided it’s one excess I can live with for now. But I’ve also returned to collecting vinyl again, shopping for most things in-person, and living with things taking as long as they need to get to me if I do order them online. Putting an end to the mindless and endless subscribing has made me more mindful of the things that I do want showing up in my digital and physical mailbox once a month. Because unlike 15 years ago with that accidental analog subscription, I’m making a conscious choice for them to be there.

[post_title] => Unsubscribe, Unsubscribe, Unsubscribe [post_excerpt] => Why I became more subscription-conscious (and you should, too). [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => soapbox-unsubscribe-subscriptions-community-streaming-platforms-netflix-spotify-amazon-capitalism [to_ping] => [pinged] => [post_modified] => 2025-06-25 22:28:23 [post_modified_gmt] => 2025-06-25 22:28:23 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=8636 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An animation of a yellow house with a blue roof, with fluffy white clouds floating around it. Surrounding the house is an electric fence with barbed wire, a rainbow of colors moving through it.
Irene Suosalo

Unsubscribe, Unsubscribe, Unsubscribe

Why I became more subscription-conscious (and you should, too).

Soapbox is a series where people make the case for the sometimes surprising things they feel strongly about.

In my junior year of college, I wound up with a free subscription to a bunch of magazines, including Real Simple. To this day, I have no idea how it happened, and if my bank account or credit card had been charged at the time, I would have remembered. But it wasn’t. So, even though I hadn’t paid for them, for much of that school year, magazines would show up in my mailbox; and apart from Real Simple, I’d mostly ignore the rest. Unable to remember any other analog subscriptions prior—even if this one was free—we’ll say this was my first. Not one that belonged to my parents, siblings, or friends, that I might have made use of, but one that was truly mine. This was 15 years ago.

Post-college, I briefly lived with my brother and benefited from all his subscriptions, many of them digital. When I eventually began graduate school and moved out, I would acquire my own first digital subscriptions, too—although these, I actually signed up and paid for. Back then and soon after, the $9.99 for Spotify and $7.99 for Netflix didn’t feel like chump change, although it didn’t exactly break the bank. Either way, both seemed like a good deal. At least, a better deal than the price iTunes charged for individual songs and albums, and the cost of renting or buying individual movies from a store, or paying for cable. 

It’s been over a decade since I completed graduate school, and since then, in addition to my first two digital subscriptions (and my unintentional first magazine subscriptions), I’ve at some point or another (and quite frankly, altogether) been subscribed to Hulu, HBO Max, Disney+, Peacock, Paramount+, Tidal, various print and digital magazines and newspapers, multiple money managing and investing apps, CitiBike, Uber One, Zoom, YouTube Premium, Amazon Prime (#judgeaway), HUM vitamins, and more. This is all without mentioning the endless products I’ve bought online then temporarily and periodically subscribed to, whenever they’ve offered a discount for doing so. 

It’s an excessive and exhaustive list, but in my defense, having studied and then covered culture, some of these subscriptions were for work, and the cost was either free for a time or could at least be counted as expenses for my taxes. Others were arguably also because of work due to having less time to myself; during certain periods in my life, hunting for home goods in a store just didn’t seem like a good use of my time when I could just search for them on a database and have them delivered to my door. 

At a certain point, however, I gradually began to realize something much more fundamental had been lost in all the “convenience” I’d been paying for. I was becoming less conscientious of how my choices were not just directly affecting  my physical locale, but the people who live and work in it. Sure, in theory, I said I valued my neighbors, residents and businesses alike, but I’d make critiques about the changing neighborhood (“there goes the neighborhood!”) without implicating myself in those changes. More thoughtful and purposeful encounters with my community had been sacrificed at my altar of convenience. 

So, I began to unsubscribe, unsubscribe, unsubscribe. 

Looking back, my subscription-ending journey—or perhaps more accurately, subscription-consciousness journey—was a product, at least in part, of post-COVID lockdown reflections on what I really need and how I’d really like to spend my time. The excess of my subscriptions had started to feel akin to hoarding, and I needed to clear space, even if most of that space was intangible. There was also the lightbulb realization that has become more and more common amongst Millennials, that, despite our monthly investments in accessing various forms of media, we don’t actually own most of the culture that we consume. What’s more, should the companies that do own that media go defunct or be sold to entities that we may prefer not to do business with, we really wouldn’t have much recourse—except to unsubscribe.

This could mean years and years of playlists and TV shows and films that we would no longer have access to because they were never really ours to begin with, ultimately leaving us with nothing. And while I’m not interested in owning many things from culture, save for books and some fashions, I do think ownership of culture in its various forms serves more than capitalistic desire. Our things can be physical memories of what we love or once did, what has been passed on and gifted to us, and sometimes, reminders of what we saved and scraped for—emblems of hard-fought earnings. We are robbed of this when we choose to rent something out of convenience or compulsion instead of mindfully acquiring things that are truly meaningful to us.

We also aren’t the only ones both literally and figuratively footing the bill for our abundance of subscriptions: The obvious, of course, is that small, local businesses pay the ultimate price for our overreliance on the monopolies cannibalizing our choices. There’s an impersonal, persistent transactional relationship that develops when you constantly have things delivered to you via third parties. It’s not your favorite delivery person from your favorite Jamaican spot; it’s just the person that first picked up the order who you’ll likely never see again. It’s not the local hardware store owner that understands which tools work best for your apartment because they know other people in your building dealing with the same problem; it’s you endlessly scrolling through the best reviewed or highest quality or cheapest options online, hoping the tools you’ve chosen will get the job done. It’s missing out on a discount from the owner of the neighborhood craft and candle store—who unbeknownst to too many others, can also act as a notary—and choosing a digital coupon over a beautiful reminder that you’re part of a community.

Moreover, overconsumption inevitably leads to resource depletion, and in this brave new world where the latest AI technology permeates everything we do (sometimes against our will), even the climate-conscious among us are contributing to it negatively. Binge-watching or binging-anything-digital also has adverse health effects, including on our mental health and sleep, and we’re yet to fully grasp all of its socio-psychological effects, not to mention its contribution to our loneliness and isolation crises

When I think about the last 15 years of subscribing—and lately, unsubscribing—I’ve had to admit that like many of us who live during this time, I sacrificed more convenience for less community, ownership of important things for access to seemingly everything, and gave my contact information to a bunch of companies whose aim is to profile my habits and patterns with little care for how my day is going. Unlike my favorite delivery person at my favorite Jamaican spot, who never fails to ask. 

Today, I don’t have as many subscriptions as I once did, and for different reasons. I downgraded or fully got rid of some streaming services because I didn’t watch them enough and I felt the value didn’t match the price—especially as prices have hiked significantly in the last few years. My short stint with CitiBike was because quite frankly, I’m more of a walker and a subway rider—and I’ve accepted once again that biking regularly for transportation is just not something I enjoy. Meanwhile, while I’ve kept some print literature, I’ve ended other subscriptions or kept them as digital-only because they were starting to need their own storage space in my home—and I couldn’t lend or donate them fast enough. And of course, with subscriptions like Amazon Prime, I decided I could no longer live with the cognitive dissonance of having it while being opposed to its labor politics and the politics of its owner. (Unfortunately, this has also meant ending a more than decade-long affair with Whole Foods, which I unashamedly enjoyed as much as the farmer’s market I still frequent.)

I don’t think I’ll ever be subscription-free. I still have Netflix, and although Tidal had replaced Spotify in my life for many years due to its higher-quality sound, I missed my old playlists and collaborations on the latter and decided it’s one excess I can live with for now. But I’ve also returned to collecting vinyl again, shopping for most things in-person, and living with things taking as long as they need to get to me if I do order them online. Putting an end to the mindless and endless subscribing has made me more mindful of the things that I do want showing up in my digital and physical mailbox once a month. Because unlike 15 years ago with that accidental analog subscription, I’m making a conscious choice for them to be there.