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    [post_date] => 2026-10-15 12:22:02
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Why I think looksmaxxers have more in common with trans people than they'd like to admit.

“Hi, nice to meet you, I’m Allison.” This is a sentence I have fought to say, yet despite my warm intentions, occasionally, what the other person hears is an out of tune piano. Their confusion doesn’t typically last for more than a breath, but to me, that brief pause can feel like an eternity. 

I don’t believe this apprehension is always derived from hate; as humans, we constantly look for boxes to put people in, to help us understand one another. Maybe that momentary hold is from the contrast between my feminine name and my “masculine” voice. Maybe it’s simply my own internal struggles. But on days where I am not busy questioning if my rights have been taken away yet, I have a peculiar thought: Are trans people the only ones who experience this introduction anxiety, or do cis people feel it, too?

In previous decades, there were aesthetic archetypes—such as the tomboy, the metrosexual, or even the neon-racoon-striped-hair scene kids—that bent the gender binary, allowing room for desperately needed gradients of self-expression. Each of these have lost their cultural tether over time. Twenty years ago, what made a man and what made a woman appeared to be looser. Today, the culturally dominant aesthetics are the “clean girl,” the “gym bro,” and “stealth wealth.” The diversity of self-expression has been snuffed out. 

This cultural shift has taken place alongside American politics using trans existence as an attention-diverting scapegoat. The societal pressures and heightened scrutiny placed on trans bodies has had some unforeseen consequences: Cisgender people are now suffering from more rigid standards of gender, too. Women athletes are being subjected to invasive sex testing for not fitting what society deems “woman enough.” The WNBA is being targeted as a political hotbed of discourse centered around the league not having a clear enough definition of what a woman is, resulting in routine harassment both on the court and off of it. Heterosexual dating has increasingly been framed by influencers and “experts” alike as something transactional, asking how the man can provide and what the woman can offer in return. 

Over the past several years, there has also been a rise in lifestyle content targeted towards men centered around hustle culture, exuberant wealth, and extreme fitness—broadly referred to as the “manosphere.”

Within this sphere of influence is the “looksmaxxing” community, a collective of individuals who have game-ified their appearance and, nonconsensually, the appearances of everyone else. Originally a cross-section of manosphere and incel (involuntary celibate) content, this collective of mostly men is fixated on making themselves as attractive as possible, as determined by what looksmaxxers deem to be a “mathematical” formula. Their scale ranges from zero to eight (“chud” to “chad”), but the online forums are very quick to tell you that an eight is almost impossible to achieve—only one in twelve billion will ever reach that score. Do these men fear being a 4.5, I wonder? When they say “nice to meet you,” do they worry that someone might notice their canthal tilt is slightly out of the ideal five-to-seven degree range?

I find a strange amount of empathy for these fears: I am always working towards having people perceive me how I see myself internally. The journey of self-actualization is not an easy one, but whether looksmaxxers want to admit it or not, it's also one that we share. Looksmaxxers message each other on forums asking where to get a reliable peptides dealer, or what methods they can use to ascend the scale. Trans women flock to forums to do much of the same, seeking advice on how to do their makeup, or tips for passing. Passing and ascending might as well be synonyms. To “pass” is the coveted goal for many of being perceived as a cisgender woman, to “ascend” is to get one step closer to becoming the ideal man. There is more in common between us than even I’d like to admit. (Maybe if they weren’t so hateful, we could even form a union one day.) 

I struggle to share this empathy willingly, as the poster boy for this culture is a 20-year-old influencer named Braden Peters, who goes by the name “Clavicular.” Peters currently has over one million followers on TikTok, and was even profiled by The New York Times earlier this year, where he was referred to as a “social media sensation” and “a beacon for a group of narcissistic, status-obsessed young men.” 

This profile feels especially frustrating, in part for the legitimacy it has afforded both Peters and the looksmaxxing movement. In it, he does not shy away from expressing his belief that he is above the law. (A belief underlined by an image he posted to Twitter/X stating “men’s facial features may sway criminal sentencing.”) There is even a subsection titled “No More Politics" where the reporter dives into Peters’ use of racial slurs, as well as all the time he has spent with self-proclaimed white supremacists and influencers charged with rape and human trafficking, including brothers Andrew and Tristan Tate, arrested in Miami last July.

 In September 2026, Peters—like his friends—was also charged with rape, after allegedly drugging and raping a 17-year-old girl. These charges are connected to a separate sexual battery charge from earlier this year. 

The looksmaxxing movement sits comfortably nestled under the manosphere umbrella alongside other hateful movements, such as blackpill and incel cultures. (In fact, many looksmaxxers often post using the same hashtags.) Like its sister movements, there is also a consistent pattern of violent escalation and dehumanization of anyone who doesn't fit within the system that looksmaxxers follow, ranging from cyberbullying to explicit forms of interpersonal physical violence. 

This is, perhaps, the most crucial difference between transgender people and looksmaxxers. While arguably victims of the same cultural pressures, looksmaxxers are able—and choose—to identify with the aggressor. The most horrifying part to me in all of this is that Peters’ act of violence might not be a disqualifier for adoration, or continued participation in the most problematic aspects of the looksmaxxing movement. As looksmaxxing has unfortunately made its way into the cultural zeitgeist, I personally refuse to allow it to separate from its hateful, racist, misogynistic origins. But to create fundamental change, all of us must do the same: Peters’ case must be a wake up call to not de-sensitize ourselves to this movement, including the inevitable harm it has already caused, and the harm it will likely continue to cause if left unchecked. 

Looksmaxxers’ relationship to gender expression and identity hasn’t ultimately protected them from judgement (and depending on how Clavicular’s case plays out, perhaps neither from consequence): The brutal scrutiny they’ve placed onto others has ended up reflected back toward themselves. Although most looksmaxxers are born male, society's expectations of men have gotten more extreme. Within manosphere culture, you must be fit, tall, and disciplined. So if you’re a short man who experiences joy, you might feel incongruent with your gender. Like many trans people, they, too, are experiencing a form of gender dysphoria, a psychiatric diagnosis that refers to the psychological distress that results from an incongruence between one’s sex assigned at birth and one’s perceived gender identity. Rather than an internalized journey, however, looksmaxxers continuously take in these negative external pressures and fire them back at each other—along with everyone else. Peters himself has stated that “men aren’t supposed to be happy.” The difference is that looksmaxxers believe others should suffer alongside them, and that often, they should ultimately suffer worse.

It's important to acknowledge that trans women are not immune to toxicity. There are niche corners of the culture centered around categorizing each other as “doll” or “brick,” which to some, simply translates as passing or not passing. Thankfully, this is not the dominating narrative for the trans community—it's actually the opposite: No matter where someone is on their self-actualization journey, whether day negative ten or day one hundred, our appearance doesn’t change that we are women. Anyone who says otherwise is rightfully shamed, quite the opposite approach to the one that looksmaxxers take, where it doesn’t matter how far on your looksmaxxing journey you are, god help you if you are 4.5 on their scale—or worse, a woman. 

Still, the perpetual burden of incongruence isn’t something I’d wish on my worst enemy. We are all dolls, and deserve the grace of autonomy and self-expression. I hope looksmaxxers can also feel that warmth—from each other and themselves—soon. But to get there, they must first reckon with the collective trait at the root of their ugliness: hate. Because no matter how effective their peptides or hard the hammer hits their jawline, the only true path to their ascension to chad-hood might just depend on their finally embracing the opposite. 

[post_title] => A Letter to the Chads from a Doll [post_excerpt] => Why I think looksmaxxers have more in common with trans people than they'd like to admit. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => a-letter-to-the-chads-from-a-doll [to_ping] => [pinged] => [post_modified] => 2026-10-20 12:37:42 [post_modified_gmt] => 2026-10-20 12:37:42 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=11044 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An illustration of two figures in profile looking at one another as small people climb all over them.

A Letter to the Chads from a Doll

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    [post_author] => 15
    [post_date] => 2023-06-07 12:00:00
    [post_date_gmt] => 2023-06-07 12:00:00
    [post_content] => 

No one knows how to organize like a fandom.

J.K. Rowling could have died a hero, but will instead be remembered by millions of her most ardent fans as a villain.

At first, it seemed subtle enough: Rowling would “like” tweets that framed trans women as men, toeing the line of support for transphobic rhetoric. Then, in 2019, she shifted from passive implied support to active commentary. She tested the waters by voicing support for Maya Forstater, the plaintiff in a UK employment lawsuit claiming she had been discriminated against for “gender-critical” tweets. On her website, best known for its charming Harry Potter-related Easter eggs, Rowling published a nearly 3,700 word essay decrying trans activism. She has even gone so far as to compare her opponents to Death Eaters, a Nazi-esque terrorist organization in the Harry Potter universe. Today, the author’s brand is practically unrecognizable to many longtime fans; if you emerged from a coma you entered in 1997, you might look at Rowling’s Twitter and assume that policing trans lives was her day job.

As one of the leaders of Fandom Forward (formerly The Harry Potter Alliance), an international nonprofit that helps Harry Potter fans and members of other fan communities become real-life heroes through activism, I had a front row seat to Rowling’s shocking transformation. I wasn’t just angry; I was heartbroken, especially since so many of my friends and collaborators in the Harry Potter fandom are trans. Having grown up in the Catholic school system, where people simply didn’t come out until adulthood, many of the first openly trans people I ever met were people I knew through this fan community.

Whether she accepts it or not, J.K. Rowling is fighting to destroy a safe haven that she helped create. She isn’t just collecting royalty checks or rolling around in champagne: She is using the power of storytelling to enact significant political and cultural outcomes for trans people who are merely trying to live freely, without the threat of violence or death. 

Fortunately, fans who support trans rights are doing the same thing. I am one of them. As a child, pop culture was the lens through which I understood the world and myself. I didn’t just consume stories. I devoured them, and made them my own. I was born in the early ’90s, and grew up with the Hogwarts trio: The night in 2001 that my grandmother and aunt took me to see Harry Potter and the Sorcerer’s Stone, then set me up with a copy of the book, changed my life forever. I spent countless hours imagining myself at Hogwarts, fighting alongside my favorite characters. Would I be great at Quidditch like Harry and Ron? An intellectual like Hermione? Great with magical creatures like Hagrid? The ability for readers to place themselves in this magical universe and learn something about themselves in the process is part of why the story has endured for so long.

Like many children of my generation, I also understood the Harry Potter universe not as an escape from reality, but an invitation to tackle the world’s injustices. After all, Harry Potter, Ron Weasley, and Hermione Granger were never passive bystanders. Even at age 11, they stepped up to fight evil, often without the support or knowledge of the adults around them.

Today, I am part of a community of fans using the lessons we learned from Harry Potter to combat a rising tide of transphobic violence in the U.S. and U.K. The fandom’s response to Rowling's comments has been swift and impactful, creating a path forward that challenges Rowling’s ideas and fosters trans acceptance, all while offering options beyond a mere boycott. The Gayly Prophet, a Harry Potter podcast with a queer and trans lens, created a guide to firing J.K. Rowling that features countless suggestions for engaging with the franchise ethically, and even supporting trans rights through the purchase of fan-made merchandise. Fandom Forward’s Protego Toolkit provides resources and actions fans can take to lobby against anti-trans legislation, attend protests, volunteer for trans rights organizations, and make community spaces trans-friendly. A consortium of fan organizations called HP Fans Against Transphobia has collected thousands of signatures petitioning HBO against further enriching Rowling through the creation of a new Harry Potter television series. And our heroes themselves have even stepped up to be a part of this activism, too: Recently, Harry Potter star Daniel Radcliffe moderated “Sharing Space,” a Trevor Project web series featuring discussions with trans and nonbinary youth.

Whether it comes from the fandom or “Harry” himself, Rowling faces a powerful storm of collective action, rooted in love and community for trans lives. Because the truth is this: Fans have power, and as a collective, we can make a difference—sometimes even bigger than the thing that brought us together in the first place.

Media scholar Henry Jenkins defines fan activism as “forms of civic engagement and political participation that emerge from within fan culture itself, often in response to the shared interests of fans, often conducted through the infrastructure of existing fan practices and in relationships, and often framed through metaphors drawn from popular and participatory culture.” Simply put, fan activism allows fans to channel their creative energy and imagination into civic action—and it’s effective.

As an innovative practice, fan activism can take many forms, though many were popularized by what was once The Harry Potter Alliance, which I joined as a college sophomore in 2012. What started amid a rich ecosystem of transformative works on Harry Potter became a guiding force and community hub for hundreds of thousands of fans. The organization was founded in 2005 to address human rights violations in Sudan and raise money for Amnesty International at local wizard rock concerts in the Boston area. Today, we’ve turned our sights toward countless other causes, too.

In nearly 20 years, fan activists have developed innovative, powerful campaigns on a global scale. As a longtime volunteer and now as the co-chair of the board of directors at Fandom Forward, I have witnessed thousands of volunteers, often young students from various backgrounds, recognize and own their collective power through pop culture. Together, we have donated over 400,000 books and built libraries in underserved communities globally through Accio Books (now Book Defenders), connected with activist mentors at our Granger Leadership Academy (also known as Camp GLA), raised funds to bring three planes (aptly nicknamed Harry, Ron, and Hermione) full of rescue supplies to Haiti during the 2010 earthquake disaster, and even successfully lobbied Warner Bros. to use Fair Trade-certified cocoa products through our Not in Harry’s Name campaign.

The real magic and legacy of fan activism, however, is that it challenges corporate assumptions about what fandom is. The world’s greatest “superfans” are more than just passive media consumers who will buy and stream whatever you put in front of them. They are active participants who will remix and reinterpret your brand through the lens of their own experience. And they aren’t afraid to walk away from the brand itself when its creators do not align with their morals. The swift response to J.K. Rowling’s commentary on trans rights, as well as commentary on fatphobic, racist, and antisemitic tropes in the Harry Potter series, illustrates that pop culture is no longer a top-down hierarchical structure, with audiences waiting to absorb whatever studio executives have decided the masses should consume. Fans have willed ideas about their favorite stories into life. If they don’t agree with the harm a creator has caused, they can—and will—go elsewhere.

This trend is extraordinary not because it is new, but because it brings us one step closer to the heart of what storytelling looks like outside the shadow of corporate greed: not a means by which a few companies could reap profits endlessly, but a modern mythos by which our collective memory passes from generation to generation. Storytelling is one of the key elements that makes us human. For thousands of years, humans have told stories in order to survive. As our species evolved and circumstances changed, stories have shifted in purpose, meaning, and interpretation, but ultimately still exist to help us survive and build community. Fandom, and fan activism by extension, is simply a part of the storytelling evolution.

The passion, joy, and power of fandom is immeasurable. It is a magic that cannot be contained or tamped down, even as brands attempt to wrest control over the meaning and messaging behind their intellectual property. Organizing can still seem daunting, and those in it for the long haul will need plenty of ways to take care of themselves and their community. For fan activists, the hard work of organizing is often accompanied by opportunities to experience joy and self-care at community events, from wizard rock concerts to meditation retreats. In the fight against fascism and anti-democratic practices, my ability to engage in sustainable, joyful activism with other fans has given me hope beyond measure.

While Harry Potter has fostered some of the most popular forms of fan activism, the possibilities are endless, spanning countless other fan communities. The Fan Organizer Coalition, founded in 2021 and co-directed by Fandom Forward and Black Nerds Create, has sparked numerous cross-fandom collaborations. From ending voter suppression with Star Trek fans, to celebrating Indigenous geek culture, to educating Disney fans on how to fight the climate crisis, our civic imagination as fans and as storytellers knows no bounds.

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An illustration of colorful, happy cartoon people (and a couple small cartoon mice) gathering in protest. They are emerging from a laptop and into the real world. In the background, you can see the silhouette of a person going foot first into another laptop, stepping through it to join the protest on the other end. The protestors are carrying signs with red hearts, and a few have speech bubbles over themselves.

Don’t Underestimate Fan Activists