WP_Post Object
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    [ID] => 9113
    [post_author] => 15
    [post_date] => 2025-07-28 20:48:44
    [post_date_gmt] => 2025-07-28 20:48:44
    [post_content] => 

How younger generations are turning knitting and crochet into a community building affair.

The first known knitted project was a pair of socks. Discovered in Egypt, the socks featured colorwork made from indigo and white cotton, and were believed to date back to the 11th century, although the craft itself has likely existed for much longer. In the many decades since, knitting, crochet, and other fiber arts have become widespread and global, evolving from the work of artisans to a beloved pastime across generations, while still staying true to the original techniques used in the very first woven fabrics. And now, the craft has evolved once more—this time, at the hands of young people seeking a comforting hobby that gets them out of the house. 

This is what led Virginia Meinhausen, 28, and Lea Engler, 31, to take the leap and start Knitting Club Potsdam in Germany earlier this year. “Being part of a community in person is something [meaningful], not only just to speak to each other, it's also… Wow, so many people are doing this and we are doing this together,” says Meinhausen. “We are now meeting each other in a huge group once a month.” 

Since launching the club in March, Meinhausen says it’s grown to over 100 members. But this quick success isn’t unique to just Knitting Club Potsdam. In recent years, the age-old practice has found new meaning amongst Gen Z and Millennials, who have turned to knitting as a means of bringing back the “third place” and reconnecting with their peers. 

“I remember thinking, it’s crazy how many people don’t have a real hobby anymore,” says Isabelle Mann, textile business expert and owner of knitwear brand Fable and Failure. But she says this started to shift during the pandemic, as younger generations sought more analog ways to pass the time.

The trend first began online, rising to prominence through influencers like Petite Knit and platforms like Ravelry, with younger generations taking ancient techniques and adapting their garments and patterns to match modern trends. “People do appreciate knitting more again,” Mann says. She sees fiber arts as a community building affair for those between 25 and 35, and started her own club through her business in 2019 as a means of teaching and preserving the craft. She also believes that fiber arts skipped a generation, and that parents in the 90s and early 2000s simply never taught their Millennial and Gen Z children how to do it. Instead, these generations taught themselves—and eventually, as COVID lockdowns lifted, these same knitters decided it was time to take things offline. 

Craving human interaction and a break from their screens, hobbyists began coming together post-pandemic as a means of bringing back the “third place”: a neutral, physical space separate from home and work (or school). The concept is set on community building in-person, without having to spend much or any money to participate—something Gen Z feels that they’ve missed out on, and Millennials frequently mourn, as social media has increasingly replaced it online. 

Knitting clubs, in particular, have gained global interest in recent years, with communities expanding rapidly, even in small cities. The industry is expected to grow by $10.69 billion between 2024 and 2028, according to Technavio, a company that specializes in market research reports and industry analysis. 

In addition to creating bonds through a like interest, in-person knitting clubs are also helping young fiber artists learn new techniques faster and more effectively. When they began Knitting Club Potsdam, Meinhausen was a beginner and Engler was a seasoned knitter, having learned from her mother starting at 8 years old. The club currently has 60% beginner knitters and 40% advanced, according to Engler. Meinhausen, still a beginner herself, says she can’t believe the intricate project she’s working on now, which she credits to how quickly she’s learned since starting the club. She adds that advanced members “love to help,” which gives those just starting out the confidence to continue attending—and makes everyone joyful in the process. 

Quote is good

“I told Gini [Virginia] after the first meeting, for me, it was very calm. Everyone was smiling. Everyone [was] so, so happy,” Engler says. “I think this feeling is the best part.”

According to Meinhausen and Engler, knitting and crochet is very popular amongst young people in Germany, but the hobby has gained traction amongst 20- and 30-somethings in other places, as well. In New York, crochet designer Michelle Palacio is creating garments for her brand Venganza using crochet techniques from her Colombian grandmother. In Nepal, the Nepal KnotCraft Centre, founded in 1984, aims to help women of all ages build traditional skills in fiber arts. In Paris, Avril Bas, 26, and her co-president Alice Pierre-François, 28, launched a crochet club called Club Crochet Tricot in 2024, a club that is now officially recognized by the French government. She says membership is growing every week. 

“It's really incredible to have [this] place where a common hobby links people, and it helps us find similarly minded people that want to [enjoy] the same activities,” Bas says. “It's really beautiful.”

Bas says that starting the club, combined with her passion for knitting and crochet, contributed to her pursuing fiber arts full time. She fell in love with the tight-knit nature of the community, and now, their club’s efforts have “blossomed into something massive.”

“I started this club and all of a sudden I had like quadrupled my number of friends,” she says. 

Club Crochet Tricot meets on Sundays four times a month, with locations varying from scenic park picnics, local cafes, public libraries, and even the cinema. Between 40 and 100 people regularly attend their in-person crafting sessions, and there are always new and interested attendees week to week. Bas feels like younger generations long for this kind social interaction, building community around creativity—and her club is an outlet for that. She also says that she’s more than happy to be a “third place” for those who have been seeking it—and perhaps, that it’s a sign of more “third places” to come. 

“Everybody around our age wants to open a bookstore, plant store, cafe,” Bas says. “I feel like it’s going to happen.”

[post_title] => Weaving a New Third Place [post_excerpt] => How younger generations are turning knitting and crochet into a community building affair. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => third-place-fiber-arts-knitting-circles-clubs-crochet-weaving-community-crafts-artists-artisan [to_ping] => [pinged] => [post_modified] => 2025-09-19 14:59:16 [post_modified_gmt] => 2025-09-19 14:59:16 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=9113 [menu_order] => 5 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
An embroidered illustration on fabric of a tree with women and sheep sitting or standing on the branches. In the background are rolling hills, and clouds in the sky.

Weaving a New Third Place

WP_Post Object
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    [ID] => 8963
    [post_author] => 15
    [post_date] => 2025-07-14 19:52:34
    [post_date_gmt] => 2025-07-14 19:52:34
    [post_content] => 

A few unconventional beach reads from the Conversationalist team.

Trauma Plot: A Life by Jamie Hood

Part memoir, part literary criticism, part autofiction, part therapy diary, and totally all-consuming, Jamie Hood's Trauma Plot considers how rape upends subjectivity, narrative, and identity — and, in more personal terms, what it means to build a life that acknowledges the reality of sexual violence while refusing to be defined by it. Structurally, it's one of the most interesting books I've read in years; emotionally, it's one of the most gripping. It's searing and surprisingly funny, both brilliant and deeply intimate. And though its subject matter is dark, Hood's a gifted stylist who writes with a powerful spirit of hopefulness and solidarity. I found Trauma Plot utterly unforgettable.

—Marissa Lorusso

The book cover for Trauma Plot: A Life by Jamie Hood.
The book cover for Skin & Bones by Renée Watson.

Skin and Bones by Renée Watson

I started reading Skin and Bones by Renée Watson at the top of the year, a Christmas gift from a friend. The premise follows a woman, Lena, who is set to get married when her fiancé divulges a secret the day of their wedding. The book is about heartbreak and forgiveness and how relationships evolve. It's about friendships, motherhood, and multigenerational hurts, lessons, and loves. But even more, it's about the dynamics, social and political, of being a fat, black woman in the U.S.; specifically within historical and present black Portland.

I didn't know what to expect from Skin and Bones, though I'd been a bit familiar with Watson's poetry. Like her poetry, her pose is soulful, and the story keeps you wanting to know more and more and more, so much so that by the end, I still wanted to know more about the main character Lena and the world she existed in. However conscientious I may consider myself now about the politics of fatness, there's so much nuance in the book Watson offers through Lena's story, and I'm appreciative of the insight given that I didn't know; that perhaps I could not have easily known. 

All in all, the book is both informative and heartfelt, and whatever time of year you read it in, it's sure to deliver warmth to your skin—and bones.

—Kovie Biakolo

Alligator Tears: A Memoir in Essays by Edgar Gomez

From working at a bougie flip-flop store to Latin dance nights at Pulse nightclub, Edgar Gomez's Alligator Tears is an ode to Florida and queerness. As someone who also grew up in Florida, I saw so much of myself in Gomez's story. His book made me laugh, cry, and feel less alone. The writing is so raw; it's a refreshing dive into the deep end of some topics that are rarely discussed with such honesty. (Just be warned that in the deep end, you may find some alligators lurking.)

—Kiera Wright-Ruiz

The book cover for Alligator Tears: A Memoir by Edgar Gomez
Book cover of The Adventures of Amina al-Sirafi by Shannon Chakraborty.

The Adventures of Amina al-Sirafi by Shannon Chakraborty

I've been reading a lot of escapist fantasy to cope with current events, and this novel about Amina al-Sirafi, a retired pirate who gets sucked back into sailing the medieval Indian Ocean in search of a kidnapped kid and ancient, magical treasures, was the most fun I've had with a book of late. It's also especially unusual to find middle-aged mothers as fantasy protagonists, and it reminded me of another favorite, N.K. Jemisin's Broken Earth trilogy. Even better, the book is set up to become a series, which means more adventures to come.

—Anna Lind-Guzik

Things in Nature Merely Grow by Yiyun Li

Early in her memoir Things in Nature Merely Grow, Yiyun Li writes, “Facts are the harshest and the hardest part of life." Yet it is the sturdiness of facts, "unalterable," that the writer finds herself returning to in the aftermath of immeasurable loss: the deaths of both her children by suicide, six years apart.

Li writes about the abyss of grief, aware that she is still in it, and perhaps always will be. Things in Nature Merely Grow is Li’s book for her younger son James, a boy who lived life through his thoughts, and it is therefore led by logic; exploring how we think about, talk about, and rationalize death, suicide, and grief. This isn’t to say the book abandons feeling—far from it—but rather that Li’s feelings are almost always tethered to facts: Each moment she catches herself on the cliff’s edge of a hypothetical, she steps away, knowing no answer will change her reality.

A deeply generous book, this memoir flowed through me. It’s staggering to read something that so deftly addresses how impossible it is to put grief into words while doing it so masterfully. Yet here, Li’s writing is precise, capturing grief’s abyss with unwavering clarity.

Gina Mei

The book cover for Not Your Rescue Project: Migrant Sex Workers Fighting for Justice by Chanelle Gallent and Elene Lam.

Not Your Rescue Project: Migrant Sex Workers Fighting for Justice by Chanelle Gallant and Elene Lam

As a sex worker and a writer, I’m constantly on the lookout for that rare text that covers adult industry workers with nuance, accuracy, and cultural competence. Not Your Rescue Project: Migrant Sex Workers Fighting for Justice, written by sex worker advocates Chanelle Gallant and Elene Lam, is one such uncommon text. Published last year, this timely book balances workers’ personal narratives with a play-by-play breakdown of the historical and contemporary jigsaw puzzle of racist and sexist policy, stigma, and violence that plagues migrant sex workers in North America. Many people outside the sex industry don’t understand how anti-sex worker stigma affects them personally, and I’m always excited when I find a piece of media that connects the dots in a way that’s easy to understand. Not Your Rescue Project accurately situates migrant sex work as a global justice issue about gender and labor, and every page is a well-researched argument for why anyone who wants to end patriarchy would benefit from joining the fight for migrant sex workers’ rights.

Delilah Saul

Catalina by Karla Cornejo Villavicencio

The novel is written with simple language, but I read each page slowly, because every sentence contains meaning and emotion. This is the story of Catalina and her grandparents, an undocumented Ecuadorian family living in Queens, New York. From a young age, Catalina feels the fear and pressure of living in the States without a visa. When she graduates from high school, she begins studying at Harvard—her family’s great dream for her. But as the story unfolds, it becomes clear that attending such an institution won't necessarily fulfill the promise of solidifying her immigration status, nor give her family the upward mobility they'd long hoped for.

Faced with the impossibility of telling her own story, Catalina finds a way to claim space by deciding to become art—because then, she would be seen, and admired, and perhaps even able to legalize her immigration status. After all, a recognized work of art can freely come and go, without needing visas.

Unlike other common portrayals of immigrants in pop culture, Cornejo Villavicencio’s novel does not portray immigrants as victims. Rather, it asserts a claim: Immigrants want to be seen, and have the right to joy.

Ana María Betancourt Ovalle

Book cover for Catalina by Karla Cornejo Villavicencio.
Book cover for Coach Prime: Deion Sanders and the Making of Men by Jean-Jacques Taylor.

Coach Prime: Deion Sanders and the Making of Men by Jean-Jacques Taylor

This book spoke to me on so many levels. Coach Prime is more than a story about football—it’s a deep, intimate look into what it means to lead with integrity, faith, and fearlessness in a world that often misunderstands or underestimates you. Deion Sanders, known for his illustrious NFL career, emerges here not just as a coach, but as a transformational leader, mentor, and father figure who guides young men through life’s toughest moments with purpose and poise.

In an era where diversity, equity, and inclusion (DEI) efforts are often under attack or dismissed, Sanders' approach also offers a compelling and deeply needed counter-narrative: He doesn’t just preach inclusion—he lives it, modeling how authenticity and high standards can coexist. Rather than lower the bar to accommodate struggle, he lifts people up so they can reach it. 

Personally, this book has challenged me to lead with greater intentionality, to show up more consistently in my purpose, and to be a source of confidence and clarity for others. I’ve taken away this truth: Real leadership isn’t about being loud—it’s about being rooted. Others can learn from this book that greatness isn’t found in performance alone—it’s in how you treat people, how you guide them, and how you hold space for others to grow. That’s how we build lasting impact—not just on the field, but in every part of our lives.

Loleta Ross

The Book of Alchemy: A Creative Practice for an Inspired Life by Suleika Jaouad

As a lifelong journaler, I’ve been relishing each page of The Book of Alchemy by Suleika Jaouad. Even if you don’t journal (or aspire to but haven’t made it a ritual—yet!), it’s a beautiful collection of 100 essays from deep thinkers and wisdom gatherers that you can flip through and digest at your own speed. I love that each essay is short, only a few pages; which means I can manage to finish one at bedtime before falling asleep. Each essay ends with a prompt for journaling, a friendly hand reaching out to you to help make the habit a little more inviting and doable. It continues to surprise me how a journal (or just any ole notebook, really) can instantly become a safe space and listening ear for what’s swimming inside of you and wants to be released. A free form of therapy that’s available whenever you need it. Thank you Suleika for unlocking the magical world of journaling that’s awaiting all of us!

Erin Zimmer Strenio

The book cover for The Book of Alchemy: A Creative Practice for an Inspired Life by Suleika Jaouad.
[post_title] => What We're Reading This Summer [post_excerpt] => A few unconventional beach reads from the Conversationalist team. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => summer-reads-books-recommendations-2025-memoir-nonfiction-fiction-novel-trauma-plot-jamie-hood-skin-bones-renee-watson-alligator-tears-edgar-gomez-things-in-nature-merely-grow-yiyun-li [to_ping] => [pinged] => [post_modified] => 2025-09-12 16:53:42 [post_modified_gmt] => 2025-09-12 16:53:42 [post_content_filtered] => [post_parent] => 0 [guid] => https://conversationalist.org/?p=8963 [menu_order] => 7 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )
A collage of book covers on a dark red background.

What We’re Reading This Summer

WP_Post Object
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    [ID] => 8835
    [post_author] => 15
    [post_date] => 2025-07-10 15:40:06
    [post_date_gmt] => 2025-07-10 15:40:06
    [post_content] => 

How Kenya's grocery stores might be hurting local farmers.

When the Mauritian private equity fund, Adenia Capital IV, bought Kenyan supermarket chain Quickmart and merged it with rival Tumaimi in 2019, the benefits to investors were obvious. Under the terms, all 13 Tumaimi stores in Kenya would rebrand as Quickmarts, making it the third-largest supermarket chain in Kenya by number of stores overnight. In a joint statement, the two supermarket chains said this new entity would “enhance the capacity to accelerate expansion” and bolster “operational efficiencies.” With an influx of capital, the expanded Quickmart was also poised to buy up smaller stores around the country and become an even larger retail powerhouse, extending its operations beyond dense shopping areas and into quieter residential areas on the periphery of Kenya’s major cities. 

Beyond lower prices and expanded access, Quickmart and its private equity owner also spoke of social advantages for ordinary Kenyans. At the time of the merger, 14,000 farmers across the country supplied the chain. With time, Quickmart expected them to supply about 30 percent of its fresh produce. In a country where an estimated 40 percent of people derive at least some of their income from agriculture, the promise of more opportunities for farmers looked like a benefit for everyone. 

Since exploding onto the scene in the early 2000s, there’s been a steady rise in supermarkets across Kenya. In 2002, there were four supermarket chains in the country; by 2018, there were ten. Though more “informal” operations, like market stalls, still account for the vast majority of Kenyan grocery sales, in 2020, the proportion of groceries sold through supermarkets was as high as 15 percent. By the end of the decade, such “modern retailers” could account for as much as 25 percent of sales, according to a report from Boston Consulting Group. 

It’s a similar story across the developing world, where supermarkets are rapidly displacing other retailers to become the place of choice to buy food. In doing so, supermarkets have become a major force in the Global South, not just in retailing, but in agricultural purchasing. But a closer look shows the new phenomenon has often done more harm than good for the small farmers these supermarket chains and their investors claim to help. 

~

Well into the 20th century, buying groceries in the United States was a lot like buying them in many parts of Africa today: Different vendors sold different items, like meat, produce, oil, or rice, independently, but in close proximity. 

As journalist Benjamin Lorr explains in his book, The Secret Life of Groceries: The Dark Miracle of the American Supermarket, the idea of a big store that sells everything in one place only goes back a century. Michael Cullen, the New Jersey grocer who pioneered the supermarket concept, struggled and failed to persuade colleagues about its viability for years. But when he opened his King Kullen store—the first supermarket in history—in New York in 1930, the Great Depression was raging, and the store’s wide range of heavily discounted offerings quickly proved indispensable to legions of customers. Other stores soon followed. 

“They came with names like Big Bear, Giant Tiger, Bull Market, Great Leopard, announcing their size and price-chopping ferocity with a zoological zeal that puzzles the modern ear,” Lorr writes. “Adding in-store mascots and costumes, parades and pullout advertisements, each trying to pile up merchandise into ever higher displays of abundance.” 

By the 1960s, virtually every new grocery store in America was a supermarket, and regional and national chains like Safeway and Kroger became household names throughout the country. Since big supermarkets meant big parking lots, people could also bring their cars—by then an indispensable part of modern life. And because these stores offered everything in one place, families could load up for the week in a single transaction. 

Size came with a cost advantage, both for stores and for customers. By buying so much food at once, supermarkets could insist on lower prices from farmers, then sell it to consumers for less than their smaller competitors, thus drawing more people and fueling their own expansion. 

But the supermarkets’ edge was often their suppliers’ curse. Dealing with a big supermarket chain meant farmers could sell vast amounts of their products, but it also made them beholden to them. Some farmers got by under this new regime by adapting the stores’ model for themselves, consolidating with each other, getting bigger, and selling at volume to make up for the smaller margins on each item. More often, however, farmers went out of business entirely. 

In developing countries today, farmers are facing a similar threat. As a report from the African Climate Foundation recently found, rising supermarket chains typically impose burdensome costs onto farmers in the form of “fees, terms and supply conditions” that only the very largest farmers can endure. 

In Kenya, smaller farmers are already suffering. In 2016, the Competitive Authority of Kenya (CAK), a government agency formed to regulate market competition, found that a number of supermarkets had abused their power by pressing new fees onto suppliers after signing contracts. Soon after, Kenya became only the second country in Africa, after South Africa, to prohibit such abuses in legislation.

Kenya and South Africa’s relative affluence may distinguish them from most countries in Africa, but, as supermarkets spread across the continent, they offer a warning of how supermarkets can harm farmers, even with regulations in place. In 2023, CAK hit the local operators of Carrefour, a French supermarket chain, with a record $8.5 million fine after concluding that the chain had climbed the ranks in Kenya’s supermarket industry by demanding crushing discounts from suppliers with one hand, while promoting impossibly low prices to consumers with the other. Carrefour has said it will appeal the decision, but it’s not the first time the company and its local partners have been accused of harming a supplier. A few years earlier, CAK ruled against Carrefour’s local operators after a Kenyan yogurt producer, Orchards, argued it had been forced to give Carrefour steep discounts and even free merchandise that the supermarket later turned around and sold. 

Kenya’s high court upheld the ruling last year. By then, Orchards had already gone out of business. 

~

You might think consumer demand is the sole driving force behind the rise in supermarkets in the Global South. It’s true that in Kenya and other developing countries, an emergent class of consumers has come to expect the same luxuries that people in the United States and Europe have long enjoyed. But the worldwide shift towards supermarkets isn’t just a free market trend: It’s aided by a heavy hand from taxpayers in the Global North. 

When Adenia Capital IV purchased Quickmart in 2019, more than 40 percent of the fund’s €230 million came from government-controlled development finance institutions. Development banks from Belgium, France, the United Kingdom, Switzerland, Austria, and Germany all contributed, as well, along with two multilateral banks—the International Finance Corporation (IFC), part of the World Bank Group, and the European Investment Bank, the European Union’s development bank. 

Similar taxpayer-funded institutions underwrite supermarkets all over the developing world. In the last two years alone, the European Bank for Reconstruction and Development, another development bank, has invested in supermarket chains in Uzbekistan, Romania, Turkey, Albania, and elsewhere. In 2025, the IFC promised up to $30 million to help Kazyon, an Egyptian chain, expand in Morocco. Two years before, Kazyon also received $165 million from Development Partners International, a private equity fund backed by development banks from France and the UK. 

European development banks are typically mandated to use their capital to alleviate poverty in developing countries, and often justify investments in supermarkets as a means of helping women and “modernizing” agricultural economies. Consider the Netherlands’ development bank, FMO, which provided $23 million to Azerbaijan’s Araz Supermarket in 2024 to help it build a new distribution facility. FMO said the investment would “contribute to gender equality” since Araz employed a number of women. The bank also said it would help Araz provide “modern working conditions” in a poor region of the country. 

But despite investors’ claims, history has shown that the rise and consolidation of supermarkets is usually also bad news for small farmers. Development banks may tout an altruistic mission, but the supermarkets appeal to them for the same reason they appeal to commercial banks: not because they support local agriculture or gender equality, but because they are reliable investments. What benefits they provide to rural communities is less important than whether they grow and turn a profit. 

One way to make conditions more equitable for farmers is to implement regulations that dictate what supermarkets can and cannot do to suppliers. Since 2010, the UK, Australia, and New Zealand have adopted mandatory codes that bar grocers from practices like changing the terms of a supplier contract unilaterally or delaying payments to suppliers. In Africa, two countries—Kenya and Namibia—have adopted similar codes; though, for now, adherence is voluntary. That’s an inherent weakness: As the African Climate Foundation notes—and as Kenya’s recent history of supermarket-supplier relations has demonstrated—true change requires enforcement. 

Development banks could also play a role in obliging countries to adopt these stronger regulations. By promising to invest in supermarkets only in countries that have adopted mandatory codes of conduct, a bank like the IFC could ensure its capital does more to help than harm the small farmers—not just in Africa, but in developing countries around the world—on whose labor agricultural economies depend.

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A customer stands in front of shelves with loaves of bread at a supermarket in Nakuru City, Kenya, their back to the camera.

The Troubling Rise of Supermarkets in the Global South